Frankenstein 1910
Producer: Thomas A. Edison Script/Director: J. Searle Dawley Cinematography: James White Production: Edison Manufacturing Co. CAST: Charles Ogle, Augustus Phillips, Mary Fuller Release: March 18, 1910. 16 min. Inter-titled. Color tinted w/music score.
The first screen version of the literary classic "Frankenstein" by Mary Wollenstonecraft Shelley in 1818.
Camille 1921
Producer: Alla Nazimova Script: June Mathias Director: Ray C. Smallwood Cinematography: Rudolph J. Bergquist CAST: Alla Nazimova, Rudolph Valentino, Rex Cherryman, Arthur Hoyt, Patsy Ruth Miller Production: Nazimova Prods. Release: September 26, 1921 70 min. B/W.
American silent drama based on the stage adaptation "La Dame aux Camelias" (The Lady of the Camellias) by Alexandre Dumas.
FAUST - A GERMAN FOLKTALE 1926
Producer: Erich Pommer Script: Hans Kyser Director: Friedrich Wilhelm Murnau Cinematography: Carl Hoffmann CAST: Emil Jannings, Goesta Ekman, Camilla Horn, Wilhelm Dietrerle, Frida Richard, Yvette Guilbert Production: Ufa Release: October 14, 1926 106 min. B/W. inter-titled.
Silent fantasy film, produced by Ufa, directed by Friedrich Wilhelm Murnau, drawing on older German traditions of the legendary tale of Faust as well as on Goethe's classic 1808 version.
Underworld 1927
Producers: Hector Turnull, B.P. Schulberg Script: Ben Hecht, Charles Furthman, Robert N. Lee Director: Josef von Sternerg Cinematography: Bert Glennon CAST: Clive Brook, Evelyn Brent, George Bancroft, Larry Semon, Fred Kohler Production: Paramount Pictures Release: August 20, 1927 80 min. B/W inter-titled.
American silent crime film directed by Josef von Sternberg which launched the director's eight-year collaboration with Paramount Pictures. Ben Hecht was honored with the Academy Award for "Best Original Story" at the Oscars in 1929.
Child of the Ghetto 1910
Producer: Edwin S. Porter Director: D.W. Griffith Script: Stanner E.V. Taylor Cinematography: G.W. Bitzer, Arthur Marvin CAST: Dorthy West, Kate Bruce, Dell Henderson, Charles West Release: November 3, 1910 15 min. B/W inter-titled.
Vintage short film directed by D.W. Griffith tells the story of a Jewish girl whom after her mother's death struggles to support herself as a seamstress. While Ruth delivers shirts to the factory owner, the boss's son steals money from the factory and Ruth is accused of the crime.
A Page of Madness 1926
Producer: Teinosuke Kinugasa Script: Yasunari Kawaata, Minoru Inuzuka, Banko Sawda Director: Teinosuke Kinugasa Cinematography: Kohei Sugiyama, Eiji Tsuuraya CAST: Masao Inoue, Yoshie Nakagawa, Ayako Iijima Production: Kinugasa Motion Pictures League Release: July 10, 1926 71 min. B/W sound version (1975) English subtitled.
Japanese silent experimental horror film directed by Teinosuke Kinugasa for the Motion Picture League starring Masao Inoue, Yoshie Nakagawa, Ayako Iijima, etc.
"A Page of Madness' was a lost film for over forty-five years until a print of the production was rediscovered by Kinugasa in an old warehouse in 1971, the film is a product of an avant-garde group of artists in Japan known as the 'Shinkankakuha' ('School of New Perceptions') who tried to overcome naturalistic representation and were greatly influenced by German expressionism at the time. The production abounds with flashbacks, quick edit cuts, fast camera movements, optical inventions, and cinematic symbolism.
Yasunari Kawabata, who won the Nobel Prize for Literature in 1968, was credited on the production with the original story. He has been often cited as the scriptwriter, and a version of the scenario is printed in his complete works, but the scenario is now considered a collaboration between him, Kinugasa, Banko Sawada, and Minoru inuzuka, Eiji Tsuburraya is credited as an assistant cameraman.
"A Page of Madness" was first screened in Tokyo, Japan on July 10, 1928. The screening included live narration by a storyteller ('benshi') as well as musical accompaniment. The famous 'benshi' Musei Tokugawa' narrated the picture at the Musashinokan Theatre in Tokyo. The film grossed over $1000 dollars a week, which was quite impressive at the time, considering the price of a motion picture theater admission was only five cents.
Teinosuke Kinugasa's "A Page of Madness" is considered a cinematic masterpiece by contemporary film historians and scholars as well as contemporary critics.
Ja[intage Japanese silent experimental horror film, a product of an avant-garde group of artists in Japan known as the Shinkankakuha (School of New Perceptions) who tried to overcome naturalistic representation. The story is set in a mental institution in 20th Century Japan. This rare film was once lost for forty-five years until rediscovered by its director in a srehouse in 971.
The Charm of Dynamite 1968
Producer: Barrie Gavin Script/Director: Kevin Brownlow CAST: Lindsay Anderson, Albert Dieudonne, Abel Gance Release: May 28, 1968 51 min. B/W sound version.
Documentary film on the lengthy flamboyant career of French master filmmaker Abel Gance, who was a great influence on contemporary European and Hollywood movie directors.
A Christmas Carol 1910
Producer: Thomas A. Edison Script/Director: J. Searle Dawley Cinematography: James White Production: Edison Studios CAST: Charles S. Ogle, Marc McDermott Release: December 23, 1910 13 min, B/W silent w/music score.
American silent holiday drama produced at Thomas Edison's studios in the Bronx in NYC in 1910. Following similar festive holiday-themed movies following the 1901 release of "Marley's Ghost" and "Scrooge," this U.S. version of Charles Dickens' 1843 novella is the second oldest surviving screen adaptation of the famous literary work.
Aelita, Queen of Mars 1924
Producer/Director: Yakov Protazanov Script: Fedor Ozep Cinematography: Emil Schuenemann, Yuri Zhelyauzhsky Production: Mezhrabpom-Rus CAST: Nikolai Tseretelli, Valentina Kuindzhi, Yuila Sointseva, Pavel Pol Release: September 25, 1924 B/W silent w/music score.
Soviet silent Sci-Fi film based on Alexei Tolstoy's 1923 literary work and one of the earliest full-length movies about space travel.
Alice in Wonderland 1903
Producers: Cecil M. Hepworth, Herman Casler, Elias Koopman, Harry Marvin Script: Cecil M. Hepworth Director/Cinematography: Cecil Hepworth, Percy Stow CAST: May Clark, Cecil M. Hepworth, Mrs. Cecil Hepworth, Norman Whitten Production: Hepworth Picture Plays Release: October 17, 1903 8:10 min. Color-tinted silent w/music score.
British silent fantasy film based on Lewis Carrolls' "Alice's Adventures in Wonderland" & "Through the Looking-Glass" in 1865. Only one single film copy of the original film is known to exist. This rare film has recently been painstakingly restored to its original theatrical release version.
Alice in Wonderland 1923
Producer: Walt Disney Script/Director: Walt Disney, Hugh Harman, Rudolf Ising Animation: Hugh Harman, Rudolf Ising, Ub Iwerks, Carman Maxwell, I. Freleng Layouts: Ub Iwerks Backgrounds: Carman Maxwell CAST: Walt Disney, Ub Iwerks, Rudolf Ising, Virginia Davis, Hugh Harman, Margaret Davis Production: Laugh-O-Gram Studio Release: October 16, 1923 12 min. B/W silent w/music score.
American silent short film, produced in Kansas City, Missouri by Laugh-O-Gram Studio. The black & white short was the first in a series of Walt Disney's famous "Alice Comedies" and had a working title of "Alice in Slumberland." The film was never exhibited theatrically.
Alice in Wonderland 1915
Producer/Script/Director: W.W. Young Production: American Film Manufacturing Co. CAST: Viola Savoy Release: January 19, 1915 53 min. B/W silent w/music score.
American silent film adaptation of Lewis Carroll's classic 1896 novel was the first version to combine the chapters from "Through the Looking-Glass" with those of "Alice's Adventures in Wonderland."
America 1924
Producer/Director: D.W. Griffith Script: Robert W. Chambers Cinematography: George Bitzer, Marcel Le Picard, Hendrik Sartov, Harold S. Sintzenich CAST: Carol Dempster, Neil Hamilton, Lionel Barrymore Production: D.W. Griffith Productions Release: February 21, 1924 141 min. Inter-titled silent w/music score.
American historical colonial war/romance film describing the heroic story of the events during the American Revolutionary War, in which controversial director D.W. Griffith created a film adaptation of Robert W. Chambers' 1905 novel "The Reckoning."
American Aristocracy 1916
Producer/Director: Lloyd Ingraham Script: Anita Loos Cinematography: Victor Fleming CAST: Douglas Fairanks, Jewel Carmen Production: Fine Arts Film Co. Release: Novemer 12, 1916 52 min. B/W silent w/music score.
American silent adventure/comedy film starring the great Douglas Fairbanks.
Different than Others 1919
Producer/Script (co-writer)/Director: Richard Oswald Script: Richard Oswald, Magnus Hirschfeld Cinematography: Max Fassbender CAST: Conrad Veidt, Fritz Schulz, Reinhold Schuenzel, Anita Berber, Magnus Hirschfeld, Karl Giese Production: Richard Oswald-Film Produktion Release: June 30, 1919 Inter-titled 50 min. B/W silent w/music score.
German silent melodrama produced during the chaotic period of the Weimar Republic dealing with early Gay issues. Magnus Hirschfeld had co-written the screenplay with Oswald, who had a minor role i n the production partially funded the film through his Institute for Sexual Science. The film was intended as a polemic against the then-current laws such as Paragraph 175, which made homosexuality a criminal offense in Germany. This was one of the very first sympathetic cinematic portrayals of Gay men in cinema.
Anna Boleyn 1920
Producer: Paul Davidson Script: Norbert Falk, Hanns Kraely Director: Ernst Lubitsch Cinematography: Theodor Sparkuhl CAST: Henny Porten, Emil Jannings, Paul Hartmann Production: Pagu Release: December 3, 1920 118 min. Color-tinted Inter-titled silent w/music score.
German historical film concerning the fate of Anne Boleyn, one of the wives of Henry VIII of England.
A Romance of the Redwoods 1917
Producer/Script (co-writer)/Director: Cecil B. DeMille Cinematography: Alvin Wyckoff CAST: Mary Pickford Production: Famous Players-Lasky/Artcraft Release: May 14, 1917 91 min. B/W Inter-titled silent w/music score.
American silent drama film directed by Cecil B. DeMille starring Mary Pickford.
Arsenal 1929
Producer/Script/Director: Oleksandr Dovzhenko Cinematography: Danylo Demutsky CAST: Semyon Svashenko, Nikolai Nademsky, Amvrosy Buchma, Les Podorozhnij Production: Odessa Film Factory of VUFKU Release: February 25, 1929 92 min. B/W inter-titled silent w/music score.
Soviet silent drama by Ukrainian director Oleksandr Dovzhenko which depicts the events following the 1917 October Revolution and the subsequent Russian Civil War, and is regarded as a highly symbolic and poetic depiction of the revolutionary spirit and struggle for power. The production is known for its expressionist imagery, camerawork and the story goes far beyond the usual Soviet propaganda and made it one of the most important pieces of Ukrainian avant-garde cinema.
Asphalt 1929
Producer: Max Pfeiffer, Erich Pommer Script: Joe May, Hans Szekely, Rolf E. Vanloo Director: Joe May Cinematography: Guenther Rittau CAST: Gustav Froehlich, Betty Amann Production: Ufa Release: March 11, 1929 85 min. B/W silent w/music score.
German silent crime film concerning a young woman in Berlin who is driven into poverty and steals a valuable piece of jewelry. She is caught by a police officer which leads to the woman's attempt to seduce him into letting her go free.
At the Edge of the World 1927
Producer/Script (co-writer)/Director: Karl Grune Co-writer: Hans Brennert Cinematography: Fritz Arno Wagner CAST: Alert Steinrueck, Wilhelm Dieterle, Brigitte Helm, Victor Janson Production: Ufa Release: September 19, 1927 104 min. B/W silent w/music score.
German silent drama pertaining to a mill situated on the border between two unnamed nations and the residents therein become pawns in a future military conflict.
Back to God's Country 1919
Producer: James Oliver Curwood, Ernest Shipman Script: Neil Shipman Director: David Hartford Cinematography: Dal Clawson, Joseph Walker CAST: Neil Shipman, Charles Arling, Wheeler Oakman, Wellington A. Playter Production: Canadian Photoplays Ltd Release: October 27, 1919 73 min. B/W silent w/music score.
Canadian silent drama film directed y David Hartford and one of the earliest Canadian film productions.
Battleship Potemkin 1925
Production: Jacob Bliokh Script: Sergei Eisenstein, Nina Agadzhanova Director: Sergei Eisenstein Cinematography: Eduard Tisse, Vladimir Popov CAST: Aleksandr Antonov, Vladimir Barsky, Grigori Aleksandrov Production: MosFilm Release: December 21, 1925 74 min. B/W silent w/music score.
Soviet silent propaganda epic written and directed y Sergei Eisenstein, presenting a dramatization of the Russian naval mutiny that occurred in 1905 when the crew of the Imperial Russian battleship Potemkin rebelled against the ship's officers. In 1958, "Potemkin" was voted on Brussels 12 list at the 1958 World Expo. Eisenstein's film is widely considered one of the greatest (propaganda) films of all time, and it had been placed in the top ten in many previous editions.
First Movie Director: The Early Cinema of Edwin S. Porter 2024
Producer/Director: Charles Fursten Script: Larry Reicht, Charles Fursten Narrator: Blanche Suess Production: First Light Films Release: 1982 61 min. B/W sound.
American compilation sound documentary film chronicling the history of early cinema focusing on Hollywood's first movie director Edwin S. Porter. This unique documentary film reviews many countless vintage productions directed by Porter, including, his 1903 classic "The Great Train Robbery."
Ben-Hur 1907
Producer: Frank J. Marion, George Kleine, Samuel Long Script: Gene Gautier Director: Sidney Olcott Cinematography: Max Schneider Production: Kalem Co. Release: December 7, 1907 silent w/music score 10 min. B/W.
American silent historical drama set in ancient Rome, the screen's first adaptation of Lew Wallace's popular 1880 novel of the same title. Co-directed y Sidney Olcott and Frank Oaks Rose, this "photoplay" was produced by the Kalem Company in New York City, and its scenes, including the climatic chariot race, were filmed in the city's borough of Brooklyn.
Berlin, Symphony of a Great City 1927
Producer/Script (co-writer)/Director: Walter Ruttmann Script: Karl Freund, Carl Mayer, Walter Routtmann Cinematography;: Robert Baberske, Reimar Kuntze, Laszlo Schaeffer, Karl Freund Production: Fox-Europa Release: September 23, 1927 61 min. B/W silent w/music score.
German silent documentary film on everyday life in the capital of the Weimar Republic directed by Walter Ruttmann, co-written by Carl Mayer and Karl Freund. Much of the movement in the production, and many of the scene transitions, were constructed around the motion of trains and streetcars. According to the film's director, "a hypersensitive film stock" was developed foe usage in this film, to solve lighting difficulties during the nighttime scenes.
Birth of a Nation 1915
Producer/Script (co-writer) /Director: D.W. Griffith Cinematography: Billy Bitzer CAST: Lillian Gish, Mae Marsh, Henry . Walthall, Miriam Cooper, Ralph Lewis, George Siegmann, Walter Long Prodiction: Dasvid W. Griffith Corp. Release: February 8, 1915 180 min. Color-tinted Inter-titled silent w/music score.
American silent epic melodrama co-written, produced and directed by David W. Griffith and starring Lilian Gish. The original screenplay had been adapted from Thomas Dixon Jr.'s racist novel and play "The Clansman." Griffith had co-written the script with Frank E. Woods and produced the film with Harry Aitken. "Birth of a Nation" had been controversial even before its theatrical release and has remained so ever since as it has been referred to as "the most controversial film ever made in the United States." The production, however, has been lauded for its technical virtuosity as it was the first non-serial American 12-reel film ever produced. In 1992, the Library of Congress deemed Griffith's film as "culturally, historically, or aesthetically significant" and selected for it for preservation in the National Film Registry.
Blackmail 1929
Production: John Maxwell Script (co-writer)/Director: Alfred Hitchcock Cinematography: Jack E. Cox CAST: Anny Ondra, John Longden, Cyril Ritchard Production: British International Pictures Release: July 28, 1929 85 min. B/W sound.
British thriller co-written and directed by Alfred Hitchcock was based on the 1929 play of the same title by Charles Bennet, concerning a London woman who is blackmailed after murdering a man who tried to rape her.
Blood and Sand 1922
Production: Fred Niblo, Jessie L. Lasky Script: June Mathis Cinematography: Alvin Wyckoff CAST: Rudolph Valentino, Lila Lee, Nita Naldi, Rosa Rosanova, Walter Long Production: Famous Players-Lasky Release: August 5, 1922 80 min. B/W silent w/music score.
American silent melodrama starring the great Rudolph Valentino, based on the 1908 Spanish novel "Sangre y arena" (Blood and Sand) by Vincente Blasco Ibanez and the play "Blood and Sand" by Thomas Cushing which had been adapted from Ianez's novel.
Dr. Jekyll and Mr. Hyde 1920
Production: Adolph Zucker, Jesse L. Lasky Script: Clara Beranger, Thomas Russell Sullivan Director: John S. Robertson Cinematography: Roy F. Overbaugh CAST: John Barrymore, Martha Mamsfield, Charles W. Lane, Nita Naldi Production: Famous Players-Lasky Release: March 28, 1920 83 min. Color-tinted silent w/music score.
American silent horror film starring the great John Barrymore in the title role, is the first screen adaptation based on Robert Louis Stevenson's 1886 novella "The Strange Case of Dr. Jekyll and Mr. Hyde." Set in late Victorian London, England, the film portrays the tragic consequences of a doctor's experiments in separating the dual personalities he thinks define all human beings - one good, the other evil.
The Life and Works of Richard Wagner 1913
Producer: Oskar Meester Script: William Wauer Director/Cinematography: Carl Froelich CAST: Giuseppe Beece, Olga Engl, Manny Ziener, Ernst Reicher, Miriam Horwitz Production: Meester-Film Release: November 20, 1913 Colorized silent w/music score.
German historical biography of composer Richard Wagner which is dramatized with Giuseppe Beece in the role of Wagner.
The Phantom of the Opera 1925
Production: Carl Laemmle Script: Walter Anthony, Elliot J. Clawson, Bernard McCormack, Tom Reed, Raymond L. Arthur, Schrock, Jasper Spearing, Richard Wallace Director: Rupert Julian, Ernst Laemmle, Lon Chaney, Edward Sedgwick CAST: Lon Chaney, Norman Kerry, Nary Philin, Arthur Edmund, Carwe, Gibson Gowland, Snitz Edwards, Bernard Seigel Cinematography: Charles Van Enger, Milton Bridenbecker, Virgil Miller, Carla Laemlle Production: Universal Pictures Release: September 6, 1925 91 min. Color-tinted Inter-titled silent w/music score.
American silent horror film adaptation of Gaston Leroux's famous novel of the same title directed by Rupert Julian and starring the great Lon Chaney in the title role of the horrific deformed phantom who haunts the Paris Opera House. The production remains most famous for Lon Chaney's ghastly, self-devised make-up, which was kept a studio secret at Universal until the official premiere at the Astor Theatre in New York in 1925.
Nosferatu, a Symphony of Horror 1922
Production: Enrico Dieckmann, Albin Grau Script: Henrik Galeen Director: F.W. Munau Cinematography: Fritz Arno Wagner, Guenther Krampf CAST: Max Schreck, Gustav von Wangenheim, Greta Schroeder, Alexander Granach, Ruth Landshoff, Wolfgang Heinz Production: Prana-Film Release: March 4, 1922 92 min. Color-tinted Inter-titled silent w/music score.
German silent Expressionist horror film directed y Friedrich Wilhelm Murnau and starring Max Schreck as Count Orlok, the vampire who rings a vampiric plague to the city of Bremen,, Germany. "Nosferatu" is regarded as an influential horror masterpiece of world cinema as well as the horror film genre.
Phantom 1922
Production: Erich Pommer Script: Thea von Harbou Director: F.W. Murnau Cinematography: Axel Graatkjaer, Theophan Ouchhakoff CAST: Alfred Abel, Grete Berger, Lil Dagover, Lya De Putti, Anton Edthofer Production: Decla-Bioscop/UCO-Film GmbH Release: November 13, 1922 117 min. Color-tinted Intertitled silent w/music score.
German romantic fantasy Expressionist silent film directed by Friedrich Wilhelm Murnau was known to contain a most surreal, dreamlike cinematic quality.
The Phantom Carriage 1922
Production: Charles Magnusson Script/Director: Victor Sjostrom Cinematography: Julius Jaenzon CAST: Victor Sjostrom, Hilda orgstrom, Tore Svennberg Production: AB Svensk Filmindustri Release: January 1, 1922 107 min. Color-tinted Inter-titled silent w/music score.
Swedish silent fantasy film directed by Victor Sjostrom, based on Selma Lagerloef's 1912 novel "Thy Soul Shall Bear Witness." The story concerns a drunkard named David Holm who, on the night of New Year's Eve, is compelled y the ghostly driver of Death's carriage to reflect on his past mistakes. The film is known for its special effects, its innovative narrative structure with flashbacks within flashbacks, and for having been a major cinematic influence on the works of Ingmar Bergman.
Police Report 1928
Producer/Script (co-writer)/Director: Ernoe Metzger Script: (co-writer): Grace Chiang Cinematography: Eduard von Borsody 21 min. B/W silent w/music score.
German silent crime short film directed and co-written by Ernoe Metzger centering on the struggles of a Berlin citizen who happens upon a counterfeit coin lying in a gutter. The opening scene describes the possibility that the coin may be cursed, as another passerby is struck down by an automobile while reaching for the coin in the middle of the road. Although the finder of the coin is at first pleased, he soon regrets ever having picked the coin up in the first place.
The Adventures of Prince Achmed 1926
Producer/Script/Director: Lotte Reiniger Cinematography: Carl Koch Production: Comenius-Film Gmbh Release: September 23, 1926 65 min. Color-tinted Inter-titled silent w/music score.
German silent animated fairytale film created by Lotte Reiniger and is the oldest surviving animated feature film. Reinger's production features silhouette animation technique she had invented involving cutouts made from cardboard ad thin sheets of lead under a motion picture camera. This original 35mm printing materials were used for the mastering of this version. The director had also used the first form of a multiplane 35mm camera in making the film, one of the most important devices in pre-digital animation. Several famous avant-garde animators worked on the production with Reiniger, among them Walter Ruttmann, Carl Koch, and Berthold Bartosch. The story had been based on literary motifs from "One Thousand and One Nights" written by Hanna Diyab, including, "Aladdin," "The Story of Prince Ahmed" and the "Fairy Peri-Banu," and "The Ebony Horse."
The Cinematic Art of Vsevolod Pudovkin 1958
Production: GosFilm/Documentary Film Studio Script/Director: V. Tisse Narrative: Boris Vosnetsky Release: August 3, 1958 29 min. B/W sound.
Soviet era documentary film on the artistic contribution of filmmaker Vsevolod Pudovkin, who developed influential cinematic theories of montage work. Pudovkin's cinematic masterpieces are often confused with those of his contemporary director Sergei Eisenstein, whereas Eisenstein utilized montage to glorify the power of the masses, Pudovkin preferred to focus on the courage and resilience of the individual instead. Pudovkin was honored with the title of "People's Artist of the USSR" in 1948.
Ravished Armenia 1919
Producer: William Nicholas Selig Script: Harvey Gates, Aurora Mardiganian, Nora Wain, Frederic Chapin Director: Oscar Apfel CAST: Aurora Mardiganian, Irving Cummings, Anna Q. Nilsson, Henry Morgenthau, Lillian West Production: First National Pictures Release: January 19, 1919 24 min. B/W silent w/music score Inter-titled.
American silent film docu-drama based on the autobiographical literary work by Arshaluys (Aurora) Mardiganian, who essays the lead role in the production. The film depicts the 1916 Armenian genocide by the Ottoman Empire from the viewpoint of Armenian survivor Mardiganian, who plays herself in the film, survives in this uncut version produced from an original 35mm film print.
Romance of a Jewess 1908
Producer/Script/Director: D.W. Griffith Cinematography: G.W. Bitzer CAST: Florence Lawrence, George Gebhardt, Gladys Egan Production: American Mutoscope/Biograph Co. 13 min. B/W silent w/music score.
American silent short drama film written and directed by D.W. Griffith, who was considered one of the most influential figures in the history of the motion picture, pioneering many aspects of film editing and expanded the art of the narrative film.
Romeo and Juliet in the Snow 1920
Producer: Paul Ebner, Maxim Galitzenstein Script: Hanns Kraely, Ernst Lubitsch Director: Ernsr Lubitsch Cinematography: Theodor Sparkuhl CAST: Lotte Neumann, Julius Falkenstein, Gustav von Wangenheim Production: Maxim-Film 46 min. Color-tinted Inter-titled silent w/music score.
German silent comedy film directed by Ernst Luitsch. The film's title plays off of the William Shakespeare play, "Romeo and Juliet."
Melody of the World 1929
Producer: Guido Bagier, Heinrich Mutzenbecher Script/Director: Walter Ruttmann Cinematography: Reimar Kuntze, Wilhelm Lehne, Rudolph Rathmann, Paul Holzki Production: Tonbild-Syndikat AG Release: July 27, 1929 48 min. B/W silent w/music score.
German silent film directed by Walter Ruttmann who structured the production like a symphony and consists of documentary material from all over the world, contrasted and juxtaposed to show a number of human activities as they take form in different cultures. Ruttmann's film was promoted as Germany's first feature-length sound film when re-released at the German Music Festival on May 10, 1930.
Salome 1922
Producer/Director (co-director): Alla Nazimova Script: Natacha Rambova Cinematography: Charles Van Enger CAST: Alla Nazimova, Mitcgell Lewis, Rose Dione, Earl Schenk, Arthur Jasmine Nigel De Bruller, Frederick Peters, Louis Dumar Production: Nazimova Productions 73 min. Color-tinted Inter-titled silent w/music score.
American silent drama film directed by Alla Nazimova and Charles Bryant. The story is adapted from the 1891 Oscar Wilde play, which is a loose retelling of the biblical story of King Herod and his execution of John the Baptist at the request of Herod's stepdaughter, Salome, whom he lusts after.
Santa Claus 1912
Producer/Director: Walter R. Booth, R.H. Callum, F. Martin Thorton Script: Leedham Bantock, Harold Simpson, Alfred de Manby Production: Kinematograph Co. Release: December 23, 1912 28 min. B/W silent w/music score.
British silent fantasy film in which a little girl dreams that she goes to Toyland where she helps Santa Claus in his workshop in the North Pole. The film was based on a play with the same title that played with the original cast at the Scala Theatre in London where it ran from December 1912 to January 1913 .
Secrets of a Soul 1926
Producer/Script: Hans Neumann Director: G.W. Pabst Cinematography: Guido Seerber, Curt Oertel, Walter Robert Lach CAST; Werner Krauss Production: Neumann-Film-Produktion GmbH 75 min. Color-tinted Inter-titled silent w/music score.
German silent psychological drama directed y G.W. Pabst creating "a reasonably compelling psychological thriller." (Troy Howarth, "Tome of Terror: Horror Films of the Silent Era," 2016).
Seduction 1929
Producer/Script: Gustav Machaty Cinematography: Vaclav Vich CAST: Karel Schleichert. Ita Rina Production: Geem-Film/SlavisFilm Release: February 27, 1929 85 min. B/W silent w/music score. (Czech Inter-titled version).
Czech silent erotic melodrama film directed by Gustav Machaty concerning a young woman who is seduced and abandoned by a man who was invited to stay at his home by her father on a stormy night. Noticing that she is pregnant, the woman decides to leave home and start a new life.
Homage to the Cinematic Work of Segundo De Chomon 1905-1912
Production: Filmmuseum Productions Script/Director: Segundo De Chomon 32 min. Release: 1905-1912 Color-tinted silent w/music score.
Rare film collection of the cinematic work of pioneering Spanish film director Segundo Victor Aurelio Chomon y Ruiz who had created many short silent films in France while working with Pathe Feres and was often compared to Georges Melies, due to his frequent camera tricks and optical illusions. He ia regarded as the most significant Spanish silent film director in an international context. Complete film prints of the director's productions are included in this collection, including, "El Hotel Electrico" (1905), "Les Kiriki acroabates Japanoneses" (1907), "Excursion Dan La Lune" (1908)," "Le Papillones Japanais" (1908), and "Superstition andalouse" (1912).
Sex 1920
Producer: J. Parker Read, Thomas H. Ince Script: C. Gardner Sullivan Director: Fred Nilo Cinematography: Charles J. Stumar CAST: Louise Glaum, Irving Cummings Production: J. Parker Read, Jr. Productions Release: March 29, 1920 80 min. Color-tinted Inter-titled silent w/music score.
American silent drama film directed by Fred Niblo in this morality story on the evils of marital infidelity. The release of the film at the time, with its provocative title and explicit scenes of seduction and debauchery, made it the subject of much controversy among film censors and journalists.
Shattered 1921
Production/Script (co-writer)/Director: Lupu Pick Script: Carl Mayer, Lupu Pick Cinematography: Friderich Weinmann CAST: Werner Krauss, Edith Posca, Hermine Strassmann-Witt Production: Rex-Film GmbH Release: May 27, 1921 61 min. B/W silent w/music score Inter-titled.
German silent 'Kammerspielfilm' directed by Lupu Pick, is considered to be the earliest example of the 'Kammerspielfilm' genre. Set during the winter, the story tells the tale of a track checker and his family who live like a poverty-stricken life next to the train station. They receive a telegram announcing the arrival of the section inspector, who is to live with his family.
The Rough House 1917
Producer/Script/Director (co-director with Buster Keaton): Roscoe Arbuckle Co-Script: Joseph Anthony Roach Cinematography: Frank D.. Williams CAST: Roscoe Arbuckle, Buster Keaton Production: Famous Players-Lasky Corp. Release: June 25, 1917 19 min. B/W Inter-titled silent w/music score.
American two-reel silent comedy film produced, written, directed (co-direction with Buster Keaton) and starring Roscoe "Fatty" Arbuckle and comic genius Buster Keaton. This was Buster Keaton's first production as director.
The Sinking of the Lusitania 1918
Producer: Winsor McCay Animation: Winsor McCay, John Fitzsimmons, William A. Adams Production: Jewel Productions Release: July 20, 1918 10 min. B/W Inter-titled silent w/music score
American silent animated short film by cartoonist Winsor McCay is a cinematic work of propaganda re-creating the never filmed 1915 German sinking of the British liner RMS Lusitania. The production is regarded as the longest work of animation at the time of the film's release in 1918. The film is the earliest surviving animated documentary and serious, dramatic work of animation. Selected y the National Registry for preservation in 2017.
Sins of the Tropics 1927
Producer: Louis Aubert Script: Maurice Dekobra Director: Mario Nalpas, Henri Etievant Cinematography: Paul Cotterei, Albert Duverger, Maurice Henneains CAST: Josephine Baker, Pierre Batcheff, Regina Dalthy, Regina Thomas Production: Estalissements Louis Aubert Release: December 30, 1927 86 min. Color-tinted silent w/music score Inter-titled.
French silent film starring Josephine Baker set in the West Indies, tells the story of a native girl named Papitou (Josephine Baker) who falls in love with a French man named Andre Berval.
Sleeping Beauty 1908
Producer/Direction: Albert Capellani, Lucien Nonguet Script: Charles Perrault Cinematography: Segundo de Chomon CAST: Julienne Mathieu Production: Pathe 12 min. Color-tinted silent w/music score Inter-titled.
French silent fairy tale fantasy film which is a colorful, elaborately staged, but straightforward first screen version of "Sleeping Beauty."
Spies 1928
Production: Erich Pommer Script: Thea von Harbou, Fritz Lang Director: Fritz Lang Cinematography: Fritz Arno Wagner CAST: Rudolf Klein-Rogge, Gerda Maurus, Willy Fritsch, Georg John, Lion Deyers Production: Ufa 123 min. B/W silent w/music score Inter-titled.
German silent espionage thriller directed by Fritz Lang from a co-written story by Theavon Harbou (the director's wife). "Spies" weaves together recurrent Lang themes of fear, fate, power and paranoia into a dynamic conspiracy thriller. The film's tone has been described as "somewhere between true pulp fiction and pure expressionism."
The Star of Bethlehem 1912
Producer: Edwin Thanhouser, Charles J. Hite Script: Lloyd Lonergan Director/Cinematography: Lawrence Marston CAST: Florence La Badie, William Russell, James Cruze Production: Thanhouser Co. Release: December 24, 1912 8 min. B/W silent w/music score Inter-titled.
American silent biblical story produced y Edwin Thanouser presenting the retelling of historical events preceding the Nativity of Jesus. This is an extremely are archival film treasure.
Steamboat Bill, Jr. 1928
Producer: Joseph M. Schenk Script: Carl Harbaugh, Buster Keaton Director: Charles Reisner, Buster Keaton Cinematography: Dev Jennings, Bert Haines CAST: Buster Keaton Production: MGM 70 min. B/W silent w/music score Inter-titled.
American silent comedy film co-written and directed y comic genius Buster Keaton. The production is known for what is regarded as Keaton's most famous stunt: the façade of a house falls around him while he stands in the precise location of an open window to avoid being flattened. In 2016, "Steamboat Bill, Jr." was selected for preservation in the United States National Film Registry by the Library of Congress.
Storm over Asia 1928
Producer/Director: Vsevolod Pudovkin Co-Scriptwriters: O. Brik, I. Novokshonov Cinematography: Anatoli Golovnya CAST: I. Inkkizhinov, A. Tchistakov, L. Dediseff, A. Sudkavreich Production: MosFilm 125 min. B/W Inter-titled silent w/music score.
Soviet propaganda silent feature film directed y Vsevolod Pudovkin is the final production in the director's "revolutionary trilogy," alongside "Mother" (1926) and "The End of St. Petersburg" (1927) (all available from FILMMUSEUM).
Strike 1925
Producer: Boris Nikhin Script: Grigori Aleksandrov, Ilya Kravchunovsky, Sergei Eisenstein, Valerian Pietnev Cinematography: Eduard Tisse, Vladimir Popov, Vasili Khvatov CAST: Grigori Aleksandrov, Maksim Shtraukh, Mikhail Gomorov Production: First Goskino Factory 94 min. B/W Inter-titled silent w/music score.
Soviet silent propaganda film directed by Sergei Eisenstein resulting in a seven-part series titled "Towards Dictatorship of the Proletariat," "Strike" was a joint collaboration between the Prolecult Theatre and the Goskino film studio. Assembled in six parts, the production depicts a strike in 1903 by the workers of a factory in pre-revolutionary Russia, and their subsequent suppression. During its original theatrical release, the film received praise from critics, but many audiences were confused by its eccentric style. Today "Strike" is recognized as one of Eisenstein's more accessible cinematic works and a major influence on many of the director's contemporaries.
Sunrise, A Tale of Two Humans 1927
Producer: William Fox Script: Carl Mayer Director: F.W. Murnau Cinematography: Charles Rosher, Karl Struss CAST: Janet Gaynor, George O'Brien Production: Fox Film Corp. Release: November 4, 1927 95 min. B/W Inter-titled silent w/music score.
American synchronized sound romantic drama directed by expressionist German director Friedrich Wilhelm Murnau (his U.S. debut). "Sunrise" won the Academy Award for Unique and Artistic Picture at the first Academy Awards in 1929. Janet Gaynor won the first Oscar for Best Actress in a Leading Role. The film's legacy has endured, and it is now widely considered a cinematic masterpiece and one of the greatest films of the silent era. In 1989, the film was one of the first twenty-five films selected by the U.S. Library of Congress for preservation in the National Film Registry for being "culturally, historically, or aesthetically significant."
Diagonal Symphony 1924
Producer/Cinematography: Viking Eggeling Animation: Viking Eggeling Production: Viking-Filmproduktion Release: 1923 7 min. B/W silent w/music score.
German experimental animated silent film short created by Viking Eggeling. The director started work on "Symphonie Diagonal" in 1921. The final version was completed in 1923 and was first exhibited publicly in 1922 in Berlin. Yet another cut was shown in 1925 at the first avant-garde film show at Ufa's Kurfuerstendamn in Berlin. The film project originated from Eggeling's scroll drawings created from fellow Dadaist Hans Richter from 1921.
Tannhauser 1913
Producer/Script/Director: Lucius Henderson CAST: James Cruze, Marguerite Snow, Florence La Badie, William Russell, Burton Law Production: Thanhouser Film Corp. 40 min. B/W Inter-titled silent w/music score.
American silent operatic drama created by Lucius Henderson tells the story of German composer Richard Wagner's classic musical composition "Tannhauser."
Tartuffe 1926
Producer: Erich Pommer Script: Carl Mayer Director: F.W. Murnau Cinematography: Karl Freund CAST: Emil Jannings, Lucie Hoeflich, Lil Dagover, Werner Krauss, Rosa Valetti, Hermann Picha Production: Ufa Release: July 24, 1926 64 min. Color-tinted Inter-titled silent w/music score.
German silent produced by Erich Pommer for Ufa and directed by expressionist director Friedrich Wilhelm Murnau and starring Emil Jannings in the title role. Based on the play "Tartuffe," the production retains the basic plot, but Murnau and Mayer pared down Moliere's vision, eliminating most of the secondary characters and concentrating on the triangle of Orgon (Werner Krauss), Elmire and Tartuffe.
Tarzan of the Apes 1918
Producer: William Parsons Script: Fred Miller, Lois Weber Director: Scott Sidney Cinematography: Enrique Juan Vallejo CAST: Elmo Lincoln, Enid Markey, George B. French, Gordon Griffith Production: National Film Corp of America Release: January 27, 1918 10 min. Color-tinted Inter-titled silent w/music score.
American silent action/adventure film directed by Scott Sidney was the first Tarzan film ever produced and is based on Edgar Rice Burrough's original 1912 novel of the same title. The production is considered the most faithful to thr novel of all film adaptations.
The Beloved Rogue 1927
Producer: Joseph M. Schenk Script: Paul Bern, Walter Anthony (interttles) Director: Alan Crossland Cinematography: Joseph H. August CAST: John Barrymore Production: Art Cinema Corp/Feature Productions Release: March 12, 1927 98 min. Color-tinted Inter-titled silent w/music score.
American silent romantic adventure film, loosely based on the life of 15th century French poet, Francois Villon, who is essayed by John Barrymore in the production.
Metropolis 1927
Producer: Erich Pommer Script: Thea von Harbou Director: Fritz Lang Cinematography: Karl Freund, Guenther Rittau CAST: Brigitte Helm, Alfred Abel, Gustav Froehlich, Rudolf RKlein-Rogge, Heinrich George Production: Parufamet Release: January 10, 1927 148 min. Color-tinted Inter-titled silent w/music score.
German silent expressionist sci-fi film directed by Fritz Lang. "Metropolis" is regarded as a pioneering science-fiction film, being among the first feature-length ones of the genre. Lang's cinematic masterpiece is regarded one of the greatest and most influential films ever produced, ranking 67th in Sight and Sound's 2022 critics poll, and receiving wide critical acclaim. In 2001, the film was inscribed on UNESCO's 'Memory of the World Register,' the first motion picture thus distinguished.
The Eyes of the Mummy Ma 1918
Producer: Paul Davidson Script: Hanns Kraely, Emil Rameau Director: Ernst Lubitsch Cinematography: Theodor Sparkuhl, Alfred Hansen CAST: Pola Negri, Emil Jannings, Harry Liedtke, Max Laurence, Margarete Kupfer Producrtion: Pagu Release: October 3, 1918 19 min. B/W Inter-titled silent w/music score.
German silent horror film directed by Ernst Lubitsch. The production was a success upon its initial release in Germany and is regarded as a timeless cinematic classic of the classic German cinema.
The Forbidden City 1918
Producer: Joseph M. Schenck Script: Mary Murillo, George Scarorough Director: Sidney Franklin Cinematography: H. Lyman Broening, Edward Wynard CAST: Norma Talmadge, Thomas Meighan Production: Selznick Pictures Release: October 6, 1918 62 min. B/W Inter-titled silent w/music score.
American silent drama directed by Sidney Franklin concerning an inter-racial romance between a Chinese princess and an American..
The Haunted Castle 1921
Producer: Erich Pommer Script: Carl Mayer Director: F.W. Murnau Cinematography: Fritz Arno Wagner, Laszlo Schaeffer CAST: Arnold Korff, Lulu Korff-Mehnert, Paul Hartmann Production: Uco-Film Release: April 7, 1921 81 min. Color-tinted Inter-titled silent w/music score.
German silent horror/mystery film directed by expressionist filmmaker Friedrich Wilhelm Murnau who created a highly atmospheric, moody mystery film and certainly one of the classics of the classic German cinema during the Weimarian period.
The Last Command 1928
Producer: Adolph Zucker, Jesse L. LaskyScript: Lajos Biro, Josef von Sternberg, John F. Goodrich, Herman J. Mankiewicz (titles) Director: Josef von Sternberg Cinematography: Bert Glennon CAST: Emil Jannings, Evelyn Brent, William Powell Production: Famous Players-Lasky Release: January 22, 1928 88 min. B/W Inter-titled silent w/music score.
American silent romantic drama film directed by Josef von Sternberg starring German actor Emil Jannings ("The Blue Angel"), who won an Academy Award for Best Actor in a Leading Role at the 1929 Oscar ceremonies for his performances in this film and "The Way of All Flesh" (1927). In 2006, the film was deemed "culturally, historically, or aesthetically significant" by the United States Library of Congress and selected for the National Film Registry.
The Last Days of Pompeii 1913
Producer/Script: Arturo Frusta Direction: Eleuterio Rodolfi, Mario Caserini Cinematography: Giuseppe Paolo Vitrotti CAST: Fernanda Negri Pouget, Eugenia Tettoni Fior Production: Societa Anonima Ambrosio Release: August 24, 1913 30 min. Color-tinted Inter-titled silent w/music score.
Italian silent historical film directed by Eleuterio Rodolfi was based on the 1834 novel by Edward Bulwer-Lytton was set during the final days leading up to the Mount Versuvius eruption in Pompeii in 79 AD.
The Last Laugh 1924
Producer: Erich Pommer Script: Carl Mayer Director: F.W. Murnau Cinematography: Karl Freund CAST: Emil Jannings, Malay Delschaft, Max Hiller Production: Ufa Release: December 23, 1924 87 min. B/W inter-titled silent w/music score.
German silent drama film directed by expressionist filmmaker Friederich Wilhelm Murnau. "The Last Laugh" is a cinematic example of the 'Kammerspielfilm' or 'chamber-drama' entertainment genre, which follows the style of short, sparse plays of lower-middle class life that emphasized the psychology of the characters rather than sets and action. The film was voted number eleven on the prestigious Brussels twelve list at the 1958 World Exposition.
The Last Warning 1929
Producer: Carl Laemmle, Jr. Script: Alfred A. Cohn, Robert F. Hill, J.G. Hawks, Tom Reed Director: Paul Leni Cinematography: Hal Mohr CAST: Laura Ka Plante, Montagu Love, Roy D'Arcy, Margaret Livingston, John Boles, Bert Roach, Burr McIntosh Production: Paul Leni Productions Release: December 25, 1928 77 min. Color-tinted Inter-titled silent w/music score.
American silent (part "talkie") mystery film directed by German expressionist director Paul Leni. Originally conceived as a follow-up to Paul Leni's immensely successful 1927 production "The Cat and the Canary", the film was produced by Universal Pictures under Carl Laemmle, Jr. Response by film critics at the time to "The Last Warning" varied, with many praising its dramatic performances and brilliant cinematography, though some had commented on its mysterious plot. In 2016, Universal selected the film for restoration.
The Light of Faith 1922
Producer: Hope Hampton Script: Charence Brown, William Dudley Pelley Director: Clarence Brown Cinematography: Alfred Ort;ie, Ben Carre CAST: Lon Chaney, Hope Hamilton Production: Hope Hamilton Productions Release: September 3, 1922 33 min. Color-tinted Inter-titled silent w/music score.
American silent religious drama directed by Clarence Brown and starring the world famous actor Lon Chaney. This rare film is fifty per cent lost, some scenes mostly depicting the Holy Grail were filmed in color. The FILMMUSEUM edition of this rare film is the only version that has survived to this day, since the full-length version no longer exists despite serious research by film historians and cinema scholars.
The Mysterious Club 1913
Producer: Oskar Meester, Franz Vogel Story/Adaptation: Robert Louis Stevenson Director/Cinematography: Joseph Delmont CAST: Fred Sauer, Ilse Bois, Joseph Delmont Production: Oskar Meester Production Release: 1913 40 min. Color-tinted Inter-titled silent w/music score.
German silent mystery film directed by Joseph Delmont for Oskar Meester Produktion. The story concerns a brother whom is reluctant to believe that his brother has committed suicide, Gerhard Bern travels to Rotterdam with a detective, and helped by the consul and his charming daughter Ilse he'll attempt to discover the truth about a secret society his brother was connected with.
The Oyster Princess 1919
Producer: Paul Davison Script: Hanns Kraely Director: Ernst Lubitsch Cinematography: Theodor Sparkuhl CAST: Ossi Oswaldi, Victor Janson, Harry Liedtke, Julius Falkenstein Production: Pagu Release: Kune 26, 1919 58 min. B/W Inter-titled silent w/music score/
German silent comedy film directed by Ernst Lubitsch. An outrageous comedy in four reels about an American millionaire's spoiled daughter's marriage that does not go well as planned.
The Penalty 1920
Producer: Samuel Goldwyn Script: Charles Kenyon, Philip Lonergan Director: Wallace Worsley Cinematography: Donovan Short CAST: Lon Chane, Charles Clary, Doris Pawn, Jim Mason, Claire Adams Production: MGM Release: August 1920 89 min. Color-tinted Inter-titled silent w/music score.
American silent psychological thriller crime film directed by Wallace Worsley and starring Lon Chaney released in 1920 by Goldwyn Pictures.
The Sea Hawk 1924
Producer: Frank Lloyd Script: J.G. Hawks, Walter Anthony (intertitles) Director: Frank Lloyd Cinematography: Norbert F. Brodin CAST: Wallace Beery, Milton Sills, Enid Bennett, Llyod Hughes, Wallace MacDonald, Marc McDermott Production: Frank Lloyd Productions Release: June 14, 1924 138 min. Color-tinted Inter-titled silent w/music score
American silent adventure film concerning an English noble sold into slavery who escapes and turns himself into a pirate king. A New York Times film critic said of the film: "Far and away the best sea story that has ever been brought to the screen." (June 3, 1924).
The Student of Prague 1913
Producer: Paul Wegener Script: Hanns Heinz Ewers Director: Stellan Rye Cinematography: Guido Seeber CAST: Paul Wegener, John Gottowi, Grete Berger Production: Deutsche Bioscop Release: August 22, 1913 19 min. Color-tinted Inter-titled silent w/music score/
German silent horror film loosely based on "William Wilson," a short story by Edgar Allan Poe, the poem "The December Night" by Alfred de Musset, and Goethe's "Faust." "The Student of Prague" is considered to be the first German art film, and it helped lift the German cinema from its low-class, fairground origins to a viable art form. The film was a commercial success in Germany. Theatre audiences flocked to see the film, in part because it tapped into a very real sense of dissociation and alienation inherent in a society that was struggling with the burgeoning collapse of the Imperial German Reich.
The Ten Commandments 1923
Producer/Director: Cecil B. DeMille Script: Jeanie MacPherson Cinematography: Bert Glennon, Peverel Marley, Archibald Stout, J.F. Westerberg Production: Famous Players-Lasky Release: December 3, 1923 136 min. B/W Inter-titled silent w/music score.
American silent religious epic film produced and directed by Cecil . DeMille. The epic production is divided into two parts: a prologue recreating the biblical story of Exodus and a modern story concerning two brothers and their respective views of the Ten Commandments. Lauded for its "immense and stupendous" grand scenes, including the parting of the Red Sea sequence, the expensive production proved to be an instant box-office hit upon release.
The Yellow Ticket 1913
Producer: Paul Davidson Script: Hans Brennert, Hans Kraely Direction: Victor Janson, Eugen Illes Cinematography: Eugen Illes CAST: Pola Negri Production: Pagu Release: November 22, 1918 47 min. B/W Inter-titled silent w/music.
Polish/German silent film starring Pola Negri essaying a double role as her mother. Directed by Victor Janson and Eugen Illes. According to Ms. Negri's own online fanbase states: "The Yellow Ticket" is 'an enjoyable movie with a great dramatic storyline that involves heartbreak, melodrama with surprise connections amongst the main players, and a positive message about embracing humanity over race.'
The Passion of Joan of Arc 1928
Producer/Script (co-writer)/Director: Carl Theodor Dreyer Script: Joseph Delteil, Carl Theodor Dreyer Cinematography: Rudolph Mate CAST: Renee Jeanne Falconetti, Eugene Silvain, Andre Berley, Maurice Schutz Production: Societe Generale des Films 82 min. B/W Inter-titled silent w/music score.
French silent historical film based on the actual trial of Joan of Arc. The production was directed by Carl Theodor Dreyer and stars Renee Jeanne Falconetti in the lead role of Joan. The film is widely regarded as a landmark of cinema, especially for is production, Dreyer's direction and Falconetti's dramatic performance, which is often listed as one of the finest in all of cinema history. In fact, despite the objections and cutting of the film by government and clerical authorities, it was a major critical success when first released and has consistently been considered one of the greatest motion pictures ever produced. It has been referenced and praised by countless film directors and musicians. In 1958, the film was voted number 4 on the prestigious Brussels 12 list at the 1958 World Expo.
The Black Pirate 1926
Production: Douglas Fairanks Script: Jack Cunningham Director: Albert Parker Cinematography: Henry Sharp, Arthur Ball (Technicolor camera), George Cave (Technicolor cameraman) CAST: Douglas Fairbanks, Billie Dove, Tempe Pigott, Donald Crisp Production: Elton Corp., Technicolor Motion Picture Corp. Release: March 8, 1926 93 min. Color Inter-titled silent w/music score.
American silent action adventure film filmed entirely in two-color Technicolor concerning an adventurer and a "company" of pirates. Directed by Albert Parker, the film stars Douglas Fairbanks. "The Black Pirate" was included in the annual selection of twenty-five motion pictures to be added to the National Film Registry of the Library of Congress, being deemed "culturally, historically, or aesthetically significant."
The Blacksmith 1922
Producer: Joseph M. Schenck Script/Direction: Buster Keaton, Malcolm St. Clair Cinematography: Elgin Lessley CAST: Buster Keaton Production: First National Pictures Release: July 21, 1921 19 min. B/W Inter-titled silent w/music score.
American silent comedy short film co-written and directed by Buster Keaton and Malcolm St. Clair and starring Keaton. The story concerns Keaton, a young blacksmith, struggles to master the shop's machinery and implements which seem to defy his efforts to control them.
The City without Jews 1924
Producer: Walterskirchen und Bittner Script: H.K. Breslauer, Ida Jenbach Director: Hans Karl Breslauer Cinematography: Hugo Eywo CAST: Johannes Riemann, Eugen Neufeld, Hans Moser, Anny Milety Production: Walterskirchen und Bittner Release: July 25, 1924 80 min. Col;or-tinted German Inter-titled silent w/music score.
Austrian silent Expressionist film co-written and directed by Hans Karl Breislauer, based on the novel by Hugo Bettauer. The production is one of the few surviving Expressionist films from Austria. Sadly, shortly after the Viennese premiere of the film, Hugo Bettauer was murdered by Otto Rothstock, a former member of the Nazi Party, who was lionized by the antisemitic Austrians and was released less than two years after having been committed to a psychiatric institution.
The Doll 1919
Producer: Paul Davidson Script: Hans Kraely, Ernst Lubitsch Director: Ernst Lubitsch Cinematography: Theodor Sparkuhl, Kurt Waschneck CAST: Ossi Oswalda, Hermann Thmig, Victor Janson Production: Pagu Release: December 5, 1919 109 min. Color-tinted Inter-titled silent w/music score.
German silent romantic fantasy comedy film directed by Ernst Lubitsch, based on the operetta "La poupee" by Edmond Audran and a line of influence through the Leo Delibes ballet "Coppelia" and E.T.A. Hoffmann's short story "Der Sandmann."
The Eagle 1925
Producer: John W. Considene, Joseph M. Schenck Script: Hans Kraly, George Marion, Jr. Director: Clarence Brown Cinematography: George Barnes, Dev. Jennings (2nd Unit) CAST: Rudolph Valentino, Vilma Banky, Louise Dresser Production: Art Finance Corp. Release: November 8, 1925 90 min. B/W Inter-titled silent w/music score.
American silent drama directed by Clarence Brown and starring Rudolph. Based on the posthumously published 1841 novel "Dubrovsky" by Alexander Pushkin, the story concerns a lieutenant in the Imperial Russian army who catches the eye of Czarina Catherine II. The production was inspired by the performance of Douglas Fairbanks as Zorro in "The Mark of Zorro."
The General 1926
Producer: Joseph Schenck, Buster Keaton Script: Al Boasberg, Clyde Bruckman, Buster Keaton, Charles Smith Director: Buster Keaton, Clyde Bruckman Cinematography: Devereaux Jennings, Bert Haines CAST: Buster Keaton, Marlon Mack Production: Buster Keaton Productions/Joseph M. Schenck Productions Release: December 31, 1926 106 min. B/W Inter-titled silent w/music score.
American silent Western slapstick action comedy film co-written and directed by Buster Keaton and Clyde Bruckman. The story was inspired by the "Great Locomotive Chase," a true account that occurred during the American Civil War. Thr story was adapted from the 1889 memoir "The Great Locomotive Chase" by William Pittenger.
The Hunchback of Notre Dame 1923
Producer: Carl Laemmle, Lon Chaney, Irving Thalberg Script: Edward T. Lowe, Jr., Perley Poore Sheehan Director: Wallace Worsley Cinematography: Robert Newhard Special FX: Tony Kornman, Virgil Miller, Stephen S. Norton, Charles J. Stumar CAST: Lon Chaney, Patsy Ruth Miller, Norman Kerry, Brandon Hurst, Raymond Hatton, Ernest Torrence, Nigel de Brulier Production: Universal Pictures Release: September 2, 1923 157 min. Color-tinted Inter-titled silent w/music score.
American silent historical drama film directed by Wallace Worsley, produced by Carl Laemmle and Irving Thalberg starring Lon Chaney in the title role. Produced and released by Universal Pictures in 1925, the epic super-production was the studio's "Super Jewel" and was their most successful silent film, grossing USD$3.5 million dollars. The story was based on Victor Hugo's 1831 novel, and is notable for the grand sets that recall 15th century Paris as well as for Chaney's performance and special make-up as the tortured hunchback bell ringer Quasimodo..
The Impossible Voyage 1904
Producer/Script/Cinematography/Director: Georges Melies CAST: Georges Melies, Fernande Albany, Jehanne d'Arcy Production: Star Film Co. Release: 1904 20 min. Color-tinted Inter-titled silent w/music score.
French silent trick film created by Georges Melies. The production was inspired by Jules Verne's 1882 play "Journey through the Impossible," and modeled in style and format on Melies' highly successful 1902 trick film "A Trip to the Moon," the film is a satire of scientific exploration in which a group of geographically minded tourists attempt a journey to thr Sun using various methods of transportation. This film was a significant international success at the time of its original release in France in 1904, and has been well received by film historians.
The Paleface 1922
Producer: Joseph M. Schenck Script: Buster Keaton Director: Buster Keaton, Edward F. Cinematography: Elgin Lessely CAST: Buster Keaton Production: Joseph M. Schenck Productions Release: January 15, 1922 20 min. B/W Inter-titled silent w.music score.
American silent Western two-reel comedy co-written and directed by comic genius Buster Keaton.
The Camerman's Revenge 1912
Producer: Aleksandr Khanzhonkov Script: Ladislas Starevich Cinematography/Director{ Wladyslaw Production: Kinoart Producions 13 min. Color-tinted Inter-titled silent w/music score.
Russian silent short film written and directed by Ladislas Starevich. Along with other cinematic works, Starevich stands out in the history of stop-motion animation for its use of actual dried insect specimins, including beetles, grasshoppers and dragonflies as articulated stop-motion puppets portraying all of the characters.
The Dreyfus Affair 1899
Producer/Script/Cinematography/Director: Georges Melies Production: Star Film/Warwick Trading Co. Release: September 1899 12 min. B/W silent w/music score.
French silent series of eleven short films by Georges Meilies. Each of the eleven one-minute installments (included in this collection) reconstructs an event from the real-life Dreyfus Affair, which was still in progress while the series was being produced. The series was acted in a restrained, realistic style vastly unlike Melies' better-known fantasy films; the scenes were staged and promoted to suggest accurately that Dreyfus was innocent of espionage.
The Wandering Jew 1923
Producer/Script/Cinematography/Director: Otto Kreisler CAST: Rudolf Schildkraut, Heinz Altringen, Ernst Bath Production: Kreisler-Filmproduktion 75 min. B/W silent English Inter-titles w/music score.
Austrian silent historical film created by Otto Kreisler was an early biography of the founder of modern Zionism depicting a young Herzel learning about Jewish persecution throughout the ages, and developing his theory of political Zionism, which he viewed as the only solution to rising anti-Semitism. The production follows Herzel's efforts to implement his ideas by converting European leaders and Jews to his cause (review: National Center of Jewish Film).
The Vampires 1915
Producer/Script/Director: Louis Feuillade Cinematography: Georges Guerin, Manichoux CAST: Eduard Mathe, Slacia Napierkowska, Delphine Renot Production: Gaumont Release: November 13-30, 1915 31 min. Color-tinted English Inter-titles silent w/music score.
French silent crime serial film thriller produced, written and directed by Louis Feuillade starring Eduard Mathe, Slacia Napierkowska, Delphine Renot and others. The genre of the crime serial had been quite common at the time, and Louis Feuillade had a huge success with his previous cinematic work , the serial "Fantomas." The overall style of the production has been compared to that of a pulp magazine. "Les Vampires" was serialized in French theatres as ten episodes of differing length, the first two appearing on November 13, 1915 and the last on June 30, 1916. The production was first exhibited in Mexico on May 24, 1917 and had an American release at approximately the same time. The film essentially established the crime thriller genre, creating cinematic thriller techniques utilized shortly afterwards by cinema masters Alfred Hitchcock and Fritz Lang.
20,000 Leagues under the Sea 1916
Producer: Carl Laemmle Script/Director: Stuart Paton Cinematography: Eugene Gaudio CAST: Allen Holubar, Jane Gail, Matt Moore, William Welsh Production: Williamson Submarine Film Corp./Universal Film Manufacturing Co. 105 min. B/W English Inter-titles silent w/music score.
American silent adventure film written and directed by Stuart Paton and starring Allen Holubar, Jane Gail and Matt Moore. Carl Laemmle served as producer on the production. The story had been adapted from Jules Verne's 1870 novel of the same title as well as also incorporating elements from Verne's 1875 novel "The Mysterious Island." "20,000 Leagues under the Sea" was the first feature-length motion picture filmed underwater which took two years to produce at a cost of $500,000. Hal Erickson said that "the cost of the film was so astronomical that it could not possibly post a profit, putting the kibosh on any subsequent Verne adaptations for the next twelve years."
Harakiri 1919
Producer: Erich Pommer Script: Max Jungk (play), David Belasco, John Luther Long Director: Fritz Lang Cinematography: Max Fassbender CAST: Lil Dagover, Paul Biensfeldt, Georg John, Meinhardt Mauer, Rudolf Lettinger, Emer Huebsch, Niels Prien Production: Decla-Bioscop Release: December 18, 1919 80 min. B/W Dutch Inter-titles silent w/music.
German silent cultural film directed by Fritz Lang and starring Lil Dagover, Paul Biensfeldt, Georg John, Meinhardt Mauer, Rudolf Lettinger, Emer Huebsch and Niels Piren. "Harakiri" was one of the first Japanese-themed films depicting historical Japanese culture. The film was released in the United States and other countries under the title "Madame Butterfly" due to the source material on which it is based and which also inspired Giacomo Puccini's eponymous 1904 opera.
Hearts in Exile 1915
Producer/Script/Director: James Young Script: John Oxenham (play), James Young (co-writer) Cinematography: Arthur Edson CAST: Clara Kimball Young, Montagu Love, Clause Fleming, Vernon Steele, Frederick Truesdell, Paul McAllister, Bert Stakrkey, Clarissa Selwynne Production: Peerless Pictures Studios Release: April 12, 1915 59 min. B/W English Inter-titles silent w/music score.
American silent drama film co-written and directed by James Young and starring Clara Kimball Young, Montagu Love, Clause Fleming, Vernon Steele and others. The story concerns an attractive woman by the name of Anna Ivanovna in Czarist Russia who has "consecrated her life to work among Russia's persecuted poor."
The Iron Mask 1929
Producer/Script: Douglas Fairbanks Script: Douglas Fairbanks, Jack Cunningham Director: Allan Dwan Cinematography: Henry Sharp CAST: Douglas Fairbanks, Belle Bennett, Marguerte De La Motte, Dorthy Revier, Rolfe Sedan Music: Hugo Riesenfeld Production: United Artists Release: February 21, 1929 95 min. B/W sound English dialog.
American part "talkie" adventure sound film directed by Allan Dwan and starring Douglas Fairbanks, Belle Bennett, Marguerte De La Motto, Dorthy Revier and others. In addition to some scenes with dialogue, the film featured an actual synchronized music score with sound effects and a theme song. "The Iron Mask" is an adaptation of the last section of the 1847-1850 novel "The Vicomte de Bragelonne" by Alexander Dumas, pere, which is itself based on the French legend of "The Man in the Iron Mask." Douglas Fairbanks biographer Jeffrey Vance wrote: "As a valedictory to the silent screen, The Iron Mask is unsurpassed. In one of his few departures from playing a young man - and with few characteristic stunts - Fairbanks conjures up his most multi-dimensional and moving screen portrayal in a film that is perhaps the supreme achievement of its genre."
Police 1916
Producer: Jess Robbins Script/Director: Charlie Chaplin Cinematography: Harry Ensign CAST: Charlie Chaplin, Edna Purviance, Wesley Ruggies, James T. Kelley, Leo White Production: Essanay Studios 15 min. B/W silent w/music score.
American comedy film directed and starring Charlie Chaplin in his 14th production with Essanay Studios and was produced and released in 1916. Chaplin essays the lead starring role as an ex-convict who finds life outside not to his liking and leads him to breaking into a house with another thief, however, a girl in the house ends of changing him for the better in the end.
The Wandering Shadow 1920
Producer: Joe May Script (co-writer)/Director: Fritz Lang Cinematography: Guido Seeber CAST: Mia May, Hans Marr, Harry Frank, Rudolf Klein-Rogge, Loni Nest Set Design: Otto Hunte Production: May-Film Release: December 25, 1920 46 min. B/W silent Spanish Inter-titled version w/music score.
German silent drama film co-written and directed by Fritz Lang and starring Mia May, Hans Marr, Harry Frank, Rudolf Klein-Rogge and Loni Nest. The story concerns a young girl who has surrendered herself to a disciple of free love, and, having giving birth to a child, marries the twin brother and "doppelgänger" of her chosen lover,
Lindbergh: Epic American Trans-Atlantic Flight 1927
Home movie production 16 min. B/W silent w/music score English Inter-titles
American silent home movie type newsreel film produced for the home entertainment market in 16mm documents Col. Charles A. Lindburgh's world famous flight known in history as "the Spirit of St. Louis."
The Suffragette 1913
Producer: Paul Davidson Script/Director: Urban Glad Cinematography: Emil Schunemann CAST: Asta Nielsen, Max Landa, Mary Scheller, Adele Reuter Eichberg, Fred Immler, Charly Berger Production: Projektion AG Union Release: 1913 61 min. B/W silent w/music score German Inter-titles.
German silent film presented in five acts as written and directed by Urban Glad in 1913 and starring Asta Nielsen, Max Landa, Mary Scheller, Adele Reuter Eichberg and Fred Immler. Urban Glad's vintage 1913 production is regarded by cinema historians and scholars as a rare film.
Cabria 1914
Producer/Script/director: Giovanni Pastrone Cinematography: August Battagliotti, Eugenio Bava, Natalie Chiusano, Segundo de Chomon CAST: Carlolina Calena, Emile Vardannes, Gina Marangoni, Lida Quaranta Production: Itala-Film 157 min. Color-tinted Italian Inter-titles silent w/music score .
Italian epic historical silent film produced, written and directed by Giovanni Pastrone and starring Carolina Calena, Emile Vardannes, Gina Marangoni, Lida Quaranta and others. This exceptional epic production was filmed on location in Turin, Italy in 1914. The storyline is set in ancient Sicily, Carthage, and Cirta during the period of the Second Punic War (218-202 BC) it follows the story if an abducted girl, Cabria, and features a volcanic eruption of Mount Etna, religious rituals in Carthage, the alpine trek of Hanibal, Archimedes' defeat of the Roman Fleet at the Siege of Syracuse and Scipio maneuvering in North Africa. The historical background ad characters in the film's storyline were taken from Livy's "Ab Urbe Condita" (21-25 BC). "Cabria" was the first motion picture to be shown at the White House, having been screened on the outside South Lawn of the Executive Mansion, by the President (Woodrow Wilson), First Lady, Vice-President and his wife, members of the Presidential cabinet and their wives, due to the intense summer heat of 1914. Pastrone's "Cabria" is regarded by cinema historians and film scholars as an important landmark in the history of world filmmaking.
Carmen aka Gypsy Blood 1918/1921
Producer: Paul Davison Script: Prosper Merimee (novel), Grete Diercks, Norbert Falk, Hanns Krahly, Myron M. Stearns (English version) Director: Ernst Lubitsch Cinematography: Alfred Hansen CAST: Pola Negri, Harry Liedtke, Leopold von Ledebur, Grete Diercks Production: Pagu/Ufa 80 min. B.W silent w/music score English Inter-titles.
German silent drama film directed by Ernst Lubitsch and starring Pola Negri, Harry Liedtke, Leopold von Ledebur, Grete Diercks and others. The story is based on the novella "Carmen" by Prosper Merimee. Much like Bizet's famous operettic work, the production transforms the character of Don Jose at the beginning of the story from bandit on the run to honest man in love with his childhood sweetheart. "Carmen" was released in an English Inter-titled version in the United States in 1921 under the alternate release title "Gypsy Blood" which is available thru FILMMUSEUM HOME VIDEO.
The Eskimo Baby 1916
Producer: Alfred Duskes Script: Martin Jorgensen, Louis Levy, Director: Heinz Schall Cinematography: Carl Ferdinand Fischer CAST: Asta Nielsen Production: Neutral-Film Release:: April 4, 1918 65 min. B.W silent German Inter-titles.
German silent comedy film directed by Heinz Schall and starring Asta Nielsen for Neutral-Film in 1916. This film is a vintage example of classic German cinema.
The ABC of Love 1916
Producer/Director: Magnus Stifer Script: Martin Jorgensen, Louis Levy Cinematography: Carl Ferdinand Fischer CAST: Asta Nielsen, Ludwig Trautmann, Magnus Stifer Production: Saturn-Film Release: August 16, 1916 51 min. B/W silent German Inter-titles.
German silent comedy film directed by Magnus Stifer and starring Asta Nielsen, Ludwig Trautmann and Magnus Stifer. One of the earliest feature films produced in Germany during the golden age of classic German cinema.
Journey into the Night 1921
Producer: Sascha Goron Script: Harriet Bloch, Carl Mayer Director: Friedrich Wilhelm Murnau Cinematography: Max Lutze CAST: Olaf Fenns, Eerna Morena, Conrad Veidt, Gudrun Brunn Stephensen, Clementine Plessner Production: Goron-Film Release: January 21, 1921 81 min. Color-tinted silent w/music score German Inter-titles.
German silent drama film directed by Friedrich Wilhekm Murnau for Goron-Film and starring Olaf Fenns, Erma Moreno, Conrad Veidt, Gudrun Brunn Stephensen, Clementine Plesser and others. This is one of the oldest vintage surviving complete films of Munrau's earliest productions.
The Strangling Hand 1920
Producer: Carmen Cartellieri, Cornellius Hintner Script/Cinematography/Director: Cornellius Hintner CAST: Victor Kutschera, Carmen Cartellieri, Eugen Preiss, Hans Rhoden, Adolf Weisse, Hugo Werner-Kahle Production: Pax-Film Release:1920 68 min. Color-tinted silent w/music score German Inter-titles.
Austrian silent crime drama co-produced, written, shot and directed by Cornellius Hintner for Pax-Film in 1920. "The Strangling Hand" is one of the earliest vintage cinematic examples of classic Austrian filmmaking during the twenties.
The Grand Duke's Finances 1924
Producer: Erich Pommer Script: Frank Heller, Thea von Harbour, Fritz Wendhausen Director: Friedrich Wilhelm Murnau Cinematography: Karl Freund, Franz Planer CAST: Harry Liedtke, Mady Christians, Adolphe Engers, Julius Falkenstein Production: Ufa Release: January 7, 1924 80 min. Color-tinted German Inter-titles silent w/music score.
German silent comedy film directed by Friedrich Wilhelm Murnau for Ufa starring Harry Liedtke, Mady Christians, Adolphe Engers, Julius Falkenstein and others. The production was based on the novel of the same title by Swedish author Frank Heller, and adapted by Fritz Lang's screenwriter wife Thea von Harbou. "The Grand Duke's Finances" was the only comedy film directed by Murnau and premiered in Germany on January 7, 1924 at the Berlin Palast am Zoo Theater. Regarded as one of the supreme examples of classic German cinema during the Weimarian period.
The Burning Earth 1922
Producer: Sascha Goron, Erich Pommer Script: Willy Haass, Thea vo n Harbou, Arthur Rosen Director: Friedrich Wilhelm Murnau Cinematography: Fritz Arno Wagner, Karl Freund CAST: Eugen Kloepfer, Werner Krauss, Eduard von Winterstein, Alfred Abel Production: Deulig-Film Release: March 3, 1922 51 min. Color-tinted German Inter-titles silent w/music score.
German silent drama film directed by Friedrich Wilhelm Murnau and starring Eugen Kloepfer, Werner Krauss, Eduard von Winterstein, Alfred Abel and others. Murnau directed this production at the time of the filming of his "Nosferatu, a Symphony of Horror" (1922) and was released around the same time. "The Burning Soil" followed the struggle over a plot of petroleum-rich land. This rare film had been considered lost until 1978, when it was discovered to have been the property of an Italian Roman Catholic priest who had organized screenings of the film for patients in mental hospitals. Considered by cinema historians and scholars to be a landmark production and a classic of the German cinema during the Weimarian period.
Demon Circus 1923
Producer: Emil Justiz Script: Paula Busch (novel), Wolfgang Geiger Director: Emil Justiz Cinematography: Eugen Hrich, Erich Waschneck CAST: Eduard von Winterstein, Carl de Vogt, Malay Delschaft , Gertrude Weicker Production: Boemstad-Justiz-Film Release: January 26, 1923 45 min. B/W silent w/music score Russian Inter-titles,
German silent circus drama film directed by Emil Justiz and starring Eduard von Winterstein, Carl de Vogt, Malay Delschaft, Gertrude Weicker and others. This early vintage silent classic is considered as an example of the masterworks of the classic German cinema during the Weimarian period.
The Ancestress 1919
Producer: Anton Kolm, Luise Fleck, Jakob Fleck Script: Franz Grillparzer, Luise Fleck, Jakob Fleck Direction: Luise Fleck, Jakob Fleck Cinematography: Jakob Fleck CAST: Liane Haid, Max Neufeld, Karl Ehmann, Eugen Neufeld Production: Wiener Kunstfilm 51 min. Color-tinted German Inter-titles silent w/music.
Austrian silent drama film co-produced, written and directed by Jakob and Luise Fleck for Wiener Kunstfilm and starring Liane Haid, Max Neufeld, Karl Ehmann, Eugen Neufeld and others. A previous version of the story had been lensed in 1910.
The Ancient Law 1923
Producer/Director: E.A. Dupont Script: Heinrich Laube, Paul Reno Cinematography: Theodor Sparkuhl CAST: Henny Porten, Werner Krauss, Jakob Tiedtke, Ernst Deutsch Production: Comedia-Film GmbH Release: October 29, 1923 134 min. Color-tinted silent German Inter-titles w/music score.
German silent historical drama film produced and directed by E.A. Dupont and starring Henny Porten, Werner Krauss, Jako Tiedtke, Ernst Deutsch and others. The story concerns a son of an orthodox Rabbi who faces hostility from his father when he decides to become an actor. This rare film is considered a timeless cinematic classic produced during the Weimarian period.
Madame Dubarry 1919
Producer: Paul Davidson Script: Norbert Falk, Hanns Kraehly Director: Ernst Lubitsch Cinematography: Theodor Sparkuhl CAST: Pola Negri, Emil Jannings, Harry Liedtke, Eduard von Winterstein Production: Pagu 115 min. Color-tinted German Inter-titles silent w/music score.
German silent historical film directed by Ernst Lubitsch starring Pola Negri, Emil Jannings, Harry Liedtke, Eduard von Winterstein and others. The story concerns the historic events during the French Revolution focusing on the two historical figures Louis XV and Madame Dubarry. The production is regarded as a landmark cinematic classic of the early German film.
Genuine 1920
Producer: Erich Pommer Script: Carl Mayer Director: Robert Wiene Cinematography: Willy Hameister CAST: Fern Andra, Hans Heinrich von Twardowski, Ernst Gronau, Harold Paulsen Production: Decla-Bioscop AG Release: September 2, 1920 80 min. Color-tinted German Inter-titles silent w/music score.
German silent horror film directed by Robert ("Cabinet of Dr. Caligari," 1920) Wiene and starring Fern Andra, Hans Heinrich von Twardowski, Ernst Gronau, Harold Paulsen and others. Although often confused with being a "vampire" horror film, Wiene's film does not belong to that gene. Rather, it is the production's eponymous character, Genuine, who is in reality a "succubus" who uses her powers of seduction to torment and control the men who love her. Robert Wiene's "Genuine" is regarded as a follow-up to the director's massively successful expressionist classic "The Cabinet of Dr. Caligari" (1920), utilizing much of the original production crew, including, the same screenwriter and cinematographer who had worked with him on "Caligari."
The Stigmatized 1922
Producer: Otto Schmidt Script/Director: Carl Theodor Dreyer Cinematography: Friedrich Weinmann CAST: Polina Piekowskaja, Wladimir Gaidarow, Thorleif Reiss, Adele Reuter Eichtberg Production: Primus-Film GmbH Release: February 7, 1922 95 min. B/W silent w/music score English Inter-titles.
German silent drama film written and directed by Carl Theodor Dreyer for Primus-Film and starring Palina Piekowskaja, Wladimir Gaidarow, Thorleif Reiss, Adele Reuter Eichberg and others. The story was based on the 1918 novel "Elskar hverandre" (Love One Another) by Aage Madelung. "The Stigmatized" is considered a rare film classic from the golden age of the German cinema.
A Man there Was 1917
Producer: Charles Magnusson Script: Gustav Molander, Victor Sjoestroem Director: Victor Sjoestroem Cinematography: Julius Jaenzon CAST: Victor Sjoestroem, Edith Erastoff, August Faick, Bergliot Husberg Production: Svenska Biograffeatern Release: January 29, 1917 65 min. Color-tinted Swedish Inter-titles silent w/music score.
Swedish silent drama film co-produced, written and directed by Victor Sjoestroem starring himself, Edith Erostoff, August Faick, Bergliot Husberg and others. The story for the film was based on a poem of the same title by Henrik Ibsen. "A Man there Was" was the most expensive Swedish film produced up to 1917, marking a new direction in Swedish cinema. Sjoestroem's production is considered to be the beginning of the golden age of Swedish silent film that would end up with the classic "Goesta Berling's Saga" (1925, also available from FILMMUSEUM.
Foolish Wives 1922
Producer: Carl Laemmle, Erich von Stroheim Script/Director: Erich von Stroheim Cinematography: William H. Daniels, Ben F. Reynolds CAST: Rudolph Christians, Miss Dupont, Maude George, Mae Busch, Erich von Stroheim Production: Jewel Productions Release: January 11, 1922 142 min. Color-tinted silent w/music score English Inter-titles.
American silent erotic drama film written, directed and starring Erich von Stroheim with co-stars Rudolph Christians, Miss Dupont, Maude George, Mae Busch and others. "Foolish Wives" was produced and released by Carl Laemmle and Universal Pictures in 1922 under their "Super-Jewel" banner. When Von Stroheim;s film was released in January 1922, it was the most expensive produced made at that time, and billed as "the first million-dollar movie to come out of Hollywood." Originally, von Stroheim had intended the production to run anywhere between six and ten hours in length, and be shown over two evenings, however, Universal Pictures executives opposed this proposal immensely so the studio heads cut the production drastically prior to the release playdate. "Foolish Wives" was anticipated to be a huge commercial success and play on Broadway in New York for six months. Von Stroheim's vintage classic is considered one of the earliest Hollywood box-office hits.
The Four Horsemen of the Apocalypse 1921
Producer: Rex Ingram Script: June Mathis Director: Rex Ingram Cinematography: John F. Seitz CAST: Rudolph Valentino, Alan Hale, Wallace Beery, Joseph Swickard Production: Rex Ingram Productions/Metro Pictures Corp. Release: March 6, 1921 134 min. B/W English Inter-titles silent w/music score.
American silent epic war film produced and directed by Rex Ingram for Metro Pictures Corp. and starring Rudolph Valentino, Alan Hale, Wallace Beery, Joseph Swickard and others. The story was based on the 1916 novel of the same title by Vincente Blasco Ibanez, adapted for the screen by screenwriter June Mathis. "The Four Horsemen of the Apocalypse" is regarded as one of the first anti-war movies produced, and had an enormous cultural impact and became the top grossing theatrical attraction of 1921. In 1995, Ingram's production was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant." Contemporary film historians consider "Four Horsemen of the Apocalypse" one of the important works of early vintage American cinema.
The Heart of a Hero 1916
Producer: William A. Brady Script: Francis Marion Director: Emile Chautard Cinematography: Lucien Tainguy CAST: Robert Warwick, Gail Kane, Alec B. Francis, Clifford Grey Production: World Film Corp. Release: November 6, 1916 16 min. Color-tinted English Inter-titles silent w/music score.
American silent historical drama film directed by Emile Chautard starring Robert Warwick, Gail Kane, Alec B. Francis and Clifford Grey. The story was based on the 1898 play "Nathan Hale" by Clyde Fitch. The short silent film production was both produced and released by World Film Corporation in 1916. An early vintage cinematic example from the golden age of Hollywood.
Flowers of Hate 1924
Producer: Educational Pictures Script/Director: Robert C. Bruce Cinematography: David W. Gobbett CAST: Myrtle Forbes, Selmer Jackson, Gurnie Hayes Production: Educational Pictures 18 min. Color-tinted English Inter-titles silent w/music score.
American silent short film written and directed by Robert C. Bruce for Educational Pictures and starring Myrtle Forbes, Selmer Jackson, Gurnie Hayes and others. The story concerned two mountaineers, whom are bitter rivals decide to go on a three-day hike in the mountains search for a special flower for a young girl who ends up scolding them both when they finally return exhausted.
Uncle Frank's Farm 1920
Producer/Script/Director: F.S. Wythe Production: Neighborhood Motion Picture Service, Inc. 12 min. Sepia-tone English Inter-titles silent w/music score.
American silent drama produced, written and directed by F.S. Wythe concerned an immigrant who purchased a farm with funds he has saved with his own money. His brother visits him from the abroad and they manage to find him a home with the idea that in the United States one gets out of whatever he put into it.
His Majesty the Scarecrow of Oz 1914
Producer: L. Frank Baum, Louis F. Gottschalk Script: L. Frank Baum Director: J. Farrell MacDonald Cinematography: James A. Crosby CAST: Violet MacMillian, Frank Moore, Pierre Couderec, Fred Woodward Production: The Oz Film Manufacturing Co. Release: September 28, 1914 30 min. B/W silent w/music score English Inter-titles.
American silent literary/fantasy film produced and written by L. Frank Baum and directed by J. Farrell MacDonald. The early vintage production starred Violet MacMillian, Frank Moore, Pierre Couderec, Fred Woodward and others. MacDonald's fantasy production was loosely based on L. Frank Baum's 1900 literary classic novel "The Wonderful Wizard of Oz," however, in the screenplay, Baum introduced many new characters and a large new story that would later become the basis 1915 novel "The Scarecrow of Oz." Similar to "The Wonderful Wizard of Oz," the scarecrow's origin is revealed, although his life was attributed to "the Spirit of the Corn," who appears as a conventional Hollywood depiction of a Native American. This had been the third motion picture by the Oz Manufacturing Company, following "The Patchwork Girl of Oz" (1914) and "The Magic Cloak of Oz" (1914). NOTE: all three rare films are available thru FILMMUSEUM.
1776 or The Hessian Renegades 1909
Producer/Script(co-writer)/Director: D.W. Griffith Script (additional writer): Frank E. Woods Cinematography: G.W. Bitzer, Arthur Marvin CAST: Owen Moore, Linda Arvidson, Kate Bruce, Wilhelm J. Butler Production: Biograph Company Release: September 6, 1909 12 min. B/W silent w/music score.
American silent historical revolutionary film produced, co-written and directed by D.W. Griffith for the Biograph Company in 1909 starring Owen Moore, Linda Arvidson, Kate Bruce, Wilhelm J. Butler and others. Griffith's 1909 vintage production is an early cinematic example of classic silent American filmmaking.
1925 Studio Tour 1925
Producer/Cinematography/Director: William H. Daniels CAST: Howard Hawks, Josef von Sternberg, Erich von Stroheim, King Vidor, Tod Browning, Ramon Novarro, Lon Chaney, Norma Shearer,Zasu Pitts, Joan Crawford, Louis B. Mayer, Irving Thalberg, Myrna Loy 32 min. B/W silent w/music score English Inter-titles.
American silent documentary film short concerning a tour of the MGM Studio in 1925 is given in order to meet the individuals who produce, write, direct and star in the movies during the golden age of Hollywood.
A Night in the Show 1915
Producer: Jess Robbins Script/Director: Charlie Chaplin Cinematography: Harry Ensign CAST: Charlie Chaplin, Edna Purviance, Charlotte Mineau, Lee Lampton Production: Essonay Studios/General Film Co. Release: November 20, 1915 20 min. B/W silent w/music score. English Inter-titles.
American silent comedy film short written, directed and starring world famous comic Charlie Chaplin with co-stars Edna Purviance, Charlotte Mineau, Lee Lampton and others. The film was produced at the Majestic Studio in Los Angeles, California in the fall of 1915. Chaplin essayed two roles in the production - Mr. Pest and Mr. Rowdy. "A Night in the Show" had been created from Chaplin's stage work from a play called "Mumming Birds" in the USA. Considered an early vintage Chaplin cinematic silent classic.
After Death 1915
Producer: Aleksandr Khanzhonkov Script: Ivan Turgenev, Yevgeni Bauer Director: Yevgeni Bauer Cinematography: Boris Zavelev CAST: Vitold Polonsky, Olga Rakhmanova, Vera Karalli, Mariya Khassalskaia Production: A. Khanzhonkov & Co. Ltd. Release: 1915 48 min. silent w/music score Russian/English Inter-titles.
Russian silent drama film directed by Yevgeni Bauer starring Vitold Polonsky, Olga Rakhmanova, Vera Karalli, Mariya Khassalskaia and others. The story of this vintage cinematic classic was based on the 1915 novella "Klara Milich" by Ivan Turgenev. The story concerns a reclusive young man by the name of Andre who is reluctantly persuaded to go out to social events by his good friend Tserin, and encounters the beautiful actress Zola. The two meet briefly but then he doesn't see her for months. He is then shocked to learn that she has collapsed and died, and he becomes morbidity and madly obsessed with her. "After Death" is considered an vintage cinematic silent classic from early Russian cinema.
All for Momey 1923
Producer: Emil Jannings Script: Hanns Krahly, Rudolf Stratz Director; Reinhold Schuenzel Cinematography: Alfred Hansen, Ludwig Lippert CAST: Emil Jannings, Hermann Thimig, Curt Goetz, Reinhold Schuenzel Production: Emil Jannings-Film/Ufa Release: November 5, 1923 104 min. B/W silent w/music score.
American version of the German silent drama film produced by Emil Jannings and directed by Reinhold Schuenzel starring Jannings, Hermann Thimig, Curt Goetz, Reinhold Schuenzel and others. "All for Money" is considered an early vintage Emil Jannings cinematic classic and part of the golden age of German cinema.
When I was Dead 1916
Producer: Paul Davidson Script/Director: Ernst Lubitsch CAST: Ernst Lubitsch, Louise Schenrich, Helene Voss, Jules Falkenstein Production: Projektions-AG Union (PAGU) Release: 1916 38 min. Color-tinted German Inter-titles silent w/music score.
German silent comedy film written, directed, shot and starring Ernst Lubitsch with co-stars Louise schenrich, Helene Voss, Jules Falkenstein and others. The story concerns a husband who is hounded by his nagging mother-in-law who lives with him and his wife. After coming home drunk one night he is kicked out by the mother-in-law. He disguises himself as a servant and gets a job at his own house. This film was considered lost forever until 1993 when a vintage copy of the film was discovered in Slovenia. "When I was Dead" is considered an early vintage example of the origins of classic German cinema.
United States, British, French and Italian Official War Films 1918
Producer: Allied Expeditionary Forces Film Unit 15 min. B/W silent w/music score English Inter-titles.
W.W.I. Allied Expeditionary Forces Film Unit production of U.S., British, French and Italian film record of the end pf the First World War in 1918. Considered a rare archival film.
A Morman Maid 1917
Producer: Jessie L. Lasky Script: Charles Sarver, Paul West Director: Robert Z. Leonard Cinematography: Charles Rosher CAST: Mae Murry, Frank Borzage, Hobarth Boseworth, Noah Beery, Richard Henry Cummings Production: Jesse L. Lasky Feature Play Co. Release: April 27, 1917 69 min. Color-tinted English Inter-titles silent w/music score.
American silent drama film directed by Robert Z. Leonard starring Mae Murry, Frank Borzage, Hobarth Boseworth, Noah Beery, Richard Henry Cummings and others. The story concerns a young girl by the name of Dora, who while traveling westwards with her family, must face a proposal to become a Morman elder's sixth wife.
Broken Blossoms 1919
Producer/Script/Director: D.W. Griffith Cinematography: G. W. Bitzer CAST: Lillian Gish, Richard Barthelmess, Donald Crisp, Arthur Howard Production: D. W. Griffith Productions/United Artists (UA) Release: May 13, 1919 90 min. Color-tinted English Inter-titles silent w/music score.
American silent melodrama film written, produced and directed by D. W. Griffith starring Lilian Gish, Richard Barthelmess, Donald Crisp, Arthur Howard and others. The story concerns a young girl, Lucy Barrows (Lillian Gish), who is abused by her alcoholic prizefighting father, Battling Burrows (Donald Crisp), and meets Cheng Huan (Richard Barthelmess), a kind-hearted Chinese man who falls in love with her. "Broken Blossoms" was the first motion picture released by United Artists. The production was based on Thomas Burke's 1916 short story "The Chink and the Child" which had been from the 'Limehouse Nights' collection. "Broken Blossoms" is considered one of the great silent movies produced during the golden age of classic American cinema.
The Cameraman 1928
Producer: Buster Keaton, Lawrence Weingarten Script: Clyde Bruckman, Lew Lipton Direction: Buster Keaton, Edward Sedgwick Cinematography: Reggie Lanning, Elgin Lessley CAST: Buster Keaton, Marceline Day, Harold Goodwin, Sidney Bracey Production: MGM Release: September 22, 1928 76 min. B/W silent w/music score English Inter-titles.
American silent romantic comedy film co-produced and co-directed by noted comic Buster Keaton starring Keaton, Marceline Day, Harold Goodwin, Sidney Bracey and others. "The Cameraman" is considered by film critics and movie buffs as one of Keaton's best cinematic works to date.
The Cabinet of Dr. Caligari 1920
Producer: Decla-Film Script: Carl Mayer, Hans Janowitz Director: Robert Wiene Cinematography: Willy Hameister CAST: Werner Krauss, Conrad Veidt, Lil Dagover, Hans Heinrich von Twardowski Production: Decla-Film Release: February 26, 1920 75 min. Color-tinted English Inter-titles silent w/music score.
German silent expressionist horror film directed by Rpbert Wiene starring Werner Krauss, Conrad Veidt, Lil Dagover, Hans Heinrich von Twardowski and others. "Caligari" is the quintessential work of early vintage classic German cinema, the story tells a tale of an insane hypnotist, Dr. Caligari (Krauss) who uses a brainwashed somnambulist (Veidt) to commit a series of grisly murders. Wiene's production features a dark, twisted visual style, with sharp-painted forms, oblique, curving lines, structures and landscapes that lean and twist in unusual camera angles, and dark shadows and streaks of light-painted directly onto the studio sets. "The Cabinet of Dr. Caligari" is hailed by contemporary film critics as one of the great expressionist films produced during the Weimarian period.
Caught in a Cabaret 1914
Producer: Mack Sennett Script/Director: Mabel Normand Cinematography: Frank D. Williams CAST: Charlie Chaplin, Mabel Normand, Harry McCoy, Chester Conkin Production: Keystone 30 min. B/W silent w/music score English Inter-titles.
American comedy short film written and directed by Mabel Normand starring comic genius Charlie Chaplin, Normand, Harry McCoy, Chester Conkin and others. The story concerns Chaplin who essays the role of a waiter who fakes being the Prime Minister of Greenland to impress a young girl. He then is invited to a garden party where he manages to get into trouble with the girl's jealous boyfriend. Considered by contemporary cinema historians as a classic vintage Chaplin film.
Tillie's Punctured Romance 1914
Producer: Mack Sennett Script: Hampton Del Ruth, Craig Hutchinson, Mack Sennett Director: Mack Sennett Cinematography: Hans F. Koenekamp, Frank D. Williams CAST: Charlie Chaplin, Marie Dressler, Mabel Normand, Mack Swain Production: Keystone Film Co. Release: December 21, 1914 74 min. B/W silent w/music score English Inter-titles.
American silent comedy film written and directed by Mack Sennett starring Charlie Chaplin, Marie Dressler, Mabel Normand, Mack Swain and others. The film was the first full-length comedy production and was the only feature-length comedy made by Keystone Film Company. Sennett's film is based on Dressler's stage play "Tille's Nightmare" by A. Baldwin Sloane and Edgar Smith, making it the first full-length slapstick comedy in all of cinema. "Tille's Punctured Romance" is considered a vintage comedy classic featuring Charlie Chaplin.
Shanghaied 1915
Producer: Jess Robbins Script/Director: Charlie Chaplin Cinematography: Harry Ensign CAST: Charlie Chaplin, Edna Purviance, Wesley Ruggles, Lawrence A. Bowes Production: Essanay Studios Release: October 4, 1915 30 min. B/W silent w/music score English Inter-titles.
American silent comedy film written and directed by Charlie Chaplin for Essanay Studios starring Chaplin, Edna Purviance, Wesley Ruggles, Lawrence A. owes and others. "Shanghaied" is regarded as an early silent vintage classic created by Charlie Chaplin.
Burlesque on Carmen 1915
Producer: Jess Robbina, George Spoor Script: Charlie Chaplin, Prosper Menanee Director: Charlie Chaplin Cinematography: Roland Totheroh CAST: Charlie Chaplin, Eda Purviance, Jack Henderson, Leo White Production: Essanay Studios/General Film Co. Release: December 10, 1915 44 min. B/W silent w/music score English Inter-titles.
American comedic parody film co-written and directed by Charlie Chaplin starring Chaplin, Eda Proviance, Jack Henderson, Leo White and others. "A Burlesque on Carmen" was Chaplin's thirteenth motion picture for Essanay Studios, originally released as "Carmen" on December 18, 1915. Chaplin essayed the role of the leading man and Edna Proviance essayed the coveted role as Carmen. The film is in fact a parody of C. B. DeMille's "Carmen" (1915), which was itself an interpretation of the popular novella "Carmen" by Prosper Merimee. Contemporary film historians and scholars regard "A Burlesque on Carmen" as an early vintage silent film classic.
Police 1916
Producer: Jess Robbins Script/Director: Charlie Chaplin Cinematography: Harry Ensign CAST: Charlie Chaplin, Edna Proviance, Wesley Ruggles, James T. Kelly Production: Essanay Studios Release: May 27, 1916 34 min. B/W silent w/music score English Inter-titl;es.
American comedy film written and directed by Charlie Chaplin for Essanay Studios starring Chaplin, Edna Proviance, Wesley Ruggles, James T. Kelly and others. Chaplain essays the role as an ex-convict who finds life on the outside not to his liking and leads him to breaking into a home with another thief (Ruggles). Eda Proviance essays the role of the girl residing in his home who tries to change him. Recognized by contemporary film historians as an early vintage cinema classic.
The Vagabond 1916
Producer: Henry P. Caulfield Script: Charlie Chaplin, Vincent Bryan, Maverick Terrell Direction: Charlie Chaplin, Edward Brewer (technical director) Cinematography: William C. Foster, Roland Totheroh CAST: Charlie Chaplin, Edna Purviance, Erich Campbell, Leo White Production: Mutual Films Release: July 10, 1916 25 min. B/W silent w/music score.
American romantic omedy film co-written and directed by Charlie Chaplin for Mutal Films starring Chaplin, Edna Purviance, Erich Campbell, Leo White and others. Ths film echoed Chaplin's earlier work on "The Tramp" (1915), with more drama and pathos mixed in with romantic comedy. Regarded as an early vintage Chaplin classic.
The Pawnshop 1916
Producer: Henry P. Caulfield Script: Charlie Chaplin, Vincent Bryan, Maverick Turrell Direction: Charlie Chaplin, Edward Brewer (technical director) Cinematography: William C. Foster, Roland Totheeroh CAST: Charlie Chaplin, Henry Bergman, Edna Purviance, John Rand Production: Mutual Film Corp. Release: October 2, 1916 25 min. B/W silent w/music score English Inter-titles.
American slapstick comedy film co-written and directed by Charlie Chaplin for Mutual Film Company starring Chaplin, Henry Bergman, Edna Purviance, John Rand and others. Chaplin stars in the role of a pawnbroker's assistant, essayed by Henry Bergman. Edna Purviance plays the shop owner's daughter, while Albert Austin portrays an alarm clock owner who watches Chaplin in dismay as he dismantles the clock, the obese Eric Campbell's character attempt to rob the shop. "The Pawnshop" was one of Chaplin's more popular theatrical attractions at the time for the Mutual Film Corp, mainly for the slapstick comedy he was so famous for. Considered an early vintage slapstick comedy by comic genius Charlie Chaplin.
The Rink 1916
Producer: Henry P. Caulfield Script: Charlie Chaplin, Vincent Bryan, Maverick Terrell Direction: Charlie Chaplin, Edward Brewer (technical director) Cinematography: Roland Totheroh, George C. Zalibra CAST: Charlie Chaplin, Edna Purviance, James T. Kelly, Eric Campbell Production: Mutual Film Corp. Release: December 4, 1916 24 min. B/W silent w/music score English Inter-titles.
American silent comedy film co-written and directed by Charlie Chaplin for the Mutal Film Corp. starring Chaplin, Edna Purviance, James T. Kelly, Eric Campbell and others. "The Rink" was Chaplin's eighth production for Mutal Film Corp. Chaplin's obvious skill on roller skates surpassed many of his move-going fans, but Chaplin had been an experienced performer.
Easy Street 1917
Producer: Henry P. Caulfield Script: Charlie Chaplin, Vincent Bryan, Maverick Terrell Direction: Charlie Chaplin, Edward Brewer (technical director) Cinematography: Robert Totheroh, George C. Zalibra CAST: Charlie Chaplin, Edna Purviance, Eric Campbell, Albert Austin Production: Essanay Studios Release: January 22, 1917 24 min. B/W silent w/music score Italian Inter-titles
American short-action comedy film co-produced and directed by Charlie Chaplin for Essanay Studios starring Chaplin, Edna Purviance, Eric Campbell, Albert Austin and others. Contemporary cinema historians and scholars consider "Easy Street" an early vintage silent classic.
Charlie Chaplin Classics Collection 1914-1917
Production: Henry P. Caulfield, Charlie Chaplin Script: Charlie Chaplin, Edward Brewer Direction: Charlie Chaplin Cinematography: Robert Totheroh, George Zalibra CAST: Charlie Chaplin, Edna Proviance, Eric Campbell, Albert Austin Production: Essanay Studios Release: 1914-1917 389 min. B/W silent w/music score English Inter-titles.
American compilation of a large collection of classic comedy films produced, written, directed and starring world famous comedian Charlie Chaplin. The original vintage films contained in this exceptional collection include: "Between Showers," "Charlot et la Mannequin," "Charlot et Mabel," "Charlot's Face on the Barroom Floor," "Charlot Garcon de Theatre," "Cruel Love," "Dough and Dynamite," "Chaplin Filmfest," "Film Johnny," "Good for Nothing," "His Trysts Places," "Kids Auto Race at Venice," "Laffing Gas," "Mabel's Busy Day," "Mabel's Strange Predicament," "Making a Living," "Musical Tramp," "The Fatal Mallet," "The Knockout," "The Landlady's Pet," "The Masquerader," "The New Janitor," "The Rival Masters," "The Rounders," and "Twenty Minutes of Love." This unique collection is considered as the definitive Chaplin film library.
College 1927
Producer: Joseph M. Schenck Script: Bryan Foy, Carl Harbaugh Director: Buster Keaton Cinematography: Bert Haines, Dev Jennings CAST: Buster Keaton, Anne Cornwall, Harold Goodwin, Sam Crawford Production: United Artists 67 min. B/W sound English dialog.
American silent comedy/drama film directed and starring comic genius Buster Keaton and co-starring Anne Cornwall, Harold Goodwin, Sam Crawford and others. "College" is considered a comic cinematic masterpiece.
The Devil's Circus 1923
Producer: Emil Justiz Script: Paula Busch, Wolfgang Geiger Director: Emil Justiz Cinematography: Eugen Hrich, Erich Waschneck CAST: Eduard von Winterstein, Carl de Vogt, Malay Delschaft, Claire Lotto Production: Boernstad-Justiz-Film-Co. Release: January 26, 1923 45 min. B/W silent w/music score. Russian Inter-titles.
German silent romantic film directed by Emil Justiz and starring Eduard von Winterstein, Carl de Vogt, Malay Delschaft, Claire Lotto and others. The story concerns a love triangle about a female circus owner's favor and all its consequences. "The Devil's Circus" is considered a cinematic classic of the Weimarian period.
Danse Macabre 1922
Producer/Director: Dudley Murphy Animation: F.A.A. Dahme Cinematography: Francis Bruguiere Choreographer: Adolph Bolm CAST: Adolph Bolm, Ruth Page, Olin Howland Production: Visual Symphony Prods. Release: 1922 10 min. Color-tinted silent w/music score Czech subtitles.
American silent short film classic produced and directed by Dudley Murphy for Visual Symphony Productions in 1922 starring Adolph Bolm (including choreography), Ruth Page, Olin Howland and others. "Danse Macarbre" depicts Youth (Bolm) and Love (Ruth Page) attempting to evade the grasp of Death (Olin Howland) in Spain during the Black Plague. The production is one of 12 "visual symphonies" set to classical music by Murphy and promoted as the first such motion picture dance film to be synchronized with a sound music score. The film is considered a cinematic classic short film.
The Burning Volcano 1927
Producer: Nat Levine Director/Cinematography: Harry S. Webb CAST: Anita Stewart, Bruce Gordon, Duke Kahanamoku, Evangeline Russell Production: Mascot Pictures Release: February 4, 1927 Dutch inter-titles silent w/music score.
Dutch version of the American silent adventure film directed and shot by Harry S. Webb for Mascot Pictures stars Anita Stewart, Bruce Gordon, Duke Kahanamoku, Evangeline Russell and others. The story concerns a sea captain who obtains half of a map directing him to an enormous treasure on a south sea island. Considered a rare silent cinematic cllassic.
The Walk into the Night 1921
Producer: Sascha Goron Script: Harriet Bloch, Carl Mayer Director: F.W. Murnau Cinematography: Max Lutze CAST: Conrad Veidt, Olaf Fenss, Gudrun Bruun Production: Prana-Film Release: January 21, 1921 87 min. Color-tinted German Inter-titles silent w/music score.
German silent drama directed by Friedrich Wilhelm Murnau starrinf Conrad Vedit, Olaf Fenss, and Gudrun Bruun. "The Walk into the Night" is the earliest film production directed by Murnau survives thanks to intensive efforts by film historians and archivists. The film is considered one of the earliest motion pictures created during the Weimarian period and belongs to the golden age of classic German cinema.
The Stone Rider 1923
Producer: Erich Pommer Script: Fritz Wendhausen, Thea von Harbour Director: Fritz Wendhausen Cinematography: Carl Hoffmann, Guenther Rittau CAST: Rudolf Klein-Rogge, Lucie Mannheim, Gustav von Wangenheim, Fritz Kampers Production: Ufa Release: January 23, 1923 86 min. English Inter-titles silent w/music score.
German silent drama co-written and directed by Fritz Wendhausen starring Rudolf Klein-Rogge, Lucie Mannheim, Gustav von Wangenheim, Fritz Kampers, etc. "The Stone Rider" is a vintage example of Weimarian cinema produced during the twenties.
The Weary Death 1921
Producer: Erich Pommer Script: Thea von Harbou, Fritz Lang Director: Fritz Lang Cinematography: Erich Nietzschmann, Hermann Saalfrank, Fritz Arno Wagner CAST: Lil Dagover, Walter Janssen, Bernhard Goetzke, Hans Sternberg Production: Decla-Bioscop AG Release: October 6, 1921 99 min. Color-tinted silent w/music score English Inter-titles.
German silent Expressionist fantasy romance film "The Weary Death" was inspired by the Indian folktale of Savitin. The story follows a woman desperate to reunite her dead lover. The film also follows three other tragic romances, set in the Middle Eastern city, in Venice, italy and in the vast Chinese Empire. Spanish filmmaker Luis Bunuel, director of "Un Chien Andalou" ("The Andalusian Dog," 1929) was highly impressed with Lang's production, stating "When I saw "The Weary Death," I suddenly wanted to make movies." British filmmaker Alfred Hitchcock once stated that he was impressed with the film. Hollywood actor Douglas Fairbanks was reportedly so impressed with the special effects (the flying carpet scene), he promptly secured the rights to the picture in order that they could be replicated for Raoul 's 1924 production "The Thief of Bagdad" (also available thru Filmmuseum Home Video.
The Nibelungs 1923/1924
Producer: Erich Pommer Script: Thea von Harbou, Fritz Lang Director: Fritz Lang Cinematography: Carl Hoffmann, Guenther Rittau, Walter Ruttmann CAST: Paul Richter, Margarete Schoen, Hans Adalbert Schlettow, Theodor Loos, Rudolf Klein-Rogge Production: Decla-Bioscop AG Release: 1923/1924 288 min. B/W silent w/music score German Inter-titles.
German is an epic two part series of silent fantasy movie co-written and directed by Fritz Lang for Bioscop AG. The picture stars Paul Richter (as Siegfried), Margarete Schoen (as Kriemhild), Hans Adalbert Schlettow (as Hagan), Theodor Loos (as King Guenther), Rudolf Klein-Rogge (as King Etzel), etc. The early reception of "The Nibelungs" was greatly impacted by its ideological and nationalist content, the German cinema critic Heinz Udo Brachvogel wrote in a 1924 article: "Ancient, deepest popular sentiment poured into heavy verse, hery, primitive passion, , tamed by the gliding rhythm of poetic forms, the most human thing that endured through the storms of the centuries and had to endure because it was human in the highest potency." In 1928, Variety published an article following the second part ("Kriemhild's Revenge") premiere and found Lang's film not commercial enough for America. "The Nibelungs" was among Hitler's favorite movies he watched in the early twenties with Goebbels and Nazi photographer Heinrich Hoffmann stated he screened it with Hitler at least twenty times. Goebbels, who had also watched the film with Hitler and Hoffmann openly criticized the picture in 1924 stating, "A typically Jewish concoction although the Jew knows how to direct, but in 1929 he referred to Lang's epic praising the production stating, "the pinnacle of German achievement." Goebbels also considered producing a new sound version once they attained power of Germany. The new suggestion never came to fathom but a Wagnerian soundtrack was added to the film in 1933.
The Devil's Church 1919
Producer: Friedrich Degener Script: Adolf Paul (novel) Director/Cinematography: Hans Mierendorff CAST: Hans Mierendorff, Otto Werther, Agness Straub, Paul Rehkopf Production: Lucifer Film GmbH Release: 1919 66 min. B/W silent w/music score English Inter-titles.
German silent literary horror adaptation based on Adolf Paul's novel of the same title which the screenplay had been written. Once released in Germany in 1919, Mierendorff's picture quickly became a general controversy: the Berlin police issued in 1919 a youth ban Nr. 43404; the Munich police banned the film with four separate ban orders. On June 10, 1919, "The Devil's Church" was reviewed once again, this time in a version containing a special prologue with significant cuts, however, the picture was banned again - the Berlin Film Board ended up banning the movie completely. Following the immediate complaint, the production was reviewed by the Film Board again on June 21, 1921, and the ban was lifted, but a ban on German youth was imposed. The film is considered an early example of the finest Weimarian work of cinema.
The Street 1923
Producer/Script (co-writer)/Director: Karl Grune Cinematography: Karl Hasselmann CAST: Eugen Kloepfer, Lucie Hoeflich, Max Schreck, Anton Erdthofer Production: Stem-Film Relase: November 29, 1923 95 min. B/W silent w/music score German Inter-titles.
German silent drama film directed by Karl Grune starring Eugen Kloepfer, Lucie Hoeflich, Max Schreck, Anton Erdthofer, etc. "The Street" was the first "strassenfilme" ('street films') considered a vintage Weimarian cinematic classic by contemporary cinema historians and scholars.
Dr. Jekyll and Mr. Hyde 1913
Producer: Carl Laemmle Script/Cinematography/Director: Herbert Brenon CAST: King Baggot (as Jekyll/Hyde), Jane Gail, Matt B. Synder, Howard Crampton Production: Independent Moving Pictures Co. of America Release:1913 28 min. B/W silent w/music score English Inter-titles.
American horror film based on Robert Louis Stevenson's 1886 gothic novella "The Strange Case of Dr. Jekyll and Mr. Hyde." The production was directed by Herbert Brenon for producer Carl Laemmle's company Independent Moving Pictures Co. of America which he later changed to Universal Pictures. The early vintage silent picture starred King Baggot (as Jekyll), Jane Gail, Matt B. Snyder, Howard Crampton, etc. This version was re-released by Universal Pictures in 1927. This early vintage screen version of Robert Louis Stevenson's classic is considered as particularly examples of American silent cinma.
Dr. Mabuse the Gambler 1922
Producer: Erich Pommer Script: Fritz Lang, Thea von Harbou Director: Fritz Lang Cinematography: Carl Hoffmann CAST: Rudolf Klein-Rogge, Alfred Abel, Bernhard Goetzke, Paul Richter Production: UCO-Film GmbH Release: April 27, 1922 155 min. B/W silent w/music score German Inter-titles.
German crime drama directed by Fritz Lang and starring Rudolf Klein-Rogge (as Dr. Mabuse), Alfred Abel, ernhard Goetzke, Paul Richter, etc. This early vintage Weimarian production is the first motion picture in Lang's Dr. Mabuse series which was based on novels by Norbert Jacques. The picture received considerable positive critical reviews such as from the Berliner Illustrirte Zeitung who called part I "the attempt to create an image of our chaotic times" in its April 30, 1922 issue. The review went on to state that "it will give people fifty or one hundred years from now an idea of an age that they could hardly comprehend without such a document." Film-Kurier praised Rudolf Klein-Rogge's "brilliant performance" and Fritz Lang's "sensitive yet experienced direction. "Dr. Mabuse the Gambler" is included in the book "1001 Movies You Must See Before You Die," being the first of five Lang movies to be included. Lang's picture is considered a cinematic masterpiece of the Weimarian era and represent the finest in classic German silent cinema.
A Sixth of the World 1926
Producer: Kultkino, Sovkino Script/Director: Dziga Vertov Cinematography: Mikhail Production: Kultkino Release: December 31, 1926 74 min. B/W silent Russian dialog Russian Inter-titles.
Soviet docu-drama propaganda film written and directed by Dziga Vertov and produced by Kultkino (part of Sovkino). Telling the film's story through travelogue format, it depicted the multitude of Soviet peoples in remote areas of the USSR and detailed the entirety of of the wealth of the Soviet land. Focusing on cultural and economic diversity, the production is in fact a call for unification in order to build "a complete socialist society." The brilliant production is a mix between newsreel and found footage, Vertov edited sequences filmed by eight teams of knocks (Soviet film collective) during their trips
"A Sixth of the World" was extremely well received by Pravda. Praising the film, the periodical Sovetski Ekran ("Soviet Screen") stated: "This film reveals to us that Russian cinematography has found the correct path. Vertov's production remains a vintage classic even if tainted with Soviet propaganda.
The General Line 1929
Producer: Sovkino Script/Direction: Grigorily Aleksandrov, Sergei Eisenstein Cinematography: Eduar Tisse CAST: Marfa Lapkina, M. Ivanin, Konstatin Vasilyev, Vasil Buzenkov Release: May 2, 1930 121 min. B/W silent w/music score Russian Inter-titles.
Soviet proletariat propaganda film directed by Grigorily Aleksandrov and Sergei Eisenstein starring Marfa Lapkina, M. Ivanin, Komstantin Vasilyev, Vasil Buzenkov, etc. "The General Line" began in 1927 as a celebration of Russian agriculture, as championed by old-line Bolshevik Leon Trotsky. "The General Line" is considered a cinematic masterpiece by contemporary film historians and critics.
Quo Vadis 1913
Producer: Societa Italiana Cines Script/Director: Enrico Guzzazonni Cinematography: Eugenio Bava CAST: Amleto Novelli, Gustavo Serena, Ameila Carraneo, Carlo Cattaneo Production: Cines (SIC) Release: March 19, 1913 122 min. Color-tinted silent w/music score English Inter-titles.
Italian epic historical film directed by Enrico Guzzazonni starring Amleto Novelli, Gustavo Serena, Ameila Carraneo, Carlo Carraneo, etc. The story was based on the 1896 novel written by Henryk Sienkiwwicz. "Quo Vadis" was the very first of the epic movie blockbusters in the history of world cinema, setting the stage for "superspectacles" for many decades to come. enrico Guzzazonni's picture achieved worldwide success, premiereing in Imperial Germany at the opening night of the Ufa-Pavallion am Nollendorfplatz (Berlin's first purpose-built, free-standing theater), on March 19, 1913. "Quo Vadis" was the first movie to be projected at the Astor Theater, a first-run exhibition house on Broadway in New York, and later it was screened for British King George V., in the Royal Albert Hall, who complemented the actors. "Quo Vadis" is considered an early vintage silent cinematic masterpiece by contemporary film historians.
Fall of the House of Usher 1928
Producer/Script/Director: Jean Epstein Script: Luis Bunuel Cinematography: Georges Lucas, Jean Lucas CAST: Marguerette Gance, Jean Debucourt, Charles Lamy Production: Epstein-Cine Release: October 4, 1928 65 min. Color-tinted silent w/,music score English Inter-titles.
French horror film classic based on Edgar Allan Poe's literary work written, produced and directed by Jean Epstein with collaboration with Luis Bunuel starring Marguerette Gance, Jean Debucourt, Charles Lamy, etc. Epstein's film premiered on October 28, 1928 and had most positive reviews: critic Troy Howroth commented that the film was "one of the most renowned of experimental silent films" noting "the rapid cutting, fetishistic close-ups and generally dreamy ambience ring the movie closer to the realm of filmic poetry than anything else." Contemporary film critics and historians consider Epstein's production a cinematic classic.
Kohlhiesel's Daughters 1920
Producer: Oskar Meester Script: Hanns Kraehly (play), Ernst Lubitsch Director: Ernsr Lubitsch Cinematogeraphy: Theodor Sparkuhl CAST: Jakob Tiedtke, Emil Jannings, Henny Porten, Gustav von Wangenheim, Willy Prager Production: Meester-Film AG Release: March 9, 1929 64 min. B/W silent w/music score English Inter-titles.
German silent comedy film written and directed by Ernst Lubitsch and starring an all-star cast, including Jakob Tiedtke, Emil Jannings, Henny Porten, Gustav von Wangenheim, Willy Prager, etc. The production is an adaptation of Hanns Kraehly's play of the same title. The story is set in Bavaria, where a sweet young woman named Gretel wishes to get married but her father refuses to allow the match until the much older sister Liesel has wed first As Liesel is notorious for her bad-tempered personality, this is no easy challenge. "Kohlhiesel's Daughters" is considered an early cinematic masterpiece of the start of the Weimarian period.
The Lumiere Brothers Vintage Film Collection 1895-1905
Production/Script/Cinematography/Direction: August Lumiere, Louis Lumiere 100 min. Color-tinted & B/W silent w/music score French Inter-titles.
Original vintage rare silent film collection of the Lumiere Brothers' first short films as created in France from 1895-1905. Provides an interesting historical perspective on the vintage silent motion pictures of the Lumieres which left an indelible mark on world cinematic history.
Forbidden Fruit 1921
Producer/Director: C.B. DeMille Script: Jeanie MacPherson Cinematography: Karl Struss, Alvin Wyckoff CAST: Agnes Ayres, Clarence Burton, Theodor Roberts, Kathlyn Willians, etc. Production: Paramount Pictures Release: January 23, 1921 87 min. Color-tinted silent w/music score. English Inter-titles.
American silent drama film produced and directed by C.B. DeMille and starring Agnes Ayres, Clarence Burton, Theodore Roberts, Kathlyn Williams, etc. The story concerns a woman by the name of Mary Maddock becomes a seamstress after her husband Steven wastes their money on alcohol. Her employer provides her an escort to accompany millionaire Mallory. Her husband tries blockmaking Mallory and is later killed by his accomplice, leaving Mary free to wed the millionaire. "Forbidden Fruit" is considered an example of early American cinema.
Assumption of the Thorn 1915
Producer: Giuseppe Baratollo Script: Gustavo Serena, Francesca Bertini Director: Gustavo Serena Cinematography: Vittorio Storaro CAST: Francesca Bertini, Gustavo Serena, Carlo Benetti, Luciano Albertini Production: Caesar Film Release: May 1, 1916 74 min. Color-tinted Italian Inter-titles silent w/music score.
Italian silent tragedy film directed by (and starring) Gustavo Serena, Francesca Bertini, Carlo Benetti, Luciano Albertini, etc. The story is a tragedy set in Naples at the Turn-of-the-Century. Assunta and Michele are in love but others manage to come between them creating much jealousy. They fight and Michelle is sent to prison for two years for assault. Nevertheless, because Assunta still loves Michelle she id vulnerable when Federigo offers to aid Michelle but only if Assunta becomes his mistress. Michelle is released from prison, discovers Assunta and Federigo together and kills him. When the police finally arrive, Assunta takes the blame for Michelle's crime. "Assumption of the Thorn" is considered a silent cinematic masterpiece in the history of world film.
Friedrich Schiller 1923
Producer/Script/Director: Curt Goetz Cinematography: Hans Scholtz, Otto Tober CAST: Theodor Loos, Hermann Valentin,, Isabel Heermann, Ika Gruenning, etc. Production: Goetz-Film Release: March 23, 1923 111 Color-tinted German Inter-titles silent w/music score.
German silent historical biopic of the life of 18th century writer Friedrich Schiller. The film was written, produced and directed by Curt Goetz starring Theodor Loos (as Schiller), Hermann Valentin, Isabel Heermann, Ika Gruenning, etc. "Friedrich Schiller" is considered a fine example of Weimarian cinema.
From Morning to Midnight 1920
Producer: Herbert Juttke Script: Herbert Juttka, Georg Kaiser, Karl Heinz Martin Director: Karl Heinz Martin Cinematography: Cark Hoffmann CAST: Ernst Deutsch, Erna Morena, Roma Bahn, Adolf E. Licho Production: Ilag-Film Release; 1920 73 min. B/W silent w/music score German Inter-titles.
German silent expressionist film classic written and directed by Carl Heinz Martin starring Ernst Deutsch, Erna Morena, Roma Bahn, Adolf E. Licho, etc. "From Morning to Midnight" was one of the most radical motion pictures of the German Weimarian Expressionist movement. The vintage picture utilizes stylized distorted set designs, designed by Robert Neppach, which are even more Avant-Garde than those in Robert Wiene's 1920 production "The Cabinet of Dr. Caligari" (1920). The stage-like painted sets, the costumes and the performance of the actors from an artistic unity are leading characteristics of Expressionism. "Karl Heinz Martin's production was one of the first German motion pictures that addressed the lure of "the great world" and "the street." The film can be considered as an early vintage forerunner of the so-called "street films" ("Strassenfilme"), such as Karl Gruene's classic "The Street" (1923) (available from FILMMUSEUM HOME VIDEO) and G.W. Pabst's "The Joyless Street" (1925) (available from FMHV). "From Morning to Midnight" is considered a major art film and part of the vintage silent classic cinema during the Weimarian period.
Jiraiya the Hero 1921
Producer/Director: Shozo Makino Cinematography: Minoru Miki CAST: Matsunosuke Onoe, Suminojo Ichikawa, Kijaku Otani, Chosei Kalaojka Production: Nikkatsu Corp., Mukojima 21 min. B/W silent w/music score Japanese Inter-titles.
Japanese silent trick film directed by Shozo Makino starring Matsunosuke Onoe, Suminojo Ichikawa, Kijaku Otani, chosei Katoojka, etc. The story concerns the tale of Jiraiya, a legendary ninja with immense magical powers who set off on a great adventure in ancient Japan.
The Golem 1915
Producer: Hanns Lippmann Script/Direction: Henrik Galeen, Paul Wegener Cinematography: Guido Seeber CAST: Paul Wegener, Rudolf Bluemmer, Carl Ebert, Henrik Galeen, Jakob Tiedtke Production: Deutsche Bioscop AG Release: January 15, 1915 84 min. silent w/music score Color-tinted German Inter-titles.
German formally lost Expressionist silent horror film classic was written and directed by Henrik Galeen and Paul Wegener starring Wegener and Galeen along with co-stars Rudolf Bluemmer, Carl Ebert, and Jakob Tiedtke. The story of this rare vintage classic was inspired by the famous Jewish folktale, the most prevalent version of the original story involving 16th century Rabbi Judah Loew ben Bezalel who created the Golem to protect the Jewish ghetto inhabitants from vicious anti-Semites. "The Golem" was the first of a film trilogy produced by Paul Wegener, followed by "The Golem and the Dancing Girl" (1917) and "The Golem: How He came into the World" (1920, also available below). "The Golem" (1915) is considered an early vintage silent film classic from the German imperial period and is largely considered a lost film until recently.
The Golem: How He came into the World 1920
Producer: Paul Davidson Script: Henrik Galeen, Paul Wegener Direction: Carl Boese, Paul Wegener Cinematography: Karl Freund, Guido Seeber CAST: Paul Wegener, Albert Steinrueck, Lyda Salmonova, Ernst Deutsch, Otto Gebuehr Production: PAGAU Release: October 29, 1920 86 silent w/music score Color-tinted German Inter-titles.
German silent Expressionist horror film was directed by Csrl Boese and Paul Wegener starring Wegener (as the Golem), Albert Steinrueck, Lyda Salmonova, Ernst Deutsch, Otto Gebuehr, etc. The production is based on Gustav Meyrink's 1915 novel is the third of three silent motion pictures that Wegener made featuring the Golem, the other being "The Golem" (1915, above) and the short comedy film "The Golem and the Dancing Girl" (1917). "The Golem: How He came into the World" (1920) is a prequel to "The Golem" (1915) and, as the only one of the three pictures that had not been originally "lost," is the best known of the entire series. "The Golem: How He came into the World" (1920) is considered an impressive cinematic work of German Expressionism as well as being a supreme classic.
Greed 1924
Producer/Script/Director: Erich von Stroheim Script: June Mathis Cinematography: Ben F. Reynolds, William H. Daniels CAST: Gibson Gowland, Zasu Pitts, Jean Herschell, Jack Curtis Production: MGM Release: December 4, 1924 4 hours Color-tinted English Inter-titles silent w/music score.
American silent psychological drama film written, produced and directed by Erich von Stroheim and based on Jack Norris's 1899 novel "Mr. Teague". This epic color-tinted cinematic classic stars Gibson Gowland, Zasu Pitts, Jean Herschell, Jack Curtis, etc. The film tells the story of a certain Mr. Teague, a San Francisco dentist, who marries his best friend Schouler's girlfriend Trina. Stroheim's production is considered one of the greatest motion pictures of all time.
The Saga of Goesta Berling 1924
Script/Director: Mauritz Stiller Cinematography: Juluis Jaenzon CAST: Greta Garbo, Lars Hanson, Sven Scholander, Gerda Lundequist Production: AB Svenska Release: March 10, 1924 183 min. B/W silent English Inter-titles silent w/music score.
Swedish silent romantic drama film written and directed by Mauritz Stiller starring Greta Garbo, Lars Hanson, Sven Scholander, Gerda Lundequist, etc. The story is based on Swedish Nobel Prize-winning author Selma Lagerlof's 1891 debut novel. "The Saga of Goesta Berling" is considered a landmark in silent Swedish cinema.
Witchcraft through the Ages 1922
Producer/Script/Director: Benjamin Christensen Cinematography: Johan Ankerstjerne CAST: Benjamin Chistensen, Ella la Cour, Emmy Schoenfeld, Kate Fabian Production: Svensk Filmindustri Release: September 18, 1922 105 min. Color-tinted silent w/music score English Inter-titles.
Swedish/Danish silent silent horror essay film written and directed by Benjamin Christensen starring Christensen, ella la Cour, Emmy Schonfeld, Kate Fabian, etc. "Witchcraft through the Ages" consists partly of documentary film-style storytelling as well as dramatized narrative scenes, the picture purports to chart the historical roots and superstitions surrounding witchcraft, beginning in the Middle Ages through the 20th century. The production is partly based on Christensen's own study of the "Malleus Maleficarum," a 15th century German guide for inquisitors, "Witchcraft through the Ages" proposes that such witch-hunts may have stemmed from gross misunderstandings of mental and neurological disorders, triggering mass hysteria. Christensen's film premiered on September 18, 1922 in four Swedish cities -Stockholm, Helsingborg, Malmo, and Gothenburg simultaneously , unusual for Sweden at the time. "Witchcraft through the Ages" had its official Danish premiere on November 7, 1922, and was re-released in Denmark in 1931 complete with a new filmed introduction by Christensen himself. The picture is considered an important silent film classic.
Hearts of the World 1918
Producer/Script/Director: D.W. Griffith Cinematography: Billy Bitzer, Alfred Machin, Hendrik Sartov CAST: Lillian Gish, Josephine Crowell, Robert Harron, Kate Bruce Production: Famous Plays/Lasky Corp. Release: 1918 117 min. B/W silent w/music score English Inter-titles.
American silent wartime melodramatic propaganda film written, produced and directed by D.W. Griffith starring Lillian Gish, Josephine Crowell, Robert Harron, Kate Bruce, etc. Griffith produced this picture as WWI propaganda in an attempt to change the American public's neutral stance regarding the war in Europe. The British government had contacted Griffith directly due to his stature and reputation for dramatic filmmaking at the time. The British government gave Griffith unprecedented access to shoot film in locations that were otherwise forbidden to journalists. after being presented to George V and Queen Mary, Griffith had been introduced to members of London's aristocracy who agreed to appear in the production. Among them were Lady Lavery, Elisabeth Asquith, Diana Manners, etc. Noted playwright Noel Coward also appeared in a role in the picture as well. Actor Lillian Gish, who essayed the role of "The Girl," later commented: "Hearts of the World" enjoyed great success until the Armistice when people lost interests in its war films. The film inflamed audiences. Its depiction of German brutality bordered on the absurd. Whenever a German came near me, he beat or kicked me." "Hearts of the World" is considered an early vintage silent American war propaganda movie.
Helen of Troy 1924
Script: Homer (poem), Hans Kyser Director: Manfred Noa Cinematography: Ewald Daub, Gustave Preiss CAST: Edy Darciea, Albert Steinrueck, Adele Sandrock, Carl de Vogt Production: Bavaria-Film AG Release: January 21, 1924 3 hours 37 min. Color-Tinted German Inter-titles silent w/music score.
German silent historical epic directed by Manfred Noa starring Edy Darciea, Albert Steinrueck, Adele Sandrock, Carl de Vogt, etc. The impressive epic production was based on the ancient classic poem by Homer. The mammoth production featured thousands of extras, and impressive sets which rivaled those of the much larger Berlin-based Ufa Studios in Babelsberg. "Helen of Troy" has been described as a "cinematic masterpiece,' although the production budget had been so expensive, it had seriously damaged the finances of the Bavaria film studios outside Munich.
Tales of Hoffmann 1916
Producer/Script/Director: Richard Oswald Cinematography: Ernst Krohn CAST: Kurt von Wolowski, Max Ruhbeck, Paula Ronmay, Werner Krauss Production: Richard Oswald-Filmproduktion Release: February 25, 1916 16 min. B/W silent w/music score German Inter-titles.
German silent vintage drama directed by Richard Oswald starring Kurt von Wolowski, Max Ruhbeck, Paula Ronmay, Werner Krauss, etc. Richard Oswald's vintage silent classic was produced during the German Imperial period and is considered a rare film.
Homunculus 1916
Producer: Hanns Lippmann Script: Robert Reinert Director: Otto Rippert Cinematography: Carl Hoffmann CAST: Olaf Fenss, Ernst Ludwig, Albert Paul, Lore Rueckert, Theodor Loos Production: Deutsche Bioscop, Decla-Bioscop 232 min. Color-tinted German Inter-titles silent w/music score.
German silent sci-fi fantasy serial directed by Otto Rippert starring Olaf Fenss, Ernst Ludwig, Albert Paul, Lore Rueckert, Theodor Loos, etc. Rippert's scarce silent vintage production "Homunculs" was one of the most successful German-produced film serial released during WWI. and was theatrically exhibited at the famous Mamorhaus in Berlin, between June 1916 and August 1916 and January 1917 in six parts. "Homunculs" is one of the most rarest surviving silent German films produced.
Intolerance 1916
Producer/Script/Director: D.W. Griffith Script: Tod Browning, Hettie Gray Baker, Anita Loos, Mary O'Connor, Frank Woods Cinematography: Billie Bitzer CAST: Lillian Gish, Mae Marsh, Miriam Cooper, Robert Herron Production: D.W. Griffith Productions Release: September 5, 1916 3 1/2 hours Color-tinted English Inter-titles silent w/music score.
American silent anthology epic production written, produced and directed by D.W. Griffith starring Lillian Gish, Mae Marsh, Miriam Cooper, Robert Herron, etc. Griffith's epic production is subtitled as "Love's Struggle Throughout the Ages" and "A Sun Play of the Ages," running three and a half hours in length, including intercuts four parallel storylines, each separated by several centuries - first , a contemporary melodrama of crime and redemption, second, a Biblical tale: Christ's mission on earth and death, third, a French story: the events surrounding the St. Bartholomew's Day Massacre of 1572, and fourth, a Babylonian story: the fall of the Babylonian Empire to Persia in 539 B.C. D.W. Griffith's "Intolerance" is considered one of the greatest silent motion picture achievements of all time.
I Accuse 1919
Producer/Script/Director: Abel Gance Associate Producer: Charles Pathe Cinematography: Marc Bujard, Leonce-Henri Burei, Maurice Forster CAST: Romuald Joube, Maxime Desjardins, Severin-Mars, Maryse Dauvray Production: Pathe Freres Release: April 25, 1919 19 min. Color-tinted French Inter-titles silent w/music score.
French silent romantic drama film written, produced and directed by Abel Gance starring Romuald Joube, Maxime Desjardins, Severin-Mars, Maryse Dauvray, etc. "I Accuse" juxtaposed romantic drama with the background of the horrors of WWI, and is sometimes described as a pacifist or anti-war production. Gance's powerful depiction of wartime suffering, particularly its cinematic scene of "the return of the dead," made it an international box-office success and confirmed Abel Gance as one of the most important film directors in Europe at the time.
The Joyless Street 1925
Producer: Michael Salkin, Roman Pines Script: Hugo Bettauer (novel), Willy Haas (screenplay) Director: G.W. Pabst Cinematography: Guido Seeber, Curt Oertel, Robert Lach CAST: Greta Garbo, Asta Nielsen, Werner Krauss, Jaro Fuerth Production: Sofar-Film-Produktion GmbH Release: May 18, 1925 150 min. Color-tinted German-Intertitles silent w/music score.
German silent Weimarian "street film" directed by Georg Wilhelm Pabst starring Greta Garbo, Asta Nielsen, Werner Krauss, Jaro Fuerth, etc. The story is based on Hugo Bettauer's well-known novel and widely considered a filmic expression of the "New Objectivity" art movement in film which was counter to expressionism. Noted cinema critic Pauline Kael referred to "The Joyless Street" as "an extraordinary triumph of cinematography and Expressionist design, which despite its weak parts make a very strong visual impression." G.W. Past 1926 Weimarian picture is considered a cinematic masterpiece by contemporary film historians.
Karl Valentin und Liesel Karlstadt auf dem Oktoberfest 1921
Producers/Script/Cinematography/Direction: Josef Schmidt, Josef Valle CAST: Karl Valentin, Lisel Karlstadt Production: VZ-Handelsgesellschaft 13 min. B/W silent w/music score German Inter-titles.
German silent comedy short film written, produced and shot and directed by Josef Schmidt and Josef Valle starring silent comic genius Karl Valentin and Liesel Karlstadt for VZ-Handelsgesellschaft. The film was an early comic short film during the early Weimarian era.
The Last of the Mohicans 1920
Producer: Maurice Touneur Script: Robert A. Dillon Direction: Maurice Tourneur, Clarence Brown Cinematography: Phillip R. Dubois, Charles Van Enger CAST: Wallace Beery, Boris Karloff, Lillian Hall, Alan Roscoe Production: Maurice Touneur Productions 74 min. Color-tinted English Inter-titles silent w/music score,
American silent adventure film produced and directed by Maurice Touneuer starring Wallace Beery, Boris Karloff, Lillian Hall, Alan Roscoe, etc. The story was adapted from James Fennimore Cooper's 1826 novel. The story concerns two English sisters meeting danger on the frontier of the American 18th century colonies, in and around the fort commanded by their father. "The Last of the Mohicans" was extremely well received at the time of its original release. English-American film historian William K. Everson considered Touneur's picture to be a "masterpiece." Likewise, contemporary film historians consider "The Last of the Mohicans" to be a cinematic masterpiece.
A Trip to the Moon 1902
Producer/Script/Director: Georges Meiles Cinematography: Theophile Michault, Lucien Tainguy CAST: Georges Meiles, Bleuette Bernon, Francois Lakkement, Henri Delannoy Production: Star Film Co. Release: September 1, 1902 15 min. Hand color-tinted English Inter-titles silent w/music score.
French silent vintage hand-color painted sci-fi fantasy adventure film produced, written, directed and starring Georges Meiles along with co-stars Bleuette Bernon, Francois Lakkement, Henri Delannoy, etc. The vintage film is based on Jules Verne's 1870 novel, the story follows a group of astronomers who travel to the Moon in a cannon-propelled space capsule, manage to explore the lunar surface, and escape through an underground group of 'Selenites' (lunar inhabitants), and return to Earth with a captive 'Selenite.' Although "A Trip to the Moon" had disappeared into obscurity following Melies' retirement from the French film industry. A rare print had been discovered in 1930, when Melies' importance to the to the history of cinema was beginning to be recognized by movie devotees. An original vintage hand-painted color film print (the one FILMMUSEUM struck a new HD master with) was discovered in the 1990s. Melies' fantasy production was ranked "84th among the 100 greatest motion pictures of the 20th century" by the Village Voice. Chiara Ferrari's essay on "A Trip to the Moon" in "1001 Movies You Must See Before you Die," placed Melies' film as "directly reflects the histrionic personality of its director and that the film deserves a legitimate place among the milestones in world cinema history."
Leaves from Satan's Book 1920
Producer/Director: Carl Theodor Dreyer Script: Marie Corelli, Edgar Hoyer, Carl Theodor Dreyer Cinematography: George Schneevoigt CAST: Helge Nissen, Halvard Hoff, Jacob Texiere, Erling Hanson Production: Nordisk-Film Release: November 17, 1920 (Norway), January24, 1921 122 min. B/W silent w/music score English Inter-titles.
Danish horror fantasy film produced and directed by Carl Theodor Dreyer starring Helge Nissen, Halvard Hoff, Jacob Texiere, Erling Hanson, etc. "Leaves from Satan's Book" was Dreyer's third motion picture, who later went on to direct such cinematic masterpieces as "Vampyr" (1931) and "The Passion of Joan of Arc" (1924) [both available from FMHV]. Dreyer's eerie film is structured much like D. W. Griffith's "Intolerance" (1916) [available from fmhv] with its episodic nature while evoking F. W. Murnau's "Satan" (1920) [available from FMHV]. The story concerns Satan, who has been cast out of Hell and banished to Earth under decree of Heaven. He can only return only after overseeing a series of temptations. However, for every soul who gives in to his tempting, 100 years are added to his sentence. For every soul who resists, 1000 years are instantly subtracted from his sentence. The production follows Satan throughout much of recorded history, focusing mainly on four short episodes: first he temps Judas to betray Jesus, then he goes on to influence the Spanish Inquisition, spark the French Revolution and finally he causes the Finnish Civil War of 1918 to occur. Author Troy Howarth stated: "If not for the presence of Satan, this film wouldn't warrant inclusion in a study of the horror genre, in truth it is more of a quaint pageant play than a horror film." "Leaves From Satan's Book" is considered a cinematic masterpiece from world film historians and critics.
The Holy Mountain 1926
Producer: Harry R. Sokal Script: Dr. Arnold Fanck, Hans Schneeberger Director: Dr. Arnold Fanck Cinematography: Hans Schneeberger, Dr. Arnold Fanck, Sepp Allgeier, Helmar Lerski CAST: Leni Riefenstahl, Luis Trencker, Frida Richard, Ernst Petersen Production: Ufa Release: November 1926 (Austria), December 17, 1926 (Germany) 107 min. Color-tinted English-Intertitles silent w/music score.
German silent "mountaineering" adventure film written, shot and directed by Dr. Arnold Fanck starring Leni Riefenstahl, Luis Trencker, Frida Richard, Ernst Petersen, etc. "The Holy Mountain" was the first feature film featuring future Nazi film director Leni Riefenstahl as a screen actress. The picture was extremely popular in Berlin, where sold-out performances extended its official premiere run for five weeks. The picture also played in France, England, and the USA. This was Fanck's first commercially successful motion picture production and had gained an international reputation as a film director. "The Holy Mountain" is considered a cinematic masterpiece by contemporary film historians.
Dante's Inferno 1911
Producers/Script/Direction: Francesco Bertolini, Adolfo Padovan, Giuseppe De Liguoro Cinematography: Emilio Roncarolo CAST: Salvatore Papa, Arturo Pirovano, Giuseppe De Liguoro, Augusto Milla Production: Milano-Films Release: March 10, 1911 75 min. Color-tinted English Inter-titles silent w/music score .
Italian silent theological fantasy film epic written, produced and directed by Francesco Bertolini, Adolfo Padovan, Giuseppe De Liguoro and starring Salvatore Papa, Arturo Pirpvamo, Giuseppe De Liguoro, Augusto Milla, etc. "Dante's Inferno" was loosely adapted from "Inferno," the first canticle of Dante Alghieri's "Divine Comedy." The production took well over three years to make, and was the first full-length Italian feature motion picture and also one of the first movies to be shown in its entirety. "Dante's Inferno" featured presentations of Hell closely followed those in the engravings of Gustave Dore for an edition of the Divine Comedy, which were quite familiar to an international audience, and had employed numerous advanced special effects for the epic production. The picture had its Italian premiere in Naples at the Teatro Mercadante theatre on March 10, 1911 which was an overnight international box-office success, grossing more than two million in the USA, where its extended length gave theater owners an excuse for raising ticket admission prices. Contemporary film historian consider "Dante's Inferno" a vintage cinematic masterpiece.
Lorraine of the Lions 1925
Producer: Carl Laemmle Script: Isadore Bernstein, Carl Krusade Director: Edward Sedgwick Cinematography: Virgil Miller CAST: Norman Kerry, Patsy Ruth Miller, Fred Humes, Harry Todd Production: Universal Pictures Release: October 11, 1925 70 min. Color-tinted English Inter-titles silent w/music score.
American silent adventure film produced by Carl Laemmle and directed by Edward Sedgwick starring Norman Kerry, Patsy Ruth Miller, Fred Humes, Harry Todd, etc. After an unwanted marriage between q son and a circus animal trainer, a grandfather disowns both parents then agrees to take in Lorraine by his grandfather from overseas. Lorraine is a seven year old child when she is shipwrecked while in route to the USA and is rescued by Bimi, a gorilla. Bimi takes her to a desert island where there are a group of lions and an elephant. The animals teach her and protect her. Her grandfather has employed Don Mackey, a crystal gazer, to use his psychic powers in order to determine where the child is. Don manages to locate her after she has become a grown woman on the island, and the grandfather and her go on an expedition to get her and her gorilla friend. They locate her and they head back to San Francisco.
"Lorraine of the Lions" is today considered a vintage cinematic silent masterpiece by contemporary film critics and historians.
The Lost World 1925
Producer: Earl Hudson Script: Marion Fairfax Director: Harry O. Hoyt Cinematography: Arthur Edeson CAST: Sir Arthur Conan Doyle, Wallace Beery, Bessie Love, Lewis Stone Production: First National Pictures Release: February 8, 1925 106 min. Color-tinted English Inter-titles silent w/music score.
American silent fantasy dinosaur film directed by Harry O. Hoyt starring Sir Arthur Conan Doyle (as himself), Wallace Beery, Bessie Love, Lewis stone, etc. "The Lost World" was adapted from Sir Arthur Conan Doyle's 1912 novel. Harry O. Hoyt's fantasy film was the first feature-length motion picture made in the USA, possibly the world, to feature model animation as the primary special effect, or stop-motion animation in general. "The Lost World" received international acclaim at its advanced technical marvel. The New York Times ran a front-page article about the picture, saying "Conan Doyle's monsters of the ancient world, or of the new world which he has discovered in the ether, were extraordinarily lifelike. If fakes, they were masterpieces." The picture had its world premiere at the Astor Theatre in New York on February 8, 1925.
Contemporary film historians consider "The Lost World" a cinematic masterpiece which led to other impressive dinosaur films, from "King Kong" (1933) to the "Jurassic Park" series.
Lucrecia Borgia 1922
Producer/Director: Richard Oswald Script: Harry Sheff (novel), Richard Oswald Cinematography: Carl Drews, Karl Freund, Kaeroly Vass, Frederik Fuglsang CAST: Liane Haid, Conrad Veidt, Albert Bassermann, Paul Weegener, Heinrich George Production: Richard Oswald Filmproduktion Release; October 20, 1922 120 min. Color-tinted English Inter-titles silent w/music score.
German silent historical film produced, written and directed by Richard Oswald starring Liane Haid (as Lucrecia Borgia), Conrad Veidt (Cesare Borgia), Albert Bassermann (Pope Alexander VI), Paul Wegener (Michelello), Heinrich George (Sebastiano), etc. The story is based on the novel by Harry Sheff, and portrays the life of the Renaissance Italian aristocrat Lucrecia Borgia. the story concerns Cesare Borgia who is a monstrous sinister villian who will do anything for pleasure and power, even seducing his own cousin Lucrecia and murdering his male siblings. The Borgias were a medieval family known for their corruption under the rule of Pope Alexander VI. Richard Oswald had directed a number of classic German horror movies, including "The Picture of Dorien Gray" (1917), "Eerie Tales" (1919), "The Hound of the Baskervilles" (1914 + 1915), and "Uncanny Stories" (1932) [all available from FMHV], a remake of the 1919 film. Today, contemporary film historians regard Richard Oswald's "Lucrecia Borgia" as a landmark cinematic masterpiece.
An Andalusian Dog 1929
Producer/Director: Luis Bunuel Script: Salvador Dali, Luis Bunuel Cinematography: Albert Duverger, Jimmy Berliet CAST: Salvador Dali, Luis Bunuel, Simone Mareeuil, Robert Hommet Production: Le Grands Films Release: June 6, 1929 17 min. B.W silent w/music score English Inter-titles.
French silent experimental film short was produced, co-written, directed and edited by Luis Bunuel, who also wrote the screenplay with Salvador Dali in 1929. "An Andalusian Dog" contains no plot in the conventual sense of the word. With disjointed chronology, jumping from the initial "once upon a time" to "eight years later" without events or characters changing, it uses dream logic in narrative flow that can be described in terms of the then popular 'Freudian free association,' presenting a series of tenuously related sequences. "An Andalusian Dog" is a seminal cinematic work of surrealist cinema. The first screening of Bunuel's film took place at Studio des Ursulines. Notable audience members at the premiere, included such notables as Pablo Picasso, Jean Cocteau, and others. Japanese director Akira Kurosawa cited the production as one of his favorite films. Contemporary film historians consider "An Andalusian Dog" a cinematic masterpiece of the silent era.
The Mask of Zoro 1920
Producer: Douglas Fairbanks Script: Johnston McCulley (aka Douglas Fairbanks; story), Eugene Miller (scenario), Douglas Fairbanks (scenario) Director: Fred Niblo Cinematography: William C. McGann, Harris Thorpe CAST: Douglas Fairbanks, Noah Beery, Sr., Noah Beery, Jr., Charles Hill Mailes Production: Douglas Fairbanks Pictures Corp. Release: November 27, 1920 90 min. B/W silent w/music score English Inter-titles.
American silent swashbuckler adventure/romance film directed by Fred Niblo starring Douglas Fairbanks, Noah Beery, Sr., Charles Hill Mailes, Noah Beery, Jr., etc. This entertainment genre of swashbuckler adventure was the first screen version of "The Mask of Zorro" which is based on the Johnston McCulley's 1919 story "The Curse of Capistrano," which introduced the superhero Zoro. The screenplay had been adapted by Fairbanks (as Elton Thomas) and Eugene Miller. Upon Niblo's film's release on November 27, 1920, The New York Times gave "The Mark of Zoro" mixed reviews: "The Mask of Zoro" is a landmark, , not only in the career of Douglas Fairbanks, but also in the development of the action/adventure film. With this, his 30th motion picture, Fairbanks was transisitioning from comedies to the costume films for which he is best remembered. Instead
Mother 1926
Producer/Director: Vsevolod Pudovkin Script: Nathan Zarkhi Cinematography: Anatoli Golovnya CAST: Vera Baranovskaya, Nikolai Batalov, Aleksandr Chistyakov Production: Mezhrabpomfilm (Gorky Studio) Release: October 11, 1925 89 B/W silent w/music score English Inter-titles.
Soviet propaganda drama produced and directed by Vsevolod Pudovkin starring Vera Baranovskaya, Nikolai Batolov, Aleksandr Chistyakov, etc. The story concerns the radicalization of a Russian mother, during the Russian Revolution of 1905 based on Maxim Gorky's 1905 novel, after her husband is killed and her son is imprisoned in Pudovkin's "revolutionary trilogy," along side "The End of St. Petersburg" (1927 and "Storm Over Asia" (1928) [both available from FMHV]. "Mother' was banned in the United Kingdom in 1930 after the Masses Stage and Film Guild applied for permission to screen the film in London. The picture was voted number 8 on the prestigious Brussels 12 list at the 1958 World Expo. In 1968, "Mother" underwent a major restoration at MosFilm Studios (this version). "Mother" is considered a cinematic classic by leading film historians worldwide.
The Max Linder Film Collection: 1905-1912
Producer/Script/Director: Maz Linder Production: Pathe 200 min. Color-tinted + B/W English Inter-titles silent w/music score.
Vintage archival film collection featuring the early motion pictures created by noted French comedian Max Linder. Linder was an actor, director, screenwriter, producer, and comedian of the silent film era. From 1905 to 1907, Max Linder appeared in dozens of short comedy films for Pathe, usually in a supporting role. This vintage film collection includes every short film created by Max Linder. Max Linder's cinematic work is considered as "comic genius" by contemporary film historians.
Meet the Folks 1927
Producer: Al Christie Script: Hal Conkin, Al Martin, Norman Z. McLoed Direction: Al Christie, Robert P. Kerr Cinematography: Alfred Jacquemin,Alex Phillips CAST: Jimmie Adams, Patsy O'Byrne, Gaylord Lloyd, Billy Engler Production: Christie Film Co. Release: July 10, 1927 112 min. B/W silent w/music score English Inter-titles.
American silent romance drama produced and directed by Al Christie starring Jimmie Adams, Patsy O'Byrnw, Gaylord Lloyd, Billy Engler, etc. The story concerns a male fusspot and attractive woman whom by chance meet on the Mountain Dew Express, each headed to visit relatives in the Tennessee Hills. Once arriving, they quickly discover they somehow are on opposite sides of some sort of 'Hatfield and McCoys'-style family feud between hillbilly kin. Contemporary film historians consider "Meet the Folks" to be merely a "B-programmer" of the day.
Nathan the Wise 1922
Producer: Erich Wagowski Script: Gotthold Ephraim Lessing (play), Hans Kyser Director: Manfred Noa Cinematography: Hans Karl Gottschalk, Gustave Preiss CAST: Fritz Greiner, Carl de Vogt, Werner Krauss, Max Schreck Production: Bavaria-Film AG Release: December 29, 1922 128 min. Color-tinted German Inter-titles silent w/music score.
German silent historical film directed by Manfred Noa starring Fritz Greiner, Carl de Vogt, Werner Krauss, Max Schreck, etc. The production is based on Gotthold Ephraim Lessing's 1779 play. "Nathan the Wise" was very controversial in its day and provoked protests in Munich from the far-right groups (including the Nazis) who felt the film was "too Jewish." Manfred Noa's production is based on one of the major literary works of the Age of Enlightenment, and is a powerful cinematic plea for tolerance, humanity and freedom of opinion. Set during the age of the crusades, "Nathan the Wise" deals with relations between the three monotheistic religions. Characters include the historical figures of Sultan Sadaldin, and the Jewish merchant Nathan, the character of Nathan was based on Lessing's friend, the reknowned philosopher Moses Mendelsohn. The original play was considered a "taboo." Today, contemporary film historians consider "Nathan the Wise" a silent cinematic masterpiece.
Nerves 1919
Producer/Script/Director: Robert Reinert Cinematography: Helmat Lerski CAST: Eduard von Winterstein, Lia Borre, Erna Morena, Paul Bender, Lili Domonici Production: Monumental-Film Release: January 22, 1919 110 min. Color-tinted German Inter-titles silent w/music score.
German silent "fate" drama written, produced and directed by Robert Reinert starring Eduard von Winterstein, Lia Barre, Erna Morena, Paul Bender, Lili Domonici, etc. The story concerns uncertainty and doubt ensue when the figurehead of a rebellion goes to court for an alleged rape. "Nerves" was filmed at the close of WWI during defeated Germany's most difficult periods. The picture is about politics, sex and religion telling the political disputes of an ultraconservative factory owner, a certain Herr Roloff and instructor Johann, who feels a compulsive but hidden love for Roloff's sister, a left-wing radical. The group are all driven morally and psychologically to the maximum, extremely tormented souls living their wretched lives in a tormented defeated nation. Today, "Nerves" is considered a silent cinematic masterpiece by contemporary film historians.
The New Babylon 1929
Producer/Script/Direction: Grigori Kozintev, Leonid Trauberg Script: P. Bliakin (idea) Cineamtography: Andrei Moskvin, Yevgeny Mikhailov CAST: Arnold Arnold, Sergei Gerasimov, David Gutman, Oleg Zhakov Production: Sovkino 125 min. B/W Russian Inter-titles silent w/music score.
Soviet silent romanticized historical propaganda drama film directed, written and produced by Girgori Kazintev and Leonid Trauberg starring Arnold Arnold, Sergei Geraismov, David Gutman, Oleg Zhahov, etc. The story concerns the 1871 Paris Commune and the historical events leading to to it, and follows the encounter and tragic fate of two lovers seperated by the barricades of the Commune. The directorial team (Kozintev + Trauberg) found inspiration for the production in Karl Marx's "The Civil War in France and the Class Struggle in France" (1848-1950). The story is set in the spring of 1871 during the time of the Paris Commune, immediately following the end of the Franco-Prussian War. A woman by the name of Louise is employed as a sales person in a wholesale shop in Paris named "The New Babylon." Louise becomes involved in the Commune, against which a man from the countryside named Jean (with no political ties), is forced to fight a soldier in the army controlled from the French government. Louise and Jean are in love with each other although they find themselves on opposing sides, but their love has no place in a time of political turmoil. At the end of the picture, Jean is ordered to dig a grave for Louise, who has been sentenced to death by the French court "The New Babylon" is considered a cinematic silent masterpiece by contemporary film historians.
Sylvester - New Year's Eve 1924
Producer/Director: Lulu Pick Script: Carl Mayer Cinematography: Karl Hasselmann, Guido Seeber CAST: Eugen Kloepfer, Edith Posca, Frida Richard, Karl Harbacher Production: Rex-Film GmbH Release: January 3, 1924 66 min. Color-tinted English Inter-titles silent w/music score.
American version of the German silent 'kammerspiel' film produced and directed by Lulu Pick starring Eugen Koepfer, Edith Posca, Frida Richard, Karl Harbacher, etc. "Sylvester - New Year's Eve" ("New Year's Eve" has the reputation of to be one of the earliest cinematic examples of 'kammerspiel' and was known for its innovation in its extensive usage of "entfesselte Kamera" ("unchained camera technique" invented by cinematographer Karl Freund), utilizing camera gliding and tracking as opposed to keeping the camera stationary. "Sylvester - New Year's Eve" is considered a vintage cinematic masterpiece typical of the 'Kammerspiel" style of filmmaking during the Weimar Republic in Germany by contemporary film historians.
Satanic Rhapsody 1917
Producer/Director: Nino Oxillia Script: Alberto Fassini, Fausto Maria Martini Cinematography: Giorgio Ricci CAST: Lydia Borelli, Andrea Habay, Ugo Bazzini, Giovanni Cini Production: Societa Italiana Cines Release: Jul 1917 45 min. Color-tinted French-intertitles silent w/music score.
Italian silent fantasy horror film produced and directed by Nino Oxillia starring Lydia Borelli, Andrea Habay, Ugo Bazzini, Giovanni Cini, etc. "Satanic Rhapsody" is a female version of "Faust" based on the Fausto Maria Martini poems. The story concerns an elderly woman who makes a pact with Mephisto in order to regain her lost youth, in return she must stay away from love entirely. After the deal with Mephisto, she meets two brothers who manage to fall in love with her. Contemporary film historians consider "Satanic Rhapsody" a silent cinematic classic.
The Great Leap 1927
Producer/Script/Director: Dr. Arnold Fanck Cinematography: Sepp Allgeier, Richard Angst, Albert Benitz, Charles Metain, Kurt Neubert, Hans Schneeberger CAST: Leni Riefenstahl, Luis Trenker, Hans Schneeberger, Paul Graetz Production: Ufa Release: December 20, 1927 112 min. B/W German Inter-titles silent w/music score.
German silent mountaineer comedy film produced, written and directed by Dr. Arnold Fanck starring Leni Riefenstahl, Luis Trenker, Hans Schneeberger (also cinematography), Paul Graetz, etc. The story concerns a young Italian girl (Riefenstahl) residing in the Dolomites manages to fall in love with a member of a tourist party skiing on the nearby mountains. This picture, like many of Fanck's films belongs to the same entertainment genre - the 'mountaineering' motion picture in Germany.
The Pleasure Garden 1925
Producer: Michael Balcon, Erich Pommer Script: Oliver Sandys (story), Ellot Stannard Director: Alfred Hitchcock Cinematography: Gaetano Ventimigilia CAST: Virginia Valli, Carmelita Geraghty, Miles Mander, John Stuart Production: Gainsborough Pictures, Bavaria-Film AG Release: April 12, 1926 (UK) 90 min. Color-tinted silent w/music score.
British/German silent drama film directed by Alfred Hitchcock starring Virginia Valli, Carmelita Geraghty, Miles Mander, John Stuart, etc. The story concerns two chorus girls at the "Pleasure Garden" Theatre in London, England and their troubled relationships. Hitchcock's "The Pleasure Garden" was shown briefly in London in April 1926 and was not generally released in the UK until January 1927, just before the director's third film "The Lodger" (1927) became a box-office hit in February 1927.
According to film critic and museum curator Dave Kehr, "the picture's opening scene stands like a virtual clip reel of Hitchcock motifs to come. " The first shot captures chorus girls descending a spiral staircase ("Vertigo"), a man uses opera glasses to better appreciate a blonde chorus dancer ("Rear Window"), and the same blonde, who at first appears erotically remote, later emerges as down-to-earth and approachable ("Family Plot").
Contemporary film historians consider Hitchcock's "The Pleasure Garden" as a cinematic masterpiece.
War As It Really Is 1916
Producer/Director/Cinematographer: Donald C. Thompson (also editor) Production: Leslie's Weekly 116 min. Color English Inter-titles silent w/music score.
American silent color documentary war film produced, directed, shot and edited by U.S. war correspondent Donald C. Thompson on the reality of the battlefields during WWI. The seven-reel motion picture exposed American theater audiences to some of the most authentic sights and first-hand accounts of World War I prior to the entrance of the USA in the global conflict. The production was screened installments at the Rialto Theatre in New York in October 1916. Donald Thompson was full-well aware of the disparity between the d=over-powering dramatic visual images of the war the Hollywood movie studios had been churning out at the time and the unglamorous war he had personally experienced as a war correspondent and filmed. The title itself was implicit in this irony.
Contemporary film historians consider Thompson's "War As It Really Is" as an important historical motion picture document.
The Hands of Orlac 1924
Producer/Director: Robert Wiene Script: Maurice Renard (novel), Louis Nerz Cinematography: Guenther Krampf, Hans Androschin CAST: Conrad Veidt, Fritz Kortner, Alexandria Sonna, Carmen Cartellien Production: Pari-Film 113 min. B/W English Inter-titles silent w/music score.
Austrian silent horror film classic produced and directed by Robert Wiene for Pari-Film starring Conrad Veidt, Fritz Kortner, Alexandria Sonna, Carmen Cartellien, etc. The story is based on the novel "Les Mains d'Orlac" by Maurice Renard. Noted German film historian Lotte Eisner said "The Hands of Orlac" was part of the German expressionist cinema movement, while British film critic Tony Rayne argued that it did not belong in that category and wrote in "Sight and Sound" that the picture belonged closer to the waves of pulp thrillers such as those by French filmmaker Louis Feuillade or Fritz Lang's "Dr. Mabuse" films.
"The Hands of Orlac" premiered in Berlin on January 31, 1924 and March 6, 1925 in Vienna. The first English version of Wiene's production was shown in the USA in 1928. Contemporary film critics in Germany praised the picture, specifically noting Robert Wiene's 'mise-en-scene,' Nerz's screenplay, and the dramatic performances of Conrad Veidt, Fritz Kortner, and Alexandria Sonna. A review in "Film Kurier" specifically spoke about Wiene's direction, stating "that one has found the right director for the rendering of the mysterious psychology and suspense-laden story of this film." Variety commented "were it not for Veidt's masterly characterization, 'The Hands of Orlac' would be an absurd fantasy in the old-time mystery-thriller class."
Contemporary film historians and critics today consider Wiene's "The Hands of Orlac" to be a cinematic classic of the Weimarian period.
Orphans of the Storm 1921
Producer/Script/Director: D.W. Griffith Script (source material): Adolphe d'Ennery (novel), Eugene Cormon (novel) Cinematography: Billy Bitzer, Hendrik Sarlov, Paul Allen, Herbert Sutch CAST: Lillian Gish, Dorothy Gish, Joseph Schildkraut, Frank Losee Production: D.W. Griffith Inc. Release: December 28, 1921 131 min. Coloor-tinted English Inter-titles silent w/music score.
American silent melodramatic film produced, written and directed by D.W. Griffith for his own company starring Lillian Gish, Dorothy Gish, Joseph Schildkraut, Frank Losee, etc. The story is set in late 18th century France, before and during the French Revolution. Griffith used historical events to comment on contemporary events, in this case the French Revolution to warn about the rise of Bolshevism. The picture concerns the class conflict and polemic for :inter-class understanding" and against "destructive hatred." "Orphans of the Storm" is based on the 1874 French play "Les Deux Orphelines" by Adolphe d'Ennery and Maurice Cormon. This is the last film directed by D.W. Griffith to feature both Lillian and Dorothy Gish, and was a box-office flop compared to the filmmaker's other productions such as "Birth of a Nation" (1915), "Broken Blossoms" (1919) and "Way Down East" (1920). [all available from FMHV]. "Orphans of the Storm" was released on 14 35mm reels, although a 12th reel abridged version was made available to theaters a few months later. Despite Griffith's excellent reputation as a film producer and director, the picture failed to meet expectations at the box office. The New York Times wrote of the film at the time of its American release: "As the vivid scenes of the historically colored melodrama flashed one after another on the screen everyone surely felt that Griffith was himself again" but added "The seasonal spectator, no matter how he may let himself go, knows every delay is a device to heighten the suspense and every advantage given the rescuers is calculated to evoke his cheers. Whatever he does, he is not surprised when the girl is saved."
Contemporary film historians and critics consider Griffith's "Orphans of the Storm" to be a cinematic silent masterpiece.
Poor Little Rich Girl 1917
Producer: Adolph Zucker Script: Frances Marion Director: Maurice Tourneur Cinematograsphy: Lucien Andriot, John van den Broek CAST: Mary Pickford, Madlaine Traverse, Charles Wellesley, Gladys Fairbanks Production: Artcraft Pictures Corp. 65 min. B/W English Inter-titles silent w/music score.
American silent comedy/drama film directed by Maurice Tourneur and starring Mary Pickford, Madlaine Traverse, Charles Wellesley, Gladys Fairbanks, etc. The film is an adaptation of the 1913 Broadway play by Eleanor Gates. The Broadway play featured starring actress Viola Dana, while the motion picture starred Mary Pickford in the title role.
Film historian Edward Wagenknecht identifies "The Poor Little Rich Girl" as an inflection point in Mary Pickford's screen portrayals: "It was not until after the beginning of the feature film era that Miss Pickford became definitely associated with ingenue roles and it was not until "The Poor Little Rich Girl" that she appeared all through a feature as a child. Miss Pickford's character Gwen is very different from either "Rebecca" (1917) or "Pollyanna" (1920) more helpless and less resourceful and considerably more wistful."
Film historians and critics concur "The Poor Little Rich Girl" is an early vintage American cinematic classic.
Raskolinkow 1923
Producer/Script/Director: Robert Wiene Script: Fyodor Dostoyevsky (novel) Cinematography: Willy Goldberger CAST: Gregori Chmara, Elisabeta Skulskaja, Alla Tarasova, Mikhail Moskvin Production: Neumann-Filmproduktion GmbH 71 min. B/W Russian Inter-titles silent w/music score.
German silent drama film produced, written and directed by Robert Wiene for Neumann-Filmproduktion starring Gregori Chmara, Elisabeta Skulskaja, Alla Tarasova, Mikhail Moskvin, etc. Wiene's production is an adaptation of Fydor Dostoyevsky's 1866 novel "Crime and Punishment." "Raskolnikow" is characterized by contemporary cinema critics as a German expressionist perspective of the story, a :nightmarish" avant-garde or experimental psychological drama. Wiene's picture had its official German premiere in Berlin at the Mozartsaal Theatre on October 31, 1924. In a retrospective film review by Tim Pulleine in The Monthly Film Bulletin that the picture was "a conventual prestige opus of the day." Pulleine opined that the dramatization of the novel was "tolerably effective, barring a few lapses into excessive histrionics. He also found that "the most basic problem is the set designs that create a rebarbative dichotomy when the film, since apart perhaps from the sequences taking place on the stairway leading up to a pawnbroker's flat - the performers are not spatially integrated into the settings but remain obstinately on a separate plane of stylization.
Sherlock Holmes 1916
Producer/Director: Arthur Berthelet Script: H.S. Sheldon (scenario) Cinematography: William Postance CAST: William Gillette, Majorie Kay, Ernest Maupain, Edward Fielding Production: Essanay Film Manufacturing Co. 116 min. Color-tinted English Inter-titles silent w/music score.
American silent detective film produced and directed by Arthur Berthelet starring William Gillette, Majorie Kay, Ernest Maupain, Edward Fiedling, etc. "Sherlock Holmes" was adapted from the 1899 stage play of the same title based on the stories "A Scandal in Bohemia,' "The Final Problem," and "A Study in Scarlet" by Arthur Conan Doyle. This rare, scare film was once thought lost to time until one single color-tinted print was recently located in a French archive. The picture was released in the USA following WWI as a seven-reel feature film. The production was released in France in 1920 once American movies returned to Western European screens once again as a four-part serial, a popular form at the time.. The original nitrate 35mm film print located contained nine reels with French intertitles., however, English inter-titles had originally been produced for the original US edition.
Contemporary film historians and critics consider "Sherlock Holmes" one of the earliest vintage versions of Arthur Conan Doyle's classic cinematic works.
Sumurun aka One Arabian Night 1920
Producer: Paul Davidson Script: Hanns Kraely, Ernst Lubitsch Director: Ernst Lubitsch Cinematography: Theodor Sparkuhl, Fritz Arno Wagner CAST: Paul Wegener, Harry Liedtke, Pola Negri, Jakob Tiedtke Production: Projektions-AG Union (PAGU) 104 min. Color-tinted English-intertitles silent w/music score.
German silent fairytale fantasy film co-written and directed by Ernst Lubitsch for PAGU starring Paul Wegener, Harry Liedtke, Pola Negri, Jakob Tiedtke, etc. The official Berlin premiere took place on September 1, 1920 at the Ufa-Palast am Zoo theater. "Sumurun" received significant praise during its initial theatrical release in Germany. Contemporary film critics at the time praised the picture as "a cinematic journey into a universe of emotions and passions of great intensity and other perfection, with a remarkable Ernst Lubitsch in one of his main screen roles.."
In the USA, The New York Times wrote: "One Arabian Night gave added evidence that Ernst Lubitsch is the superior of most directors anywhere," and add that "Pola Negri, a Polish/German actress, is one of the few real players of the screen who can make a character live and be something other than a actress playing a part. The reviewer concluded that, "despite some shortcomings, it remained one of the year's best pictures."
Contemporary film historians and critics consider "Sumurun" a silent cinematic masterpiece.
The Cat and the Canary 1927
Producer: Paul Kohner Script: John Wilard (play), Robert F. Hill (story), Alfred A. Cohn (story + screenplay), Walter Anthony (screenplay) Director: Paul Leni Cinematography: Gilbert Warrenton CAST: Laura La Plante, Creighton Hale, Forrest Stanley, Tully Marshall Production: Universal Pictures 82 min. Color-tinted English Inter-titles. silent w/music score.
American silent horror film directed by Paul Leni for Universal Pictures starring Laura La Plante, Creighton Hale, Forrest Stanley, Tully Marshall, etc. The production is an adaptation of John Willard's 1922 black comedy horror play revolving around the death of Cyrus West, who is Annabelle, Charlie, and Paul's uncle, and the reading of his will twenty years later. Annabelle is revealed as the heir, but she and the other guests must still face a night in his haunted mansion. The plot thickens when they are informed that a lunatic known as the "Cat" has escaped from an asylum and is hiding somewhere in the old mansion. "The Cat and the Canary" is part of the entertainment genre of comedy horror films adapted by twenties Broadway stage plays. Director Paul Leni's adaptation of John Willard's play blended expressionism with humor, a style for which Leni was quite notable and highly recognized by film critics as unique. Paul Leni's directorial style made "The Cat and the Canary" influential in the "old dark house" horror genre of movies popular from the 1920s through the 1950s. The picture was one of Universal's early horror film productions and is considered "the cornerstone of Universal's school of horror."
"The Cat and the Canary" premiered in New York City's Colony Theatre on September 9, 1927, and was a tremendous box-office success. Variety wrote: "What distinguishes Universal's film version of the play is Paul Leni's intelligent handling of a weird theme, including some of his novel settings and ideas with which he became identified."
The New York Times wrote of Leni's picture: "This is a film which ought to be exhibited before many other directors to show them how a story should be told, for in all that he does Mr. Leni does not seem to strain at a point. He does so naturally as a man twisting the ends of a mustache in thought."
Contemporary film historians and critics consider Paul Leni's "The Cat and the Canary" to be a silent cinematic masterpiece.
The Merchant of Venice 1923
Producer: Peter Paul Feiner Script: William Shakespeare (play), Peter Paul Feiner, Giovanni Fiorentino Director: Peter Paul Feiner Cinematography: Axel Graatkjaer, Rudolph Mate CAST: Werner Krauss, Henny Porten, Harry Liedtke, Max Schreck Production: Peter Paul Feiner-Film 92 min. B/W English Inter-titles silent w/music score.
British version of the German silent Shakespearean drama produced, co-written and directed by Peter Paul Feiner starring Werner Krauss, Henny Porten, Harry Liedtke, Max Schreck, etc. "The Merchant of Venice" is an adaptation of William Shakespeare's 1598 play. Feiner's historical production was filmed on location in Venice, Italy, with scenes and characters added which were not contained in the original play. This print is the only surviving print of Feiner's vintage production being two reels shorter than the original German version. The characters retained Shakespeare's nomenclature, but in the British and American release versions they were given new character names sourced from the Italian work "Il Pecorono" ('The Golden Eagle'), a 14th century short story collection attributed to Giovanni Fiorenttino, from which Shakespeare believed to have drawn his idea. "The Merchant of Venice" purports to be a return to the original, as an excuse for its differences from the original play.
Contemporary film historians and film archivists consider Peter Paul Feiner's "The Merchant of Venice" to be a silent cinematic masterpiece from the 'golden age' of vintage classic German cinema.
The Merry Jail 1917
Producer: Paul Davidson Script: Johann Strauss II, Hanns Krahly, Ernst Lubitsch Director: Ernst Lubitsch Cinematography: Theodor Sparkkuhl CAST: Emil Jannings, Harry Liedtke, Paui Biensfeldt, Ernst Lubitsch Production: Projektions-AG Union (PAGU) 49 min. B/W German Inter-titles silent w/music score.
German silent two-reel comedy film co-written, directed and featuring Ernst Lubitsch and co-stars Emil Jannings, Harry Liedtke, Paul Biensfeldt, etc. The story concerns a neglected wife who disguises herself in order to lure her wastrel husband into a compromising position.
Cinema critics and historians consider Lubitsch's vintage silent "The Merry Jail" as a comedic cinematic masterpiece.
The Invaders 1912
Producer: Thomas H. Ince Script: C. Gardner Sullivan Direction: Thomas H. Ince, Francis Ford Cinematography: Ray C. Smallwood CAST: Art Acord, William Eagle Shirt, Francis Ford, Ethel Grandin Production: Kay-Bee Pictures Release: November 29, 1912 42 min. B/W silent w/music score English Inter-titles.
American silent Western film co-written, produced and directed by Thomas H. Ince starring Art Accord, William Eagle Short, Francis Ford, Ethel Grandin, etc. "The Invaders" tells the story of the broken peace treaty between a Sioux Native American tribe and the U.S. railroad surveyors.
Contemporary film historians and critics consider "The Invaders" a vintage silent cinematic classic.
The Kid 1921
Producer/Script/Director: Charlie Chaplin Cinematography: R.H. Totheroh CAST: Charlie Chaplin, Jackie Coogan, Edna Purviance, Carl Miller Production: Charles Chaplin Productions Release: January 21, 1921 (Carnegie Hall), February 5, 1921 (USA) 69 min. B/W English Inter-titles silent w/music score.
American silent comedy/drama written, produced, directed and starring Charlie Chaplin along with co-stars Jackie Coogan (as the Kid), Edna Purviance, Carl Miller, etc. "The Kid" was Charlie Chaplin's first full-length feature film as a director. The picture was an enormous box-office success and proved to be the second highest grossing film in 1921. Now considered one of the greatest silent movies of the period, the picture ended up being selected for preservation in the United States Film Registry.
Chaplin's "The Kid" premiered on January 21, 1921, at Carnegie Hall in New York as a special benefit for the Children's Fund of the National Board of Review of Motion Pictures. Chaplin's film was praised by film critics upon its release. The February 5, 1921 issue of Exhibitor's Herald, contained a full-spread advertisement for the picture playing at the Randolph Theatre. The promotion from First National Pictures featured nothing but high praise from Chicago-based newspapers.
The New York Times wrote of Chaplin's picture: "Charlie Chaplin is again himself again - at best, in some ways better than his previous best."
Charlie Chaplin biographer Jeffrey Vance wrote: "The Kid remains an important contribution to the art of film, not only because of Chaplin's innovative use of dramatic sequences within a feature-length comedy, but also because of the revelations 'The Kid' provides about its creator. Undoubtedly, when Chaplin penned the preface to 'The Kid,' 'A picture with a smile - and perhaps, a tear," he had his own artistic credo - and life - in mind."
Silent silver screen star Mary Pickford said of "The Kid": "The Kid is one of the finest examples of the screen language, depending upon the actions rather than upon subtitles."
Contemporary film critics and historians consider Chaplin's "The Kid" to be a landmark cinematic silent masterpiece.
The Flapper 1920
Producer:Myron Selznick Script: Frances Marion Director; Alan Corssland Cinematography: John W. Brown CAST: Olive Thomas, Norma Shearer, Warren Cook, Theodore Westman, Jr. Production: Selznick Pictures Release: May 10, 1920 (USA) 88 min. English Inter-titles silent w/music score.
American silent comedy film directed by Alan Crossland and starring Olive Thomas, Norma Shearer, Warren Cook, Theodore Westman, Jr., etc. "The Flapper" was the first motion picture produced in the USA to portray "the flapper" lifestyle which became a cultural craze during the "Jazz Age" during the 1920s.
The Film Daily reviewed the picture and praised the acting of Oliver Thomas. Its main criticism was regarding the editing and the conclusion of the film, writing and that the story was "cleverly written with many amusing situations, but latter reels should be compressed."
Historians and film critics alike consider "The Flapper" as a vintage film producing during the "Roaring Twenties" and is representative as a genuine cinematic classic.
The Rag Man 1925
Producer: Jack Coogan, Sr. Script: Willard Mack Director: Edward F. Cline Cinematography: Frank B. Good, Robert Martin CAST: Jackie Coogan, Max Davidson, Lydia Yeamans, Robert Edeson Production: MGM 68 min. B/W English Inter-titles silent w/music score.
American silent comedy/drama film directed by Edward F. Cline and starring Jackie Coogan, Max Davidson, Lydia Yeamans, Robert Edeson, etc. "The Rag Man" was Jackie Cooper's first screen role under the MGM banner.
The story concerns a kid by the name of Tim Kelly (Jackie Coogan) who runs away from an orphanage on the Lowe East Side of New York after a fire breaks out. He ends up taking refuge with a lonely junk man (Max Davidson), who is down on his luck after being cheated out of a patent fortune by some unscrupulous attorneys. Little Kelly and Max then form a friendship and eventually partner ship in the rag and bottle business, and eventually become the very best of friends.
Contemporary cinema critics and film historians consider "The Rag Man" to be a classic silent comedy/drama.
Uncle Tom's Cabin or Slavery Days 1903
Producer: Thomas Alva Edison Script: Harriet Beecher Stowe (novel) Director/Cinematography: Edwin S. Porter Production: Edison Manufacturing Co. 30 min. B/W English Inter-titles silent w/music score.
American silent short drama film produced by Thomas Alva Edison and directed and filmed by Edwin S. Porter for the Edison Manufacturing Company in 1903. The story was adapted from the 1852 novel by Harriet Beecher Stowe. The plot streamlined the actual story to portray the motion picture over the course of 19 minutes originally, however, film archivists have come up with 10 extra minutes of this exceptional rare silent film classic. "Uncle Tom's Cabin or Slavery Days" was theatrically released on August 3, 1903 at the Huber's 14th Street Museum in New York. Edwin S. Porter's production is one of the earliest vintage "full-length" American feature films, although in 1903 this usually meant about 19 minutes for a running time. Porter shot the picture at the Edison Manufacturing Company's studio in New York. Rather than an adaptation of Ms. Stowe's classic novel, the productions' actors, sets, costumes and much of its staging derive from one of the turn-of-the-century theatrical "Tom Shows" (any "Uncle Tom" shows performed at the time) which were very popular during the period.
"Uncle Tom's Cabin or Slavery Days" premiered on August 3, 1903 at Huber's 14th Street Museum in NYC, sharing the theatre program with several live stage acts, including a pair of "colored comedians." On September 12, 1903, motion picture pioneer Sigmund Lubin released a slightly short version of the picture which was "remarkably similar" to Porter's version, a practice which was quite common in the early days of cinema when copyright protections of motion pictures was not well established as yet.
Contemporary film historians and cinema critics consider Edwin S. Porter's "Uncle Tom's Cabin or Slavery Days" to be an early vintage silent American film classic.
The Lodger - A Story of the London Fog 1927
Producer: Michael Balcon, Carlyle Blackwell, C.M. Woolf Script: Marie Belloc Lowndes (novel), Eliot Stannard Director: Alfred Hitchcock Cinematography: Baron Gaetano di Ventimmiglia CAST: Marie Ault, Alfred Hitchcock, Arthur Chesney, June Tripp Production: Gainsborough Pictures 90 min. Color-tinted English Inter-titles silent w/music score.
British silent mystery/thriller directed by Alfred Hitchcock starring (himself in a cameo role), Marie Ault, Arthur Chesney, June Tripp, etc. "The Lodger" is based on Marie Belloc Lowndes' 1913 novel and the play (co-written by Lowndes) concerning the manhunt for a Jack the Ripper-like serial killer on the foggy streets of London. The picture was Alfred Hitchcock's first thriller film, and further established his reputation as a film director.
"The Lodger" was released on Valentine's Day on February 14, 1927 in London and on June 10, 1928 in New York. Hitchcock's picture showcases many of the common themes of the director's previous and future film works, according to British film critic Philip French, writing in The Guardian, writing: "Hitchcock's themes of the fascination with technique and problem=solving, the obsession with blondes, the fear of authority, the ambiance towards homosexuality" in "The Lodger."
Upon its release, "The Lodger" became a critical and commercial success. The British trade journal, Bioscope wrote: "the finest British production ever made."
Hitchcock's "The Lodger" continued filmic themes that would run through much of the film master's later work as mentioned, such as an innocent man on the run for a crime he did not commit. Hitchcock had reportedly studied contemporary filmmaking by Fritz Lang and Friedrich Wilhelm Murnau, whose influence may be seen in the ominous camera angles and claustrophobic lighting,. While Hitchcock had directed two previous motion pictures, in later years the director would refer to "The Lodger" as the first true "Hitchcock movie." Beginning with this single film, Alfred Hitchcock helped shape the modern-day thriller film genre in motion pictures.
Contemporary cinema historians and film critics consider Alfred Hitchcock's "The Lodger" a true silent cinematic masterpiece.
The Thief of Bagdad 1924
Producer: Douglas Fairbanks Script: Douglas Fairbanks (story), Achmed Abdullah, Lotta Woods, James T. O'Donohoe Director: Raoul Walsh Cinematography: Arthur Edeson CAST: Douglas Fairbanks, Snitz Edwards, Charles Belcher, Julianne Johnston Production: Douglas Fairbanks Pictures Release: March 18, 1924 140 min. Color-tinted English Inter-titles silent w/music score.
American silent adventure film produced and co-written by Douglas Fairbanks as directed by Raoul Walsh starring Douglas Fairbanks, Snitz Edwards, Charles Belcher, Julianne Johnston, etc. The story was freely adapted from "1001 Nights," it tells the story of a thief who falls in love with the daughter of the Caliph of Bagdad.
Raoul Walsh's "The Thief of Bagdad" is widely considered one of the great silent motion pictures and Fairbank's greatest work. The picture is an epic romantic fantasy adventure inspired by several of the Arabian Nights tales, the film is the greatest artistic triumph of Fairbank's career. The superb visual design, spectacle, imaginative splendor, and visual special effects, along with his bravura performance leading a cast of literally thousands of extras, all contribute to making this film a cinematic masterpiece.
The Toll of the Sea 1922
Producer: Herbert T. Kalmus Script: Frances Marion Director: Chester M. Franklin Cinematography: J. A. Ball CAST: Anna May Wong, Kenneth Harlan, Beatrice Bentley, Ming Young Production: Technicolor Motion Picture Corp. 55 min. Technicolor English Inter-titles silent w/music score.
American silent drama film directed by Chester M. Franklin for the Technicolor Motion Picture Corporation starring Anna May Wong, Kenneth Harlan, Beatrice Bentley, Ming Young, etc.
The story was a variation of the Madame Butterfly story, set in China instead of Japan. "The Toll of the Sea" was the second genuine Technicolor feature film anywhere that did not require a special projector to be used for theater screenings.
Due to the fact that the Technicolor motion picture camera divided the lens image into two beams to expose two film frames simultaneously through color filters, and at twice the normal frames per second, much higher lighting levels were required. All of the color scenes of "The Toll of the Sea" were shot under "natural light" and outdoors, with the one "inferior" scene shot in sunlight under a muslin sheet.
"The Toll of the Sea" premiered on November 26, 1922, at the Rialto Theatre in New York, and went into general theatrical release in the USA ON January 12, 1923.
Franklin's picture received positive critical reviews during its initial release. Variety described Anna May Wong as "extraordinarily fine" and "an exquisite crier without glycerin."
The New York Times wrote: "Miss Wong was naturally Chinese and succeeds in a difficult role. She should be seen again and again on the screen."
Photoplay wrote: "Miss Wong's fair skin, soft-golden hair and youthful-looking dark brown eyes."
Contemporary cinema historians and film critics consider Chester M. Franklin's "The Toll of the Sea" a cinematic masterpiece of the twenties.
Cobra 1925
Producer: Adolph Zucker, Jesse L. Lasky Script: Martin Brown (novel), Anthony Coldeway Director: Joseph Henabery Cinematography: Harry Fischbeck, Dey Jennings CAST: Rudolph Valentino, Nita Naldi, Casson Ferguson, Gertrude Olmstead Production: Famous Plays - Lasky/Ritz Carlton Films Release: November 30, 1925 75 min. B/W English Inter-titles silent w/music score.
American silent romantic drama film directed by Joseph Henabery starring Rudolph Valentino, Nita Naldi, Casson Ferguson, Gertrude olmstead, etc.
"The Cobra" is an adaptation of the 1924 play "Cobra" by Martin Brown, which played at the Hudson Theatre in New York on Broadway.
The production of Joseph Henabery's "Cobra" was marred by soaring production expense and much bickering. Furthermore, the studio Paramount Pictures, was displeased with the final cut of the film and fearing it would flop with critics and theatre audiences, held off releasing the picture until Rudolph Valentino appeared in a much more stronger, unequivocally successful production. Eventually "Cobra" was released in late 1925, just a few weeks after what would prove to be Valentino's comeback feature film, "The Eagle" (1925; available from FMHV).
Contemporary film critics and historians regard "Cobra" as a forgotten Valentino cinematic classic.
Variety 1925
Producer: Erich Pommer Script: Felix Hollaender (novel), E.A. Dupont, Leo Birnski Director: E.A. Dupont Cinematography: Karl Freund, Carl Hoffmann CAST: Emil Jannings, Malay Delschaft, Lya De Putti, Warwick Ward Production: Ufa Release: November 16, 1925 105 min. Color-tinted German Inter-titles silent w/music score.
German silent circus drama co-written and directed by Ewald Andre Dupont and starring Emil Jannings, Malay Delscahft, Lya De Putti, Warwick Ward, etc. The story is based on the 1912 novel "The Oath fof Stepehen Huller" by Felix Hollaender. "Variety" concerns an individual who is employed by the circus by the name of Boss Huller (Emil Jannings), a former trapeze artist who was badly injured in a fall from the high wire and who now runs a seedy carnival with his wife (Malay Delschaft) and their child. Huller insists that the family take in a beautiful stranger (Lya De Putti) as a new sideshow dancer, with whom he develops a new trapeze number. Huller manages to fall in love with the new dancing star, and the story unfortunately ends in tragedy.
"Variety" ended up being heavily censored when released in the USA, except for when it played in New York by excising the entire first reel of the film, "thus destroying the motivation of the tragedy, implying that the acrobat was married to his Eurasian temptress."
Dupont's picture has had a great influence on world cinema as the film is noted for its innovative camerawork with highly expressive movement through space, accomplished by the Weimarian expressionist cinematographer Karl Freund who would later for many German as well as Hollywood iconic motion pictures.
Today contemporary film critics and cinema historians consider E.A. Dupont's "Variety" to be a masterpiece of the early Weimarian period.
Four Around the Woman 1921
Producer: Erich Pommer Script: Rolf E. Vanioo (play), Thea von Harbour, Fritz Lang Director: Fritz Lang Cinematography: Otto Kanturek CAST: Hermann Bottcher, Carola Toelle, Lilli Lohrer, Ludwig Hartau Production: Decla-Bioscop Release: February 3, 1921 85 min. Color-tinted English Inter-titles silent w/music score.
German silent drama film co-written and directed by fritz Lang starring Hermann Bottcher, Carola Toelle, Lilli Lohrer, Ludwig Hartau, etc. The story concerns Harry Yquem, a wealthy broker, remains abscessed with delusions of his devout wife's infidelity.
German film historians and contemporary critics consider Fritz Lang's "Four Around the Woman" a cinematic masterpiece produced during the early Weimarian era.
Warning Shadows 1923
Producer: Enrico Dieckmann, Willy Seibold Script: Arthur Robinson, Rudolf Schneider Director: Arthur Robinson Cinematography: Fritz Arno Wagner CAST: Alexander Granach, Fritz Kortner, Gustav von Wangenheim, Rudolf Klein-Rogge Production: Pan-Film Release: 1923 85 min. Color-tinted German Inter-titles silent w/music score.
German silent expressionist horror film co-written and directed by Arthur Robinson starring Alexander Granach, Fritz Kortner, Gustav von Wangenheim, Rudolf Klein-Rogge, etc.
"Warning Shadows" is fascinating on a visual level. As an obvious example of Expressionism, the picture fully deserves inclusion in the canon of great German horror movies.
The story concerns a formal dinner being held by a wealthy count, his beautiful wife, and her four suitors have all come together at a 19th century estate. A magician, referred to as "Shadowplayer" in the guests list, rescues the count's marriage by giving all the guests a vision of what might happen if the count cannot restrain his jealousy and the suitors continue to make advances towards his wife. The count challenges the man he perceives as his rival to a duel. The story has a happy ending as violence is averted and the count and his wife save their marriage. However, it is left unclear whether events at the party actually occurred in the first place, or whether it was all just an illusion conjured up by the guest magician.
Contemporary film historians and critics consider Arthur Robinson's "Warning Shadows" to be a cinematic masterpiece.
Waxworks 1924
Producer: Leo Birinsky, Alexander Kwartiroff Script: Henrik Galeen Leo Birinsky, Paul Leni Cinematography: Helmar Lerski CAST: Emil Jannings, Conrad Veidt, Werner Krauss, Wilhelm Dieterele, John Gottowt Production: Neptun-Film AG Release: October 6, 1924 (Austria), November 13, 1924 (Germany) 85 min. Color-tinted English Inter-titles.
German silent expressionist horror film anthology directed by Leo Birinsky and Paul Leni starring Emil Jannings, Conrad Vedit, Werner Krauss, Wilhelm Dieterele, John Gottowl, etc. This anthological horror film is linked to its stories linked by a plot thread concerning a writer who accept employment from a waxworks proprietor in order to write a series of stories about the wax exhibits of Caliph of Bagdad, Ivan the Terrible and Jack the Ripper in order to boost business.
"Waxworks" was shown in Austria but then promptly opened in Berlin on November 13, 1924 on Kurfuerstendamm. The general consensus of the production was that it was primarily an early vintage prototype of the horror film. The picture had substantial comedic material such as the Bagdad-themed segment which was the longest in running time compared to the more grim Ivan the Terrible and Jack the Ripper sequences. "Waxworks" predominately attempts t provoke laughter over fear.
Contemporary film critics noted the humorous elements in the picture as well, with one film critic noting its different stories gave the production a Bric-a-brac impression.
"Waxworks" is considered a cinematic horror masterpiece by contemporary film historians and cinema scholars.
Ways to Strength and Beauty 1925
Producer: Alfred Stern Script: Nicholas Kauffmann, Wilhelm Praeger, Nicholas Kauffmann, Ernst Krieger Director: Wilhelm Praeger Cinematography: Friedrich Weinmann, Eugen Herich, Friedrich Paulmann, Jakob Schatzow, Erich Stoecker CAST: Jack Demsey, Camilla Horn, Leni Riefenstahl, La Jana, etc. Production: Ufa-Kulturabteilung 126 min. B/W German Inter-titles silent w/music score.
German silent physical culture film co-written and directed by Wilhelm Praeger for Ufa-Kulturabteilung (Ufa cultural film dept.) starring Jack Demsey, camilla Horn, Leni Riefenstahl, La Jana, etc.
"Ways to Strength and Beauty" is an idealized, somewhat naïve depiction of health and beauty in conformity with nature. Praeger's production offered a stark contrast to the many hopeless lifestyles available in Berlin and other large cities in Weimar Germany during the 1920s and became an immediate commercial success. The film was the most important and popular German cultural films of the period.
Aesthetically, "Ways to Strength and Beauty" stages the human body in the style of classical antiquity by recreating numerous ancient scenarios and shows it extremely openly for the period. Studies in slow-motion illustrate the muscular effect of individual exercises and movement sequences. This film features the first on-screen appearance of Leni Riefenstahl, who would play a most important role in the German cinema of the Third Reich.
Contemporary film historians and scholars consider Wilehlm Praeger's "Ways to Strength and Beauty" to be a cinematic masterpiece.
Within Our Gates 1919
Producer/Script/Director/Cinematography: Oscar Micheaux CAST: Evelyn Preer, Floy Clements, William Starks, Mattie Edwards Production: Micheaux Book & Film Co. Release: January 12, 1920 80 min. B/W English Inter-titles silent w/music score.
American silent "race" drama film written, produced, shot and directed by Oscar Micheaux starring Evelyn Preer, Floy Clements, William Starks, Mattie Edwards, etc. "Within Our Gates" portrays the-then contemporary racial situation in the USA during the early 20th century, the years of Jim Crow, the revival of the Ku Klux Klan, the Great Migration of Blacks to urban cities of the North and Midwest, and the emergence of the "New Negro." The story concerns a Black woman who goes North in an effort to raise funds for a rural school in the Deep South for poor Black children. Her romance with a Black doctor eventually leads to revelations about her family's past and her own mixed-race, European ancestry.
"Within Our Gates" portrays racial violence under white supremacy, and the lynching of Black people. This is the oldest surviving motion picture by a Black-American film director and has been named as "one of the greatest films of all time by a Black director."
Micheaux's production was created when early vintage motion picture studios in America's first film industry were based in Fort Lee, New Jersey at the beginning of the 20th century.
"Within Our Gates" has been often regarded in the context of D. W. Griffith's "The Birth of a Nation" (1915), Micheaux's film project has been considered by critics as a response. The production was originally rejected by the Board of Censors in Chicago when the director submitted the picture in December 1919. Critics of the movie feared that scenes with lynching and attempted rape would spark interracial violence in a city still terise from the riots of July 1919.
When released in January 1920 against reports of the controversy, "Within Our Gates" garnered large audiences in Chicago and was screened in differently edited versions.
"Within Our Gates" is considered a very important visual expression of Black life in the years immediately following WWI, when violent and ultra-racist incidents occurred through the USA, but most frequently in the South.
In 1992, "Within Our Gates" was selected by the Library of Congress for preservation in the United States National Film Registry as being "culturally, historically,, and aesthetically significant."
In 2023, "Within Our Gates" was named by Slate as "one of the greatest films ever created by Black directors."
Wolf Blood 1925
Producer: Ryan Brothers Script: Cliff Hill Direction: George Chesebro, Bruce Mitchell Cinematography: Lesley Selander CAST: George Chesebro, Marguerte Clayton, Raymond "Ray" Hanford, Roy Watson Production: Ryan Brothers Productions Release: December 16, 1925 68 min. Color-tinted English Inter-titles silent w/music score.
American silent werewolf horror film directed by George Chesebro and Bruce Mitchell starring Chesebro, Marguerte Clayton, Raymond "Ray" Hanford, Roy Watson, etc.
"Wolf Blood" has been historically referenced as the first werewolf motion picture ever produced. This is erroneous, as the first so-called werewolf film is "The Werewolf" (1913) which is a lost film according to silent film researchers. Therefore, "Wolf Blood" must be categorized as the only surviving werewolf film. Although the picture is classified as a horror film, there is actually very little in the production which would qualify it as that genre. Instead the picture concentrates itself more on romance and archaic action rather than fear and suspense as we have seen in other horror movies of the period. "Wolf Blood" is said to have much more in common with the Western and action entertainment genres of the twenties. The movie's significance to the horror genre comes more from its historical importance rather than its historical impact overall.
Contemporary film historians and critics consider "Wolf Blood" as an early vintage cinematic classic of the horror entertainment genre.
Woman in the Moon 1929
Producer/Director: Fritz Lang Script: Thea von Harbou (novel & script) Cinematography: Curt Courant CAST: Klaus Pohl, Willy Fritzsch, Gustav von Wangenheim, Fritz Rasp Production: Ufa Release: October 15, 1929 140 min. Color-tinted English Inter-titles silent w/,music score.
German silent sci-fi fantasy film produced and directed by Fritz Lang starring Klaus Pohl, Willy Fritzsch, Gustav von Wagneheim, Fritz Rasp, etc.
"Woman in the Moon" is largely considered to be one of the first "serious" science fiction movies. The story is based on Thea von Harbou's 1928 novel "The Rocket to the Moon" (U.S. release title). The basics of space travel were presented to a mass audience for the first time with "Woman in the Moon," including the use of a multi-stage rocket.
Director Fritz Lang, who also created "Metropolis" (1927), had a personal interest in science fiction.
Contemporary film historians and critics recognize Fritz Lang's "Woman in the Moon" as an early vintage science fiction film masterpiece.
Wonder of the Creation 1925
Producer/Director: Hans Walter Kornblum Script: Ernst Krieger, Hans walter Kornblum Cinematography (animators): Hermann Boehein, Otto von Bothmer, Wera Cleve, Bodo Kuntze, Eowald Mathias Schumacher, Max Brinck, Friedrich Paulmann, Hans Scholz, Friedrich Weinmann Production: Ufa-Kulturfilmabteilung Release: 1925 92 min. Color-tinted English Inter-titles silent w/music score.
German silent astrological educational film produced, co-written and directed by Hans Walter Kornblum for the Ufa Cultural Film Dept.
"Wonder of Creation" attempts to represent virtually everything known about the cosmos at the time, covering the origin and the mechanics of the Solar System, gravitation, the stars, and the nature of the galaxies.
Kornblum's production is a supreme example of the early German Ufa "Kulturfilm,' which are regarded as the predecessors of the motion picture documentary film. The picture features a large variety of special effects and animations, as well as fantastical depictions of travel around the Solar System and to the stars beyond. Vintage film prints were specially color-tinted and color-toned for effect.
Contemporary cinema historians and critics concur Hans Walter Kornblum's "Wonder of Creation" is considered a cinematic masterpiece.
Zvenigoria 1928
Producer/Director: Alexander Dovzhenko Script: Maike Johansen, Yuri Tyutyunnyk Cinematography: Boris Zaveelev CAST: Georgi Astafyev, Nikolai Nadeemsky, Vladimir Uralsky, Semyon Svashhenko Production: VUFKU 92 min. B/W Russian/English Inter-titles silent w/music score.
Soviet silent propaganda film produced and directed by Dovzhenko starring Georgi Astafyev, Nikolai Nadeemsky, Vladimir Uralsky, Semyon Svashhenko, etc.
"Zvenigora" is regarded as a silent Soviet revolutionary film epic and Alexander Dovzhenko's initial motion picture in his "Ukraine Trilogy" (along with "Arsenal (1929) and "Earth" (1930) ) is almost pseudo-religious in its tone, relating a millennium of Ukrainian history through the story of an elderly man who tells his grandson about a treasure buried in a mountain.
In 1927, even before the picture's release, the newspaper Kino sharply criticized the script, calling it "bourgeois" and "nationalistic." "Zvenigoria" made its director world famous and made a great impression on Vsevolod Pudovkin and Sergei Eisenstein, but the innovative methods in the work of the director of the future VUKKU representatives in Moscow say about Dovzhenko's film: "No one can understand anything." Sergei Eisenstein said after screening the picture: "Today for a moment, it was possible to dim the lantern of Diogenes - a man stood in front of us. Master of his face, master of the genre. A master of individuality - a man who created something new in cinema."
Cinema historians and critics today concur that Dovzhenko's "Zvenigora" is nothing less than a motion picture masterpiece.
Ben-Hur: A Tale of the Christ 1925
Producer: Louis B. Mayer, Irving Thalberg, June Mathis Script: Lew Wallace (novel), June Mathis, Carey Wilson, Bess Meredyth, H. H. Calwell, Katharine Hilliker Direction: Fred Niblo, Charles Brabin Cinematography: Clyde DeVinna, Rene Gussart, Karl Struss, Percey Hilburn (French vers.) CAST: Ramon Novarro, Francis X. Bushman, May McAvoy, Betty Bronson, Nigel de Brulier Production: MGM 141 min. Color-tinted English Inter-titles silent w/music score.
American silent biblical film epic produced by Louis B. Mayer and Irving Thalberg of Metro-Goldwyn-Mayer directed by Fred Niblo and Charles Brabin starring Ramon Novarro, Francis X. Bushman, May McAvoy, Betty Bronson, Nigel de Brulier, etc.
"Ben-Hur: A Tale of the Christ" is based on the 1888 novel by General Lew Wallace as the first feature-film adaptation of the historical novel and second overall, following the 1907 silent short film of the same title (available from FMHV).
Filming began in Rome, Italy in October 1923 under the direction of Charles Brabin who was replaced shortly after shooting began. There had been yet other re-castings and a change in the director forced the mammoth production budget to skyrocket. After two years of production difficulties and accidents, the production was eventually moved back to the MGM studios in Culver City, California and filming resumed in the spring of 1925. Production costs eventually rose to $3,900,000 ($69,930,000 today) compared to the studio's average for the season of $158,000 (2,830,000 today), making "Ben-Hur: A Tale of the Christ" the most expensive motion picture produced during the silent period.
Many of the key epic scenes in the picture were shot in two-color Technicolor. What scenes shot had been filmed in black & white, color-tinting was applied.
"Ben-Hur: A Tale of the Christ" went on to become MGM's largest-grossing film, with theater rentals of $9 million worldwide. The picture's foreign revenues of $5 million were not surpassed at the studio for at least twenty-five years.
The epic biblical production was, however not without its controversy. Following the film's release, there had been reports of animals being harmed and killed during shooting. A reported 100 horses were deliberately tripped and killed merely to produce the set piece of film footage of the major chariot race. Animal advocates especially criticized the usage of the "running W" on set, a wire device that could trip a galloping horse. Sadly, it would take an entire decade before such devices lost favor in Hollywood.
"Ben-Hur: A Tale of the Christ" was banned in China in the thirties under the category of "superstitious films" due to its religious subject matter involving gods and deities.
Unquestionably, cinema critics and historians concur "Ben-Hur: A Tale of the Christ" is a film masterpiece of the silent era.
The Eccentric 1929
Producer/Script/Director: Walter Jerven Cinematography: Hans Karl Gottschalk CAST: Karl Valentin, Liesl Karlstadt, Truus van Aalten, Ferdinand Martini Production: Union-Film Release: December 28, 1929 89 min. B/W German Inter-titles silent w/music score.
German silent comedy film written, produced and directed by Walter Jerven starring screen comedian Karl Valentin, Liesl Karlstadt, Truus van Aalten, Ferdinand Martini, etc.
Walter Jerven's "The Eccentric" is considered a scewball comedy film starring the versatile comedian Karl Valentin in the starring role.
This early vintage comedy film was popular during the Weimar Republic.
Easy Virtue 1927
Producer: Michael Balcon, C. M. Woolf Script: Noel Coward (play), Ellot Stannard Director: Alfred Hitchcock Cinematography: Claude L. McDonnell CAST: Isabel Jeans, Robin Irvine, Franklin Dyall, Eric Bransby Williams Production: Gainsborough Pictures Release: March 5, 1928 70 min. B/W English Inter-titles silent w/music score.
British silent mystery/romance film directed by Alfred Hitchcock starring Isabel Jeans, Robin Irvine, Franklin Dyall, Eric Bransby Williams, etc.
"Easy Virtue" was loosely based on the 1924 play by Noel Coward. The story concerns a recently divorced woman who hides her scandalous past from her husband and his family.
Contemporary film historians and critics regard Alfred Hitchcock's "Easy Virtue" as an impressive mystery/romance film.
The Loves of Casanova 1927
Producer: Noe Bloch, Gregor Rabinovitch Script: Norbert Falk, Alexandre Volkoff, Ivan Mosjoukine Director: Alexandre Volkoff Cinematography: Fedote Bourgasoff, Leonce-Henri Burel, Nikolai Toporkoff CAST: Ivan Mosjoukine, Jenny Jugo, Rudolf Klein-Rogge, Suzanne Bianchetti Production: Cine-Allianz, Deulig Europa-Produktion 160 min. Color-tinted silent w/music score French Inter-titles.
French historical costume film co-written, produced and directed by Alexandre Volkoff starring Ivan Mosjoukine (also co-writer), Jenny Jugo, Rudolf Klein-Rogge, Suzanne Bianchetti, etc.
This rare vintage film portrays the life and adventures of Giacomo Casanova (1725-1798). Many of those involved in the production had been Russian emigres whom had come to France following the Bolshevik Revolution of October 1917.
Alexandre Volkoff's "The Loves of Casanova" is considered a cinematic masterpiece by film historians and contemporary critics of cinema.
Uncanny Tales aka Weird Tales 1919
Producer/Director: Richard Oswald Script: Robert Liebmann, Richard Oswald Cinematography: Carl Hoffmann CAST: Conrad Veidt, Reinhold Schuenzel, Bernhard Goetzke, Anita Berber Production: Richard Oswald-Film AG 96 min. B.W silent w/music score English Inter-titles.
German silent horror anthology film was produced, co-written and directed by Richard Oswald starring Conrad Veidt, Reinhold Schuenzel, Bernhard Goetzke, Anita Berber, etc.
"Uncanny Tale" is divided five parts: "The Apparition" (story by Anselm Heine), "The Hand" (story by Robert Liebmann), "The Black Cat" (by Edgar Allan Poe), "The Suicide Club" (story by Robert Louis Stevenson), and "The Spector" (story by Richard Oswald himself).
"Uncanny Stories" had its premiere in Berlin on November 5, 1919. The picture is a critical link between the more conventional German detective and mystery movies of the mid-1910s and the groundbreaking fantastic cinema of the early 1920s." (Directory of World Cinema, Germany Vol. 10)
Troy Howarth wrote: "The film set is something of a standard for subsequent German anthologies, including Fritz Lang's "Destiny" and Paul Leni's "Waxworks." Its tone vacillates clumsily between the macabre and the farcical."
Richard Oswald remade the production during the sound era in 1932 starring Paul Wegener, Eugn Kloepfer and Paul Henckels. (available from FMHV)
Contemporary film historians and critics consider Richard Oswald's "Uncanny Stories" (1919) to be a cinematic masterpiece.
Flesh and the Devil 1926
Producer: Irving Thalberg Script: Hermann Sudermann (novel), Benjamin Glazer, Marian Ainslee (inter-titles) Director: Clarence Brown Cinematography: William H. Daniels CAST: Greta Garbo, John Gilbert, Lars Hanson, Barbara Kent Production: MGM 113 min. B/W silent w/music score English Inter-titles.
American silent romantic drama film produced by MGM's Irving Thalberg and directed by Clarence Brown starring Greta Garbo, John Gilbert, Lars Hanson, Barbara Kent, etc.
"Flesh and the Devil" is based on the 1893 novel "The Undying Past" by Hermann Sudermann.
Following the picture's release on Christmas Day December 25, 1926, The New York Times wrote: "Produced with admirable artistry, both in the unfurling of the chronicle and in the character delineation. "The Undying Past" (the U.S. release title) is a compelling piece of work in which there are but few conventional movie notes."
In 2006, "Flesh and the Devil" was selected for preservation in the United States Film Registry as being "culturally, historically, or aesthetically significant."
Contemporary film historians and movie critics consider "Flesh and the Devil" a silent cinematic masterpiece.
Fragment of an Empire 1929
Producer/Script/Director: Fridrikh Ermler Cinematography: Gleb Bushtuyev, Yevgeni Shneider CAST: Fyodor Nikitin, Yakov Gudkin, Emil Gal, Ursula Krug Production: Sovkino Release: October 28, 1929 110 min. B.W silent w/music score Russian Inter-titles.
Soviet silent drama film co-written, produced and directed by Fridrikh Ermler for Sovkino starring Fyodor Nikitin, Yakov Gudkin, Emil Gal, Ursula Krug, etc.
The story concerns a story of a man who manages to lose his memory during WWI, then regains his memory ten years after the Bolshevik Revolution and returns home to an alien St. Petersburg.
Fridrikh Ermler's "Fragment of an Empire" is regarded as an important Soviet era films and has recently been rediscovered since its restoration.
Anniversary of the Revolution 1918
Producers: Konstantin Grinberg, Jenny Delcambre Director/Script/Cinematography: Dziga Vertov Production: Grinerg Bros. 122 min. B/W silenty w/music score Russian Inter-titles.
Dziga Vertov's "Anniversary of the Revolution" is the first Soviet film to document the October 1917 Bolshevik Revolution. Largely propaganda, Vertov's film is considered a "lost film" which was only recently rediscovered by serious archivists and film researchers.
Kino-Eye 1924
Producer/Script/Director: Dziga Vertov Cinematography: Mikhail Kaufman Production: Goskino Release: October 31, 1924 80 min. B/W silent w/music score Russian Inter-titles.
Soviet silent propaganda documentary film written, produced and directed by Dziga Vertov for Goskino in 1924.
"Kino-Eye" promotes the purported joys of life in a typical Soviet village centering around the activities of the Young Pioneers. These young Russian children are constantly busy, pasting Soviet propaganda posters, distributing hand bills, exhorting all "to purchase from the cooperative" as opposed to the private sector, promoting temperance, and aiding poor widows." Experimental sections of the production, shot in reverse, feature the un-slaughtering of a bull and the un-baking of bread.
Dziga Vertov's "Kini-Eye" is considered as a silent Soviet propaganda film produced in the USSR during the 1920s.
Stride, Soviet! 1926
Producer: Goskino Script/Director/Editor: Dziga Vertov Cinematography: Ivan Belyakov Production: Gosfilm Release: July 23, 1926 72 min. B/W silent w/music score English Intertitles.
Soviet Avant-Garde pseudo-documentary written, directed and edited by Dziga Vertov for Goskino in 1926. Vertov's film documents the achievements, and failures, of the Moscow Soviet. New Soviet factories, orphanages, schools, apartments and railways presented as signs of improved Soviet living conditions.
Contemporary cinema historians and critics regard Dziga Vertov's "Stride, Soviet!" as a Soviet propaganda film, although it, like many of the director's productions are without a doubt a cinematic masterpiece.
Maciste in Hell 1925
Producer: Stefano Pittaluga Script: Riccardo Artuffo, Stefano Pittaluga, Dante Alighieri Director: Guido Brignone Cinematography: Ubaldo Arata, Massimo Yerzano, Segundo de Chomon CAST: Bartolomo Pagano, Umberto Guarracino , Mario Saio Production: Fert Studios, Societa Anonima Stefano Pittaluga (SASP) Release: June 26, 1931 98 min. Color-tinted silent w/music score English Inter-titles.
Italian silent biblical fantasy film produced, co-written and directed by Guido Brignone for his own production company SASP in 1925. The picture stars Bartolomo Pagana, Umberto Guarracino, Maria Saio, etc.
The story concerns the Devil who brings Maciste down to Hell in an attempt to corrupt and destroy his morality. But Maciste is the most virtuous mortal on earth, which concerns Satan and his devils to no end. In order to rectify this, the devils send their best demon to get him into trouble of which they have a mist difficult time attempting this difficult task. In the end, the devils manage to get Maciste down to Hell, however he is brought to Hades because he is so powerful he battles all the devils single handedly.
Contemporary film historians and critics consider Guido Brignone's "Maciste in Hell" to be a an early vintage Italian silent cinematic masterpiece.
Michael 1924
Producer: Erich Pommer Script: Hermann Bang (novel), Thea von Harbou, Carl Theodor Dreyer Director: Carl Theodor Dreyer Cinematography: Karl Freund, Rudolph Mate CAST: Walter Slezak, Karl Freund, Benjamin Christensen, Nora Gregor Production: Decla-Bioscop AG Release: September 26, 1924 95 min. B/W silent w/music score German Inter-titles.
German silent vintage gay drama produced by Erich Pommer and directed by Carl Theodor Dreyer starring Walter Slezak, Karl Freund (also cinematography), Benjamin Christensen (Swedish director), Nora Gregor, etc.
"Michael" is based on the 1902 novel by Hermann Bang which is the second adaptation of the literary work, the first being "The Wings" (1916), produced eight years prior by director Mauntz Stiiller. "Michael," however follows Hermann Bang's storyline much more closer than the earlier work. The picture stars Walter Slezak as the titular Michael, the strong assistant and model to the artist Claude Zoret (Benjamin Christensen). Along with other gay-themed vintage films produced during this period such as "Different Than Others" (1919) and "Sex in Chains" (1928), "Michael" is widely considered a cinematic landmark in early gay silent cinema.
Film director Alfred Hitchcock is said to have been greatly influenced by "Michael" and drew from motifs from the film as an inspiration for his screenplay "The Bodyguard" (1925).
Despite the film's poor critical response upon release in 1925, contemporary cinema critics and historians consider Carl Theodor Dreyer's "Michael" a cinematic masterpiece.
The Indian Tomb 1921
Producer/Director: Joe May Script: Thea von Harbou (novel), Fritz Lang Cinematography: Werner Brandes CAST: Conrad Vedit, Bernhard Goetzke, Paul Richter, Mia May Production: May-Film Release: October 22, 1921 240 min. Color-tinted silent w/music score German Inter-titles.
German silent adventure film produced and directed by Joe May starring Conrad Veidt, Bernhard Goetzke, Paul Richter, Mia May, etc.
"The Indian Tomb" is based on the 1918 novel by Thea von Harbou incorporating two parts, "The Mission of the Yogi" (Part I) and "The Tiger of Bengal" (Part II). The epic picture had its premiere in Berlin on October 22, 1921. Upon its release, the picture was neither a critical nor commercial release in Germany and has had random exposure since.
Despite this, Joe May's "The Indian Tomb" is considered a cinematic masterpiece by film historians and critics.
Napoleon 1927
Producer/Script/Director: Abel Gance Cinematography: Jules Kruger CAST: Albert Dieudonne, Edmond Van Daele, Alexandre Koubitzky, Abel Gance, Antonin Arlaud Production: Cine France, Films Abel Gance, Isepa-Wengeroff Film GmbH Release: February 17, 1929 562 min. Color-tinted silent w/music score French Inter-titles.
French silent historical film epic written, produced and directed by Abel Gance starring Albert dieudonne (as Napoleon), edmond Van Daele, Alexandre Koubitzky, Abel Gance, Antonin Arlaud, etc.
Abel Gance's "Napoleon" is the only motion picture to use Polyvision and it is recognized as a cinematic masterpiece of fluid camera motion, produced in a time when most camera shots were strictly static. Many innovative cinematic techniques were utilized to produce this extraordinary film epic, including fast-editing, extensive close-up shots, locating shooting, point-of-view shots, multiple-camera setups, multiple exposure, superimposition, underwater camera, kaleidoscope images, color film tinting and other special visual effects. The production utilized the Keller-Donan cinematography for its color-tinted sequences.
Abel Gance's "Napoleon" is widely considered to be one of the greatest and most innovative motion picture epics of not only the silent era proper but also of all time according to major cinema historians, film scholars and critics.
Peter Pan 1924
Producers: Herbert Brenon, Jesse L. Lasky, Adolf Zukor Script: J. M. Barrie, Willis Goldbeck Director: Herbert Brenon Cinematography: James Wong Howe CAST: George Ali, Esther Ralston, Cyril Chadwick, Mary Brian Production: Paramount Pictures Release: December 29, 1924 102 min. Color-tinted silent English Inter-titles.
American silent fantasy adventure film co-produced and directed by Herbert Brenon for Paramount Pictures starring George Ali, Esther Ralston, Cyril Chadwick, Mary Brian, etc.
"Peter Pan" closely follows the plot of the original play, and even goes to incorporate much of the original stage dialog in the inter-titles. Much like the original play and several other versions, and unlike the 1953 Disney film, the 1924 version makes it clear that Wendy harbors a romantic attachment to Peter, but Peter only thinks of her as his mother.
"Peter Pan" was first released in the USA on December 29, 1924. The picture was celebrated at the time for its innovative use of special effects according to Disney's 45th anniversary video release of their adaptation of Peter Pan.
"Peter Pan" was thought lost for many years until it was rediscovered by James Card of the George Eastman House despite Paramount's prints had been believed completely destroyed.
Film historians and critics consider Herbert Brenon's "Peter Pan" as a silent cinematic classic.
Robin Hood 1922
Producer/Script: Douglas Fairbanks Director: Allan Dwan Cinematography: Arthur Edeson, Charles Richardson CAST: Douglas Fairbanks, Wallace Beery, Alan Hale, Sam De Grasse Production: Douglas Fairbanks Pictures Release: October 18, 1922 134 min. Color-tinted silent w/music score English Inter-titles.
American silent adventure film was written, produced and starring Douglas Fairbanks, Wallace Beery, Alan Hale, Sam De Grosse, etc.
Allan Dwan's vintage "Robin Hood" was one of the most expensive motion pictures produced in the twenties, with a budget estimated at one million dollars (equivalent to $18 million in 2025).
The story concerns an English nobleman who becomes the vigilante Robin Hood who protects the British people from the tyrannical Prince John.
Allan Dwan's epic color-tinted picture generally received very positive reviews from critics.
"Robin Hood" was the first motion picture to ever hold a Hollywood premiere, held at Grauman's Egyptian Theatre on October 18, 1922.
Contemporary cinema historians consider Allan Dwan's "Robin Hood" as a silent cinematic masterpiece.
Sherlock Holmes 1922
Producer: F.J. Godsol Script: Sir Arthur Conan Doyle (play), William Gilllete, Earle Brown, Marion Fairfax Director: Albert Parker Cinematography: J. Roy Hunt CAST: John Barrymore, Roland Young, Carol Dempster, Gustav von Seyfferlitz Production: Goldwyn Pictures Release: May 1, 1922 87 min. B/W silent w/music score English Inter-titles.
American silent detective drama was directed by Albert Parker starring John Barrymore (as Sherlock Holmes), Roland Young (Dr. Watson), Carol Dempster, Gustav von Seyfferlitz, etc
"Sherlock Holmes" was based on the 1899 play by Sir Arthur Conan Doyle and William Gillette based upon Doyle's original characters, and was produced by Goldwyn Pictures in 1922.
Contemporary film historian consider Albert Parker's vintage silent "Sherlock Holmes" as an early adaptation of the Sir Arthur Conan Doyle play.
Sparrows 1926
Producer: Mary Pickford Script: Winifred Dunn (story), C. Gardner Sullivan (adaptation) Direction: William Beaudine, Tom McNamara Cinematography: Hal Moore, Charles Rosher, Karl Struss CAST: Mary Pickford, Roy Stewart, Mary Louise Miller, Gustav von Seyfferlitz, Charlotte Mineau Production: United Artists Release: May 14, 1926 94 min. Color-tinted silent w/music score English Inter-titles.
American silent drama film produced by Mary Pickford and directed by William Beaudine and Tom McNamara starring Mary Pickford, Roy Stewart, Mary Louise Miller, Gustav von Seyfferlitz, Charlotte Mineau, etc.
"Sparrows" concerns a young woman who manages to rescue a baby from kidnappers.
Contemporary film historians and critics recognize "Sparrows" as an early vintage silent cinematic classic.
The King of Kings 1927
Producer/Director: C. B. DeMille Script: Jeanie MacPherson Cinematography: J. Peverell, F. J. Westerberg CAST: H. B. Warner, Dorothy Cumming, Ernst Torence, Joseph Schildkraut Production: DeMille Pictures 157 min. Color-tinted silent w/music score English Inter-titles.
American silent epic biblical film produced and directed by C. B. DeMille starring H. B. Warner, Dorothy Cumming, Ernst Torence, Joseph Schildkraut, etc.
The epic religious production depicts the historical events in the life of Jesus Christ, from the exorcism of Mary Magdalene to the crucifixion and resurrection.
DeMille's "The King of Kings," although color-tinted the production also contained two genuine Technicolor sequences - the beginning and the resurrection scene, which utilizes the same two-color process invented by Herbert Kalmus.
The epic film was the first motion picture to have tis gala world premiere at Grauman's Chinese Theatre in Hollywood, California on May 18, 1927.
In what could only be considered as one of the earliest applications of market segmentation to motion picture promotion, students ranging from elementary to high school were dismissed early in order to attend afternoon screenings of DeMille's was seen by around 500 million viewers between the original release in 1927 and the remake produced in 1961.
"The King of Kings" received much praise from critics during its initial release. The Film Daily wrote: "There can be nothing said but praise for the reverence and appreciation with which the beautiful story has been developed. 'The King of Kings' is tremendous from every standpoint. It is the finest piece of screen craftsmanship ever turned out by DeMille.
In June 1927, Photoplay named "The King of Kings" one of "The Best Pictures of the Month." It is widely considered to be among the most popular Hollywood biblical epic films depicting the life of Christ."
Contemporary cinema historians and film critics consider C. B. DeMille's "The King of Kings" a silent era cinematic masterpiece.
The Mysteries of a Barber Shop 1923
Producers/Direction: Bertolt Brecht, Erich Engel Script: Karl Valentin, Bertolt Brecht, Erich Engel CAST: Karl Velentin, Blandine Ebinger, Erwin Faber Produxction: Dr. Koch-Film Release: 1923 35 min. B/W silent w/music score German Inter-titles.
German silent comedy film short produced, directed and co-written by Bertolt Brecht and Erich Engel starring outrageous comedian Karl Valentin, Blandine Ebinger, Erwin Faber, etc.
The story concerns Karl Valentin who essays the role of a journeyman in a barber shop who prefers to stay in bed than to take one of his heavily boarded shop customers. When he is busy at work, he removes boils with a hammer, pinochles and a chisel, turns long-haired men into skin-heads and hacks off people's heads.
"The Mysteries of a Barber Shop" is known for his screwball comedy routine as demonstrated by noted comedian Karl Valentin.
The Broken Butterfly 1919
Producer: Maurice Tourneuer Script: Penelope Knapp (novel), H. Tipton Steck, Charles E. Whittaker, Maurice Tourneur Director: Maurice Toruneur Cinematography: Maurice Tourneur CAST: Lew Cody, Mary Alden, Pauline Starke, Nina Byron Production: Maurice Tourneur Productions 60 min. Color-tinted silent w/music score. English Inter-titles.
American silent drama film produced, co-written, directed and shot by Maurice Tourneur starring Lew Cody, Mary Alden, Pauline Starke, Nina Byron, etc.
The tory concerns a young woman who manages to fall in love with a composer busily working on a new symphony, who she has also had encounters with in the woods of Canada.
Maurice Tourneur's "The Broken Butterfly" is considered a lost cinematic classic from the 'golden age' of silent motion pictures.
The Call of the Cumberlands 1916
Producer/Director: Frank Lloyd Script: Charles Neville Buck (novel), Julia Crawford Ivers Cinematography: Dal Clawson CAST: Dustin Farnum, Wimfred Kingston, Herbert Standing, Page Peters Production: Pallas Pictures Release: January 23, 1916 65 min. Color-tinted silent w/English Inter-titles.
American silent rural drama produced and directed by Frank Lloyd starring Dustin Farum, Wimfred Kingston, Herbert Standinng, Page Peters, etc.
"The Call of the Cumberlands" is based on the novel by Charles Neville Buck. The story concerns a rural family feud which erupts in the mountains of Kentucky.
Frank Lloyd's "The Call of the Cumberlands" is considered an early vintage silent
The Flame of Life 1919
Producer/Director: Maurtiz Stiller Script: Johannes Linnankoski (novel), Gustaf Molander, Mauritz Stiller Cinematography: Henrik Jaenzon, Ragnar Westfelt CAST: Lars Hanson, Greta Almroth, Lillebill Ibsen, Louise Fahlman Production: Svenska Biografteatern Release: April 14, 1919 102 min. Color-tinted silent w/music score Swedish Inter-titles.
Swedish silent drama film produced and directed by Mauritz Stiller starring Lars Hanson, Greta Almroth, Lillebill Ibsen, Louise Fahlman, etc.
The story concerns a man named Olaf Koslela, the son of a wealthy farmer. Olaf seduces young girls in the villager at random, until an inconsistent gesture rushes him away from his home and carefree lifestyle.
Contemporary historians and film critics consider Mauritz Stiller's "The Flame of Life" as an early vintage silent Swedish cinematic classic.
Way Down East 1920
Producer/Director: D. W. Griffith Script: Lottie Blair Parker (play), Anthony Paul Kelly, Joseph R. Grismer, D. W. Griffith Cinematography: G. W. Bitzer CAST: Lillian Gish, Richard Barthelmess, Lowell Sherman, Burr McIntosh, Kate Bruce Production: D. W. Griffith Productions Release: September 3, 1920 150 min. Color-tinted silent w/music score English Inter-titles.
American silent melodrama produced, co-written and directed by D. W. Griffith starring Lillian Gish, Richard Barthelmess, Lowell Sherman, Burr McIntosh, Kate Bruce, etc.
"Way Down East" is one of four film adaptations of the 19th century play of the same title by Lottie Blair Parker. There had been two previous silent versions and one sound version produced in 1935 starring Henry Fonda. However, it is D. W. Griffith's 1920 version which is particularly remembered for its climax in which Lillian Gish's character is rescued from disaster on an icy river.
"Way Down East" was one of Griffith's most successful as well as being one of the most expensive to produced. In fact, :Way Down East" is the fourth highest grossing silent film in motion picture history, taking in more than $4.5 million at the box-office in 1920. Griffith's melodrama was "second only to his "Birth of a Nation" (1915) as a money-maker."
The picture played as an "exclusive roadshow engagement," that earned $2 million dollars as a normal theatrical release. Griffith's film earned $1 million dollars in profit.
D. W. Griffith's "Way Down East" is considered an early vintage classic and certainly a cinematic masterpiece.
Anthony and Cleopatra 1913
Producer/Director: Enrico Guazzoni Script: William Shakespeare (play), Pietro Cossa (poem) Cinematography: Alessandro Bona CAST: Gianna Gonzales, Amieto Novelli, Ignazio Lupi, Elsa Lenard Production: Societa Italiana Cines Release: September 26, 1913 72 min. B/W silent w/music score Italian Inter-titles.
Italian silent ancient historical film epic produced and directed by Enrico Guazzani and starring Gianna Gonzales, Amieto Novelli, Ignazio Lupi, Elsa Lenard, etc.
"Anthony and Cleopatra" is based on an adaptation of William Shakespeare's classic play of the same title, with inspiration drawn from a poem by Pietro Cassa.
The story is set in ancient Egypt following the murder of her lover Julius Caesar, Egypt's Queen Cleopatra is in need of a new ally. So she seduces Caesar's probable successor Mark Anthony. This soon develops into a real romance between the two but slowly leads to the road to war with the other possible successor, Octavius.
Enrico Guazzoni's "Anthony and Cleopatra" is considered an early vintage adaptation of William Shakespeare's literary classic brought to the big screen in 1913.
Cleopatra 1912
Producer: Helen Gardner Script: Victorien Sardou (play), Charles L. Gaskill Director: Charles L. Gaskill Cinematography: Lucien Tainguy CAST: Helen Gardner (also producer), Pearl Sandelar, Helene Costello, Charles Sandelear Production: Helen Gardner Picture Players Release: November 13, 1912 90 min. Color-tinted silent w/music score English Inter-titles.
American silent ancient historical drama film directed by Chalres L. Griskill and starring Helen Gardner (also producer), Pearl Sandelar, Helene Costello, Charles Sandelear, etc.
"Cleopatra" is based on the 1890 play written by Victorien Sardou and was the first motion picture film production by the Helen Gardner Picture Players.
"Cleopatra" is one of the early vintage six-reel feature-length productions created in the USA. The original release was promoted as "The most beautiful motion picture ever made,' and was also the first to offer a feature-length depiction of Cleopatra, although there had been the shorter film production "Anthony and Cleopatra" (listed above) produced two years earlier.
In a series of elaborately staged tableaux, "Cleopatra" depicts the Egyptian queen and her many torrid love affairs, first with handsome fishermen-slave Pharon, then with Mark Anthony.
Upon its release, "Cleopatra" played in theatres and opera houses. The picture was specially featured in a theatrical roadshow engagement accompanied by a publicist manager and a lecturer/projectionist. In 1918, Helen Gardner filmed additional sequences and re-issued "Cleopatra" to compete with the 1917 film adaptation released by Fox starring Theda Bara.
Today, contemporary film scholars and historians consider Charles L. Gaskill's early vintage version of "Cleopatra" to be an "ambitious, energetic effort" in its heyday during the 'golden era' of silent movie classics.
The Unknown 1927
Producer: Irving G. Thalberg Script: Tod Browning (story), Waldemar Young Director: Tod Browning Cinematography: Merritt Gerstad CAST: Lon Chaney, Joan Crawford, Norman Kerry, Nick De Ruiz Production: MGM Release: June 4, 1927 57 min. Color silent w/music score English Inter-titles.
American silent horror film produced by Irving G. Thalberg and directed by Tod Browning ("Dracula 1931, "Freaks: 1932) starring Lon Chaney, Joan Crawford, Norman Kerry, Nick De Ruiz, etc.
"The Unknown" carried the tagline "A Superb mystery thriller, unusual and startling even for a Lon Chaney film. Lon as "The Unknown" eats, drinks, shoots a rifle and dresses with his feet. don't miss this starling spectacle."
The genesis of the story lies in Tod Browning's reflections on an individual who suffers multiple amputations and the dramatic personal repercussions. Lon Chaney essays the the pivotal role as carnival knife-thrower "Alonzo the Amputee" and Joan Crawford essays the role as his beloved carnival girl Nanon.
Tod Browning's "The Unknown" is widely regarded as a cinematic masterpiece of the late silent film era and certainly the most outstanding of the ten Browning film collaborations, eight of them produced at MGM. The director's cinematic rendering of Alonzo and the horrific self-mutilation he endures in order to win the love of Nanon is reminiscent of the theatre of the Grand Guingol. One contemporary film critic observed that of all the films produced in that collaboration, "The Unknown" is most worthy of cult status.
Actor Burt Lancaster said that Lon Chaney's screen portrayal in "The Unknown" featured "one of the most compelling and emotionally exhausting scenes I have ever seen an actor do."
The New York Times wrote: "Although it has strength and undoubtedly sustains the interest, "The Unknown,' is anything but a pleasant story. It is gruesome and at times shocking, and the principal character deteriorates from a more or less sympathetic individual to an arch-fiend. Mr. Chaney really gives a marvelous idea of the 'Armless Wonder,' for to act in this film he has learned to use his feet as hands when eating, drinking and smoking. He even scratches his head with his toe when meditating."
Contemporary film historians and scholars recognize Tod Browning's "The Unknown" as a late silent era horror film masterpiece.
The Unholy Three 1925
Producers: Louis B. Mayer, Irving Thalberg Script: Tod Robbins (novel), Waldemar Young (scenario) Director: Tod Browning Cinematography: David Kesson CAST: Lon Chaney, Victor MacLaglen, Mae Busch, Matt Moore Production: MGM Release: May 30, 1925 (premiere), August 16, 1925 (general release) 86 min. Color silent w/music score English Inter-titles.
American silent crime melodramatic film produced by Louis B. Mayer and Irving Thalberg directed by Tod Browning ("Dracula" 1931, "Freaks 1932), Victor MacLaglen, Mae Busch, Matt Moore, etc.
"The Unholy Three" marks the establishment of the notable artistic alliance between director Tod Browning and actor Lon Chaney that would deliver MGM Studios eight feature-length motion pictures.
The story concerns a sideshow ventriloquist, a small person, and a strongman form a conspiracy in order to commit a series of robberies.
Tod Browning's "The Unholy Three" thoroughly enjoyed tremendous commercial success, adding significant luster to Chaney's reputation as "The Man of a Thousand Faces" and revealing Tod Browning as a remarkable film stylist. The picture was named as one of The New York Times Best Films of 1925.
"The Unholy Three" is considered a film masterpiece by contemporary critics and cinema historians.
The Red Mill 1927
Producer: King Vidor Script: Frances Marion Director: William Goodrich (as Roscow Arbuckle) Cinematography: Hendrik Sartov CAST: Marion Davies, Owen Moore, Louise Fazenda, George Siegmann Production: Cosmopolitan Productions Release: January 29, 1927 70 min. Color silent w/music score English Inter-titles.
American silent comedy film produced by King Vidor and directed by William Goodrich starring Marion Davies, Owen Moore, Louise Fazenda, George Siegmann, etc. The production's director had been acquitted in the third trial for the death of Virginia Rappe, he could not obtain employment in Hollywood under his own name, so he had adopted the pseudonym William Goodrich for directing the comedy shorts he had created under his contract with Educational Film Exchanges.
"The Red Mill" is based on the 1906 musical of the same title that had starred comedian Fred Stone and was based on the book and music of the same show.
"The Red Mill" was Marion Davies' twenty-third film in which she essayed a Dutch kitchen drudge who gets involved in a case of mistaken identity.
William Goodrich's "The Red Mill" is considered an early vintage silent comedy from the 'golden age' of classic American cinema.
Tell It to the Marines 1927
Producer/Director: George W. Hill Script: E. Richard Schayer Cinematography: Ira H. Morgan CAST: Lon Chaney, William Haines, Eleanor Boardman, Eddie Gribbon Production: MGM Release: December 23, 1926 103 min. Color silent w/music score English inter-titles.
American silent militarist romantic drama produced and directed by George W. Hill and starring Lon Chaney, William Haines, Eleanor Boardman, Eddie Gribbon, etc.
"Tell It to the Marines" follows a U.S. Marine recruit and the sergeant who trained him. The picture was the biggest commercial success of Lon Chaney's career and the second biggest moneymaker during 1926-1927.
Contemporary cinema historians and critics consider George W. Hill's "Tell It ti the Marines" an early silent vintage classic from Hollywood's 'golden age.'
Spring Fever 1927
Producer: Irving Thalberg Script: Vincent Lawrence (play), Frank Davis, Albert Lewin Director: Edward Sedgwick Cinematography: Ira Morgan CAST: Joan Crawford, William Haines, George K. Arthur, Eileen Percy Production: MGM Release: October 22, 1927 (NYC) 60 min. Color silent w/music score English Inter-titles.
American silent comedy film produced by Irving Thalberg and directed by Edward Sedgwick starring Joan Crawford, William Haines, George K. Arthur, Eileen Percy, etc.
"Spring Fever" is based on the 1925 play by Vincent Lawrence, and was the second motion picture starring William Haines and Joan Crawford, in their first onscreen romantic coupling.
The story concerns a wealthy young woman (Joan Crawford) who is impressed by a young clerk pretending to be a pro-golfer (William Haines).
"Spring Fever" was a great commercial success despite some critical misgivings about the production itself.
Variety wrote: "Haines is a likeable personality and should travel far."
The picture became so popular at the time that the main star William Haines, was mobbed by fans during a personal appearance at a golf tournament.
Contemporary cinema historians and scholars consider Edward Sedgwick's "Spring Fever" to be a silent film classic from Hollywood's 'golden age.'
Life and Passion of the Christ 1903
Producer: Charles Pathe Script: Script/Direction: Lucien Nonguet, Ferdinand Zecca Cinematography: Camille Legrand, Wormser CAST: Madame Moreau, Monsieur Moreau Production: Pathe Freres Release: March 26, 1904 45 min. Color-tinted (hand-painted) silent w/music score French Inter-titles.
French silent historical biblical film produced by Charles Pathe and written/directed by Lucien Nonquet and Ferdinand Zecca starring Madame Moreau and Monsieur Moreau.
"Life and Passion of the Christ," with sequences produced in the 'stencil' color process known as Pathechrome, takes a straightforward approach to its historical subject matter. All scenes are introduced by an inter-title giving the traditional name of the event followed by the actors playing out the familiar stories from the biblical Gospels. Many of the scenes in the production attempt to recreate the illustrations of the life of Christ by Gustave Dore in much detail.
Lucien Nonquet/Ferdinand Zecca's "Life and Passion of the Christ" was the first motion picture produced during the 20th century to be included in the Vatican in a list of important films under the listed category of "Religion." This picture was the first such motion picture to make this official Catholic list.
Cinema historians and scholars consider "Life and Passion of the Christ" to be an important historical motion picture achievement as it was the first motion picture depicting the theological production.
He Who Gets Slapped 1924
Producer: Irving Thalberg, Victor Seastrom Script: Leonid Andreyev (play), Victor Seastrom, Carey Wilson Director: Victor Seastrom Cinematography: Milton Moore CAST: Lon Chaney, Norma Shearer, John Gilbert, Tully Marshall Production: MGM Release: November 9, 1924 (USA) 72 min. Color silent w/music score English Inter-titles.
American silent psychological thriller tragedy film produced by Irving Thalberg as directed by Victor Seastrom and starring Lon Chaney, Norma Shearer, John Gilbert, Tully Marshall, etc.
"He who Gets Slapped" is based on the 1914 Russian play by playwright Leonid Andreyev and was a critically successful Broadway production, using an English language translation of the original Russian by Gregory Zilboorg, and was staged in 1922, , premiering at the Garrick Theatre on January 9, 1922, with Richard Bennett essaying the "He" role on stage.
Victor Seastrom's "He Who Gets Slapped" was the first motion picture produced entirely by the newly formed Metro-Goldwyn-Mayer (MGM). It was not, however, MGM's first released feature film, as the picture was held back until Christmas season 1924 when higher attendance had been anticipated. The film was highly profitable and critically praised. It was also the first motion picture to feature a lion as the mascot for MGM.
"He Who Gets Slapped" was extremely important to the careers of Lon Chaney, Norma Sheaer, John Gilbert, and Victor Seastrom. Seastrom, as the director called Lon Chaney "the finest actor in the history of the screen or the stage.
The picture received many countless positive reviews from critics upon its initial theatrical release, with many praising the production and Chaney's dramatic performance as well as Seastrom's top-notch direction. The New York Times wrote: "The finest production we have yet seen."
Contemporary cinema historians and scholars concur Victor Seastrom's "He Who Gets Slapped" is a silent cinematic masterpiece from Hollywood's 'golden era.'
Get Your Man 1927
Producer: Adolph Zuckor, Jesse L. Lasky, B. P. Schulberg Script: Louis Verneuil (play), Hope Irving (scenario), Agnes Brand (continuity) Director: Dorothy Arzner Cinematography: Alfred Gilks CAST: Clara Bow, Charles "Buddy" Rogers, Josef Swickard, Josephine Dunn Production: Paramount Pictures Release: December 7, 1927 60 min. Color silent w/music score English Inter-titles.
American silent romantic comedy film produced by Adolph Zuckor and Jesse L. Lasky as directed by Dorothy Arzner and starring Clara Bow, Charles "Buddy" Rogers, Josef Swickard, Josephine Dunn, etc.
"Get Your Man" concerns a young American girl in Paris, France who falls in love with a handsome nobleman, but he is about to marry in an arranged marriage. The young girl hatches a scheme to overcome that particular obstacle and finally 'get her man.'
Upon its initial release, Photoplay gave the picture a positive review in its February 1928 issue: "Josef Swickard and Harry Clarke are splendid actors, well cast. Charles Rogers has a boyish appeal that is winning him many friends. This story may be fragile but the photography is beautiful and Clara continues to charm and fascinate.."
"Get Your Man" was rated as "one of the Best pictures of the month."
Fast and Furious 1927
Producer: Carl Laemmle Script: Reginald Denny (story), Raymond Cannon Director: Melville W. Brown Cinematography: Arthur L. Todd CAST: Reginald Denny, Barbara Worth, Claude Gillingwater, Armand Kaliz Production: Universal Pictures Release: June 12, 1927 65 min. Color silent w/music score English Inter-titles.
American silent stock car racing comedy film produced by Carl Laemmle and directed by Melville W. Brown starring Reginald Denny, Barbara Worth, Claude Gillingwater, Armand Kaliz, etc.
"Fast and Furious" concerns a young man who hopes to win a beautiful girl by winning a stock car race.
This is the first screen version of the popular "Fast and Furious" movie franchise. Melville W. Brown's "Fast and Furious" is considered a "B" programmer in its own day.
Cleopatra 1917
Producer: William Fox Script: William Shakespeare (plays), H. Rider Haggard (novel), Victorien Sardou (play), Emile Moreau (play), Adrian Johnson (script) Director: J. Gordon Edwards Cinematography: John W. Boyle, Rial Schelinger, George Schneideman CAST: Theda Bara, Fritz Lieber, Thurston Hall, Albert Roscoe Production: Fox Pictures Release: October 14, 1917 125 min. B/W silent w/music score English Inter-titles.
American silent ancient history drama produced by William Fox and directed by J. Gordon Edwards starring Theda Bara in the title role as the historical figure of Cleopatra with co-stars Fritz Lieber, Thurston Hall, Albert Roscoe, etc.
"Cleopatra" is based on numerous classic literary works, including William Shakespeare's "Anthony and Cleopatra and Julius Caesar" (1623) and H. Rider Haggard's novel "Cleopatra" (1889).
The production budget for "Cleopatra" was estimated at $250,000 - $500,000 (equal to $12, 271, 429 in 2025) to create. The production created copies of the Great Pyramid of Giza and the Great Sphinx of Giza were constructed in Ventura County, California, a set of Alexandria, Egypt's waterfront was constructed near Los Angeles, and a fleet for sea battle sequences was shot at the Balboa Peninsula. The production used 15,000 extras and over 2,000 horses.
"Cleopatra" premiered at the Lyric Theatre in New York on October 14, 1917. Around five million people were reported to have viewed the picture just within one year of its general theatrical release.
However, following the Hays Code had been implemented in Hollywood, "Cleopatra" was judged to be "too obscene" to be exhibited. But despite its many controversies, the film was an overwhelming box-office success, becoming one of the most successful cinematic blockbusters of 1917.
Contemporary film historians, scholars and critics all concur J. Gordon Edwards' 1917 "Cleopatra" was unquestionably a cinematic masterpiece.
The Scarlet Letter 1926
Producer/Director: Victor Seastrom Script: Nathaniel Hawthorne (novel), Frances Marion (script) Cinematography: Henrik Sartov CAST: Lillian Gish, Lars Hanson, Henry B. Walthall, Karl Dane Production: MGM Release: August 9, 1925 115 min. B/W silent w/music score English Inter-titles.
American silent literary drama film produced and directed by Victor Seastrom and starring Lillian Gish, Lars Hanson, Henry B. Walthall, Karl Dane, etc.
"The Scarlet Letter' is based on Nathaniel Hawthorne's 1850 novel. Victor Seastrom's version of Hawthorne's classic novel is considered the best film adaptation to date.
"The Scarlet Letter" is the second picture Lillian Gish made under her contract with MGM and a clear departure from the ingenuine screen roles she had performed in service to Hollywood director D. W. Griffith. Gish had asked the then production manager Louis B. Mayer specifically to make the Hawthorne project. Mayer, however was most reluctant, due to the studio's concern that film censors would object to a rather frank depiction of the author's literary character, Hester Payne (Lillian Gish), whose romantic indiscretions unleash a wave of reactionary bigotry. Shooting took under two months with a production budget of $417, 000 when factoring out $40, 000 overhead costs. The picture ended up with a box-office gross of 296, 000.
Contemporary historians and film scholars consider Victor Seastrom's 1926 version of Nathaniel Hawthorne's "The Scarlet Letter" to be in truth a cinematic masterpiece.
Scaramouche 1923
Producer/Director: Rex Ingram Script: Rafael Sabatini (novel), Willis Goldbeck (scenario) Cinematography: John Seitz CAST: Ramon Novarro, Alice Terry, Lloyd Ingraham, Lewis Stone Production: Metro Pictures Release: September 30, 1923 125 min. B/W silent w/music score English Inter-titles.
American silent swashbuckler film produced and directed by Rex Ingram and starrinf Ramon Novarro, Alice Terry, Lloyd Ingraham, Lewis Stone, etc.
"Scarmouche" is based on the 1921 novel by Rafael Sabatini. The story is set in 18th century France where a law student becomes an rebel French revolutionary when he decides to avenge the unjust murder of his good friend. In order to get close to the aristocrat who has committed the dastardly deed, the law student adopts the identity of Scaramouche the clown.
"Scaramouche" was an extremely elaborate and unwieldy production that suffered from cost overruns and delays. The director, Rex Ingram has secured the rights to Sabatini's novel in September 1922 and worked on the project for seven months before the cameras started rolling on set. Extensive exterior sets, representing 18th century Paris, were constructed on the Metro lot and at a separate site in the San Fernando Valley, and 1,500 extras were utilized. An experimental sequence was shot in Technicolor, and the Technicolor company gladly paid for the expense of this experiment, the scene proved unsatisfactory, however, and was discarded.
"Scaramouche" was given a prestigious 22 theater roadshow release engagement upon its completion in 1924. The picture was a tremendous box-office hit in the USA and managed to break all box-office records in London and Paris.
Cocaine 1922
Producer: Harry B. Parkinson Script: Frank Miller Director/Cinematography: Graham Cutts CAST: Hilda Bayley, Flora Le Breton, Ward McAllister, Cyril Raymond Production: Master Films Release: June 1922 80 min. B/W silent w/music score English Inter-titles.
British silent narcotic crime film directed and shot by Graham Cutts and starring Hilda Bayley, Flora Le Breton, War McAllister, Cyril Raymond, etc.
"Cocaine" concerns the distribution of the narcotic cocaine by underworld gangsters through a series of London nightclubs and the revenge a man seeks following his daughter's death.
Due to the fact of the overt depiction of narcotics usage, it quickly became the most controversial British motion pictures of the 1920s. British authorities feared that "Cocaine" might encourage the spread of the illicit use of narcotics during the Roaring Twenties.
However, as the picture contained a clear and direct message concerning the danger pf such illegal substances, British film censors eventually passed it in June 1922 and it was released to theatres under the title "While London Sleeps."
The Chinese gangster Min Fu was reportedly based on real life criminal Brilliant Chang.
Graham Cutts' vintage 1922 "Cocaine" is considered a controversial motion picture produced during the Jazz Age during the 1920s in Britain by leading cinema historians and contemporary film critics.
The Sheik 1921
Producer: Fred Quimby Script: Edith Maude Hull (novel), Monte Katterjohn (adaptation) Director: George Melford Cinematography: William Marshall CAST: Rudolph Valentino, Adolphe Menjou, Agnes Ayers, Ruth Miller Production: Famous Players-Lasky Release; November 20, 1921 80 min. B/W silent w/music score English Inter-titles.
American silent romance drama directed by Geprge Melford and starring Rudolph Valentino, Adolphe Menjou, Agnes Ayrers, Ruth Miller, etc.
"The Sheik" is based on the 1919 best-selling novel by Edith Maude Hull and was adapted for the screen by Monte Katterjohn. The novel was controversial due partly because of its dealings with racial miscegenation and rape subject matter. Due to this, certain "racy" aspects were deliberately left out of the storyline.
There seems to be some dispute as to where "The Sheik" was actually shot. According to researchers, the desert exterior scenes were filmed in Oxnard, California, and the Guadalupe Dunes of Santa Barbara County. However, further research detailed that exterior scenes were shot at the "Walking Dunes" in Montauk, New York and at the Kaufman Astoria Studios. Yet another historical researcher claimed the actual filming was done in Palm Springs, California.
"The Sheik" was released nationwide on November 20, 1921 following its Hollywood premiere on October 30, 1921 and in New York on November 6, 1921. Critical reception was mixed, as some film critics felt that it was a mistake to leave out the rape of Lady Dianna by Sheik Ahmed as it altered the original message of the novel. Certain critics felt the "toned-down" version would not be well received, however, the picture was a major box-office success with theatre audiences, and set new attendance records where it premiered. In its first week of release, it set attendance records at two of New York's major theatres, the Rialto and the Rivoli. The New York Telegraph estimated that in the first few weeks 125, 000 theatre patrons had seen the picture.
Within the first year of its release, "The Sheik" exceeded one million dollars in ticket sales. The film helped solidify Rudolph Valentino's image as one of the very first male sex symbols on the silver screen and made the actor an international movie star. While Valentino was certainly a popular draw with female viewers, some male viewers mocked his onscreen persona and questioned his masculinity .
Contemporary film critics and historians recognize George Melford's 1921 "The Sheik" as a cinematic masterpiece.
The Son of the Sheik 1926
Producer: George Fitzmaurice, John W. Considine, Jr. Script: Edith Maude Hull (novel), Frances Marion (adaptation), Fred de Gresac (adaptation) Director: George Fitzmaurice Cinematography: George Barnes CAST: Rudolph Valentino, Vilma Barky, Agnes Ayres, Karl Dane Production: United Artists Release: July 9, 1926 81 min. Color-tinted silent w/music score English Inter-titles.
American silent romance/adventure film directed by George Fitzmaurice and starring Rudolph Valentino, Vilma Barky, agnes Ayres, Karl Dane, etc.
"The Son of the Sheik" is based on the 1925 romance novel by Edith Maude Hull, and a direct sequel to the 1921 box-office hit "The Sheik," also starring Valentino. The picture is Valentino's final film which went to general release nearly two weeks following his death from peritonitis at the age of thirty-one.
Valentino essays two roles in the production, as a father and his son, Ahmed, the son of an Arab sheik and a kidnaped English gentlewoman, loves local dancing girl Yasmin. When he slips out of his father's heavily guarded compound in order to woo her, he is kidnaped and held for ransom by a group of bandits led by Yasmin's father and Ghabah, the Moor to whom she is betrothed.
"The Son of the Sheik" opened at the Million Dollar Theater in Los Angeles on July 9, 1926 and played for four weeks. The popular attraction was put into general release on September 5, 1926, nearly two weeks after Valentino's untimely death. The picture grossed $1,000,000,000 dollars worldwide within the first year of its release. Eventually, the grosses doubled.
Cinema historians and film critics consider George Fitzmaurice's 1926 "The Son of the Sheik" a cinematic masterpiece.
Spite Marriage 1929
Producer: Joseph M. Schenk Script: Lew Lipton, Ernest Pagano (adaptation), Robert Hopkins Direction: Edward Sedgwick, Buster Keaton Cinematography: Reggie Lanning CAST: Buster Keaton, Dorothy Sebastian, Edward Earle, Leila Hyams Production: Joseph M. Schenk Productions, MGM Release: March 25, 1929 (NYC) 75 min. B/W silent w/music score English Inter-titles.
American silent comedy film co-directed by Edward Sedgwick and Buster Keaton starring Keaton, Dorothy Sebastian, Edward Earle, Leila Hyams, etc.
"Spite Marriage" is the second film Buster Keaton made for MGM and his last silent film production, although he had wished to make it as a "talkie" or even full sound film. While the picture contains no actual recorded sound dialog, it does feature a new accompanied synchronized music score.
"Spite Marriage" was released in April 1929, in two versions - a mute print for silent-only theatres, and a synchronized version for sound-only theatres (the FMHV edition), with the action accompanied by a live orchestra score. "Spite Marriage" was generally very well received by film critics in leading newspapers, by reviewers in the film industry's major trade journals and publications, as well as by moviegoers themselves.
The New York Times wrote at the time of the picture's release: "Keaton creates a state of high glee" in the Capitol Theatre in New York City, where the critic had attended the comedy film's premiere on March 25th, adding that "there were waves of laughter from top to bottom of the house."
Variety wrote: "Keaton's production is replete with bely laffs" and described the Capitol Theatre audience being "in hysterics" and "mirthful" while watching it.
The trade paper The Film Daily rated the MGM picture as "the funniest film released in months."
Contemporary film historians and scholars consider Buster Keaton's "Spite Marriage" to be a classic silent comedy masterpiece.
The Roman Orgy 1911
Producer/Script/Cinematography/Director: Louis Feuillade CAST: Jean Ayme, Louise Lagrange, Luitz-Morat Production: Societe des Establissements L. Gaumont Release: April 28, 1912 12 min. Color (hand-tinted) silent w/music score French Inter-titles.
French silent Roman historical drama produced, written, directed and shot by Louis Feuillade for Societe des Establissements L. Gaumont starring Jean Ayme, Louise Lagrange and Luitz-Morat.
"The Roman Orgy" features Jean Ayme as the lecherous Roman Emperor Elaga who sets a pack of lions on an unfortunate slave.
"The Roman Orgy" is regarded as an archaic, scarce rare film by international film historians and scholars.
The Sentimental Bloke 1919
Producer/Director: Raymond Longford Script: C. J. Dennis (verse novel), Lottie Lyell Cinematography: Arthur Higgins CAST: Arthur Tauchert, Lottie Lyell, Gilbert Emery, C.J. Dennis Production: Southern Cross Feature Film Co. Release: November 26, 1918 (Adelaide), November 4, 1919 (AU) 106 min. Color-tinted silent w/music score English Inter-titles.
Australian silent drama film produced and directed by Raymond Longford starring Arthur Tauchert, Lottie lyell (also scriptwriter), Gilbert Emery, C.J. Dennis (also novelist), etc.
"The Sentimental Bloke" is based on the 1915 verse novel "The Songs of a Sentimental Bloke" by C. J. Dennis which was a major critical and commercial success upon its initial release in Australia, the production was also very popular in New Zealand and the U.K., and is generally considered "the greatest Australian silent film, and one of the Best Australian films of all time."
The story concerns Bill, who is a 'Woolloomooloo larrikin,' who vows to abandon his life of gambling (playing 'Two-up') and drinking after a spell in jail following a raid on a Two-up game. He manages to fall in love with Doreen, who works in a pickle factory but faces competition from a more sophisticated rival, Stror' at Cool. Bill and Doreen argue, but are eventually reunited and get married. Bill gives up drinking and hanging around with his mate, Ginger Mick, and becomes a family man. He gets an offer from his uncle to manage an orchard in the country, and he and Doreen settle down there with their new baby.
"The Sentimental Bloke" was first screened privately at Adelaide Wondergraph on November 26, 1918 in the presence of C. J. Dennis and the filmmakers. The Adelaide Register wrote: "A triumph! The acting was excellent throughout, and the orchestra provided a special musical synchronization. Enthusiastic applause was forthcoming from the audience, at the conclusion of the picture."
Contemporary film historians and critics consider Raymond Longford's "The Sentimental Bloke" to be a vintage silent Australian cinematic masterpiece.
Molly O 1921
Producer: Mack Sennett Script: Mack Sennett (story), Mary Hunt, Fred Slowers (script) Director: F. Richard Jones Cinematography: Fred Jackman, Homer Scott CAST: Mabel Normand, George Nichols, Anna Dodge, Albert Hackett Production: Associated First National Pictures Release: November 20, 1921 80 min. Color-tinted silent w/music score English Inter-titles.
American silent comedy film produced, written (original story) by Mack Sennett and directed by F. Richard Jones starring Mabel Normand, George Nichols, Anna Dodge, Albert Hackett, etc.
The story of "Molly O" concerns an Irish washwoman's daughter who falls in love with one of America's most eligible bachelors, much to the chagrin the young doctor's fiancée. The two girls attended a masked ball in similar costumes, where Molly is mistaken for her rival.
Contemporary cinema historians and film critics consider F. Richard Jones' "Molly O" a vintage silent comedy masterpiece in its own day.
The Signal Tower 1921
Producer: Carl Laemmle Script: Wadsworth Camp (novel), James O. Spearing (scenario) Director: Clarence Brown Cinematography: Ben F. Reynolds CAST: Virginia Valli, Wallace Beery, Rockliffe Fellowes, Jitney the Dog, etc. Production: Universal Pictures Release: July 20, 1924 70 min. Color-tinted silent w/music score English Inter-titles.
The story of "The Signal Tower" concerns a railroad worker accepts a colleague's offer to stay in his home, but when his friend is called out one night to stop a runaway train, he makes a play for the man's wife. Sally, his wife ends up successfully defending herself by shooting the man (Standish).
Clarence Brown's vintage film "The Signal Tower" is an extremely scarce film once thought lost forever.
The Monkey Talks 1927
Producer/Director: Raoul Walsh Script: Rene Fauchois (play), Malcolm Stuart Boylan, Elizabeth Pickett Chevalier Cinematography: I. William O'Connell CAST: Olive Borden, Jacques Lerner, Don Alvaredo, Malcolm Wade Production: Fox Films Release: February 20, 1927 60 min. Color-tinted silent w/music score English Inter-titles.
American silent drama film produced and directed by Raoul Walsh starring Olive Borden, Jacques Lerner, Dan Alvaredo, Malcolm Wade, etc.
"The Monkey Talks" is based on the play "Le Singe qui parle" by Rene Fauchois which concerns a bankrupt circus act plans to revive its fortunes by disguising a diminutive acrobat as a talking chimpanzee. However, matters go awry when the acrobat manages to fall in love with a beautiful tightrope-walker in the circus.
"The Monkey Talks" was released on February 20, 1927, by Fox Films.
The Gold Rush 1925
Producer/Script/Director: Charlie Chaplin Cinematography: Roland Thotheroh CAST: Charlie Chaplin, Mark Swain, Tom Murry, Malcolm Waite Production: United Artists Release: June 25, 1925 95 min. Color-tinted silent w/music score English Inter-titles.
American silent comedy film produced, written, directed and starring Charlie Chaplin, Mark Swain, Tom Murry, Malcolm Waite, etc.
Charlie Chaplin drew inspiration from photographs of the Klondike Gold Rush as well as from the story of the Donner Party who, when snowbound in the Sierra Nevada, were drawn to cannibalism or eating leather from their shoes. Chaplin, who believed tragedies and comedies were not far from each other, decided to combine these stories of deprivation and horror in comedy. He decided that his famous rogue figure should become a gold-digger who joins a brave optimist determined to face all the pitfalls associated with the search for gold, such as illness, hunger, cold, loneliness or the possibility that he may at any time be attacked by a grizzly bear.
"The Gold Rush" was critically acclaimed at the time of its release, and continues to be one of Chaplin's most celebrated works, Chaplin himself cited it several times for which he most wanted to be remembered. In 1942, Chaplin re-released the picture with sound effects, music and commentary, which received an Academy Award nominations for Best Music Score and Best Sound Recording.
"The Gold Rush" received much praise and acclaim during its initial release. The New York Times wrote at the time in 1925: "Here is a comedy with streaks of poetry, pathos, tenderness, linked with brusqueness and boisterousness. It is the outstanding gem of all Chaplin's pictures, as it has more thought and originality than even such masterpieces of mirth as "The Kid" (1921) and "Shoulder Arms" (1918)."
Unquestionably, film critics and cinema historians all agree - Charlie Chaplin's vintage silent production "The Gold Rush" to be a cinematic masterpiece.
Bumping into Broadway 1919
Producer/Director: Hal Roach Script: Hal Roach, Harold Lloyd Cinematography; Walter Lundin CAST: Harold Lloyd, Bebe Daniels, Snub Pollard, Roy Brooks Production: Pathe Exchange Release: November 2, 1919 23 min. Color-tinted silent w/music score English Inter-titles.
American silent comedy film produced and directed by Hal Roach and starring Harold Lloyd, Bebe Daniels, Snub Pollard, Roy Brooks, etc.
"Bumping into Broadway" was the first of a nine two-reel picture deal Harold Lloyd made with Pathe Exchange in April 1919. When the picture was released in November 1919, it was met with great enthusiasm, partially due to the recent publicity surrounding its star (Harold Lloyd) following a prop bomb explosion during a photo shoot, damaging his eyes and severing his right thumb and forefinger. However, Lloyd did manage to pull himself together and made an appearance at the premiere of the picture in New York. In the end, "Bumping into Broadway" not only received great critical reviews, it broke several house records in theatres across the country, solidifying Lloyd's place as a top-billing silent comedy star.
Car Bandits 1912
Producer: Flash Films Script/Director: Victorin Jassel Cinematography: Lucien Androit CAST: Henri Gouget, Camille Bardou, Josette Androit, Karlmos Production: Eclair Films 29 min. Color-tinted silent w/music score French Inter-titles.
French silent crime film written and directed by Victorin Jassel starring Henri Gouget, camille Bardou, Josette Androit and Karlmos.
"Car Bandits" was strongly inspired by the murderous epic of the Bonnot gang, the picture tells the story of the misdeeds of a band of cruel and murderous men who commit robberies, race cars, shootings, ultra violent acts, etc. and the siege of the last hideout of the bandit known as Bruno who specializes in violence by gunfire and hand-to-hand combat.
Filmmuseum Home Video has restored an original color-tinted nitrate film print using the Desmetcolor process. The original print was plagued with burns and mold but thanks to our restoration, now remains of excellent technical quality and the closest to the original materials.
Contemporary film historians and critics consider Victorin Jassel's "Car Bandits" to be a vintage silent cinematic masterpiece.
Joan of Arc 1900
Producer/Script/Director: Georges Melies Cinematography: Leclerc CAST: Jeanne Calviere, Georges Melies, Jeanne d'Alcy, etc. Production: Star Film Co. Release: 1900 10 min. Color-tinted silent w/music score French Inter-titles.
French silent color-tinted historical film produced, written and directed by French cinema pioneer Georges Melies starring Jeanne Calviere, Georges Melies, Jeanne d'Alcy, etc.
"Joan of Arc" was produced in the spring of 1900 and was the first of Georges Melies' early vintage films to surpass 200 meters, and the second to use changes of scenes, with 12 sets utilized and that number of scenes, or 'tableaux.'
Georges Melies' "Joan of Arc" was released by his own company - Star Film Company and was numbered 264-275 in the firm's catalogues, where it was advertiised as a 'piece cinematographique a grand spectacle en 12 tableaux.'
The picture was Melies second box-office success after "Cinderella" and was widely shown in France, and was also screened in Havana, Montreal, London and in the USA.
"Joan of Arc" was thought to be a lost film for many years, until a hand-color-tinted print was discovered by a private collector in 1982. This is the master utilized for FMHV's Bluray release.
Contemporary cinema historians and film scholars consider Georges Melies' "Joan of Arc" to be a vintage silent film masterpiece.
The Floorwalker 1916
Producer: Henry P. Caulfield Script: Charlie Chaplin (scenario), Vincent Bryan (scenario), Maverick Terell (scenario) Director: Charlie Chaplin Technical Director: Edward Brewer Cinematography: William C. Foster, Roland Totheroh CAST: Charlie Chaplin, Eric Campbell, Edna Purviance, Lloyd Bacon Production: Mutual Film Corp. Release: May 15, 1916 25 min. Color-tinted silent w/music score English Inter-titles.
"The Floorwalker stars Charlie Chaplin, in his traditional "Tramp" persona, as a customer who creates chaos in a department store and becomes inadvertently entangled in the nefarious scheme of the store manager, and the store's floorwalker, to embezzle funds from the business establishment.
Chaplin's picture is known for the first "running staircase" used in films which is used for a series of slapstick comedy that climaxes with a frantic chase down an upward escalator and finding they are remaining in the same position on the steps no matter how fast they move.
"The Floorwalker" was the first production Chaplin made for the Mutual Film Company and is considered a silent comic film masterpiece by contemporary historians and critics.
Waterloo 1929
Producer: Max Schach Script: Max Ferner, Bobby E. Luethge Director: Karl Grune Cinematography: Hugo von Kaweczynski, Fritz Arno Wagner, Josef Wirsching CAST: Charles Willy Kayser, Charles Variel, Otto Gebuehr, Georg Heinrich Production: Bavaria-Film AG Release: January 1929 122 min. B/W silent w/music score German/French dual Inter-titles.
German silent historical film directed by Karl Grune and starring Charles Variel (as Napoleon), Charles Willy Kayser, Otto Gebuehr, Georg Heinrich, etc.
"Waterloo" follows the historical account of the victory of the Allied Forces over Napoleon at the Battle of Waterloo in 1815. This film was greatly inspired by Abel Gance's French silent epic "Napoleon" (1927) and made significant usage of Gance's similar filming techniques during production.
NOTE: Abel Gance's "Napoleon" (1927) is also available from FMMV.
Sex in Chains 1928
Producer: Leo Meyer Script: Herbert Juttke, Georg C. Klaren Director: Wilhelm Dieterle Cinematography: Walter Robert Lach CAST: Gunnar Tolnaes, Wilhelm Dieterle, Paul Henckels, Mary Johnson Production: Essem-Film GmbH, Vereinigte Star-Film GmbH Release: 1932 107 min. B/W silent w/music score German Inter-titles.
German silent moral drama film directed by Wilhelm Dieterle and starring Gunnar Tolnaes, Paul Henckels, and Mary Johnson.
"Sex in Chains" is based on Franz Hollering's work on sexual distress of prisoners and on actual reports by Karl Plattner, the author of the detailed book "Eros in Prison" for which he collected material during eight years in prison himself.
The Berlin Censorship Board released the picture in 1928 with mr editing restrictions, but had imposed a youth ban. At the request of the Bavarian Ministry of the Interior, the Film Censorship Board reexamined the film and, by their decision of January 16, 1930, had a further seventy meters of the production containing sexually explicit scenes cut. However, the Censorship Board did not share the accusation that the film shook confidence in the judiciary, the Code of Criminal Procedure, and the prison system as a whole. In March 1933 under the new Nazi regime, "Sex in Chains" was banned completely at the request of the Bavarian Nazi Party (NSDAP) State Office and the Bavarian Ministry of Justice.
In an early review of the film, the Reichsfilmblatt had this to say about the picture on October 27, 1928: "A passionately tendentious film, but with a tendency that we can all agree with. It is a film that fights for liberality and human dignity, against thick skinedness and intolerance."
Cagliostro - Life and Love of a Great Adventurer 1929
Producer: Vladimir Vengerov, Alexandre Kmenka Script: Johannes von Guenther (novel), Georg C. Klaren, Herbert Juttke Director: Richard Oswald Cinematography: Jules Kruger, Maurice Desfasstaux CAST: Hans Stuewe, Alfred Abel, Renee Heribel, Ivan Kobal-Samborsky Production: Les Films Albatros, Wengeroff-Film GmbH Release: April 8, 1929 (Berlin), May 21, 1929 (Paris) 60 min. B/W silent w/music score French Inter-titles.
German silent historical film directed by Richard Oswald and starring Hans Stuewe, Alfred Abel, Renee Heribel, Ivan Kabel-Samborsky, etc.
"Cagliostro" depicts the historical account of 18th century Italian occultist Alessandro Cagliostro, portraying him more sympathetically than in most other works, based on the novel by Johannes von Guenther.
"Cagliostro" premiered in Berlin on April 8, 1929. The picture was later shown in Paris on May 21, 1929.
Variety in Berlin wrote at the time of the film's release: "Richard Oswald always gets somebody to invest money again in his productions and always turns out about the same sort of product. A lot of pomp, scenery, and costumes and nothing that grips in the acting line."
Girl on the Cross 1929
Producer: Liddy Hegewald, Gustav Althoff Script: Maria Luise Droop, Ludwig Fritsch Direction: Jacob Fleck, Luise Fleck Cinematography: Nicolas Farkas CAST: Valerie Boothby, Gertrud de Latsky, Evelyn Holt, Fritz Odemar Production: Hegewald-Film Release: August 26, 1929 191 min. B/W silent w/music score German Inter-titles.
German silent drama film directed by Jacob and Luise Fleck and starrinf Valerie Boothby, Gertrud de Latsky, Evelyn Holt, Fritz Odemar, etc.
"Girl on a Cross" concerns a young student named Mary takes a holiday, which includes boating excursions, gardening, and visits to see her wealthy groom.
The Hound of the Baskervilles 1929
Producer: Fred Lyssa, F. W. Kraemer Script: Sir Arthur Conan Doyle (novel), Georg C. Klaren, Herbert Juttke Director: Richard Oswald Cinematography: Frederik Fuglsang CAST: Carlyle Blackwell, Alexander Murski, Fritz Rasp, Valy Arnheim Production: Erda-Film Release: August 28, 1929 87 min. B/W silent w/music score English Inter-titles.
German silent detective mystery film directed by Richard Oswald and starring Carlyle Blackwell, Alexander Murski, Fritz Rasp, Valy arnheim, etc.
"The Hound of the Baskervilles" is an adaptation of the 1902 Sherlock Holmes novel of the same title by Sir Arthur Conan Doyle. The story concerns another detective mystery by Sherlock Holmes and Dr. Watson investigating the mysterious death of Sir Charles Baskerville believed to be caused by a supernatural hound haunting the Baskerville estate. This version of the well-known literary work was the last silent film version produced.
Oswald's film premiered on August 8, 1929 to generally positive reviews, with praise for Carlyle Blackwell's portrayal of Sherlock Holmes. Despite the film being a silent picture released during the transition to sound film, it performed moderately well at the box-office.
Mother Krause's Journey into Happiness 1929
Producer: Willi Muenzenberg Script: Willy Doell, Jan Fethke, Otto Nagel, Heinrich Zille Director/Cinematography: Phil Jutzi CAST: Alexandria Schmitt, Holmes Zimmermann, Ilse Trautschold, Gerhard Bienert Production: Prometheus-Film Release: December 30, 1929 133 min. silent w/music score German Inter-titles.
German silent left-wing drama film directed by Phil Jutzi and starring Alexandria Schmitt, Holmes Zimmermann, Ilse Trautschold, Gerhard Bienert, etc.
"Mother Krause's Journey into Happiness" was produced by the left-wing Prometheus-Film, a German subsidiary of the Soviet firm Mezhrabporn-Film which depicts the cruelty of poverty and depicts Communism as a rescuing force that reaches Mother Krause and the child that lives in the elderly woman's apartment too late.
Contemporary cinema historians and critics consider Phil Jutzi's "Mother Krause's Journey into Happiness" a Communist propaganda film produced during the heyday of the Weimar Republic.
The Merry-Go-Round 1920
Producer/Script/Director: Richard Oswald Cinematography: Axel Graatkjaer, Carl Hoffmann CAST: Asta Nielsen, Conrad Veidt, Eduard von Winterstein, Theodor Loos Production: Decla-Bioscop Release: February 27, 1920 65 min. B/W silent w/music score German Inter-titles.
German silent moral socio-drama film produced, written and directed by Richard Oswald and starring Asta Nielsen, Conrad Veidt, Eduard von Winterstein, Theodor Loos, etc.
"The Merry-Go-Round" was adapted from the 1897 play "La Ronde" by Arthur Schnitzler concerning the story of Elena, a woman with a dubious past, who marries a shopkeeper by the name of Albert. When her former pimp, Peter shows up on the scene, her life ruined, she shoots him and then commits suicide by poisoning herself.
The genre was typical of the sort of moral socio-drama churned our during the Weimar Republic.
Refuge 1928
Producer: Wilhelm von Kaufmann Script: Friedrich Raff, Walter Supper Director: Carl Froelich Cinematography: Gustave Preiss CAST: Henny Porten, Max Maxmillian, Carl de Vogt, Alice Hechy Production: Henny Porten-Froelich-Produktion Release: August 31, 1928 130 min. B/W silent w/music score German Inter-titles.
German silent socio-moral drama film directed by Carl Froelich and starring Henny Porten, Max Maxmillian, carl de Vogt, Alice Hechy, etc.
"Refuge" is a socio-moral drama picture depicting the harsh realities of the Weimar Republic in Germany during the twenties.
Considered a rare Weimarian silent classic by contemporary cinema historians and scholars.
Danton 1921
Producer: Hilde Woerner Script: Dmitriy Buckhovetskiy, Georg Buechner, Johnstone Craig, Carl Mayer Director: Dmitriy Buckhovetskiy Cinematography: Arpad Viragh CAST: Emil Jannings, Werner Krauss, Eduard von Winterstein, Osip Runich Production: Woerner-Filmgesellschaft Release: May 4, 1921 62 min. B/W silent w/music score German Inter-titles.
German silent historical film written and directed by Dmitriy Buckhovetskiy starrinf Emil Jannings, Werner Krauss, Eduard von Winterstein, Osip Runich, etc.
"Danton" follows the historical account during the height of the 'Reign of Terror,' MaxImillian Robespierre orchestrates the trial and execution of several of his leading French revolutionaries, including Georges Danton. The production was based on the 1835 play by Georg Buechner.
"Danton" is considered a rare silent cinematic masterpiece by leading film historians and scholars.
Marizza 1922
Producer: Erwin Rosner Script: Wolfgang Geiger, Hans Janowitz Director: F. W. Murnau Cinematography: Karl Freund CAST: Tzwetta Tzatschewa, Adele Sandrock, Hans Heinrich von Twardowski Production: Heilos-Film Release: January 20, 1922 50 min. B/W silent w/music score Italian Inter-titles.
German silent drama film directed by Friedirich Wilhelm Murnau and starring Tzwetta Tzatschewa, Adele Sandrock, Hans Heinrich von Twardowski, etc.
This rare film was once thought lost to time forever until a scare original nitrate print was discovered in Italy which is the basis for the FMHV version.
The story concerns Marizza who has placed all men under her spell. Tired of working for the old woman Yelina, who forces her to cajole customs officials to aid the smugglers, she flees and manages to find work at Frau Avricolos' farm.
Hamlet 1921
Producer: Asta Nielsen Script: E. Vining (novel), Erwin Gephard (manuscript) Direction: Svend Gade, Heinz Schall Cinematography: Curt Courant, Axel Graatkjaer CAST: Asia Nielsen, Paul Conradi, Eduard von Winterstein, Hans Junkermann Production: Art-Film GmbH Release: 1921 131 min. Color-tinted silent w/music score German Inter-titles.
German silent film adaptation of William Shakespeare's play produced and starring Danish screen actor Asta Nielsen directed by Svend Gade and Heinz Schall. The picture also stars Paul Conradi, Eduard von Wintersteiin, Hans Junkermann, etc.
This particular adaptation of the classic Shakespearean work, inspired by Edward P. Vinning's novel "The Mystery of Hamlet," the title character is both female and disguised as a male to preserve the lineage.
The New York Times, in a contemporaneous review, called "Hamlet" "an extraordinary work. It holds a secure place in the class with the best."
In the Land of Morning Calm 1925
Producer/Cinematography/Director: Fr. Norbert Weber Production: Benedictine Audiovisual Center 117 min. B/W silent w/music score Chinese/German Inter-titles.
German silent documentary film was produced, directed and shot by Father Norbert Weber for the Benedictine Audiovisual Center.
"In the Land of Morning Calm" was created by Father Weber, abbot of the German Order of St. Benedictine Ottilien, during his second visit to Korea. The film was produced to promote Korean culture and missionary work in Germany. The film is based on Father Weber's book "In the Land of the Silent Morning" (1915), and was filmed in Seoul, Mt. Kumgang, Wonsan, and Yanji, as a well as a filmed record of religious ceremonies, handicrafts, customs, agriculture, craft techniques, and holidays to introduce Korean folklore and culture.
The production also documents the activities of the St. Benedictine Missionaries in Korea and German missionaries in Seoul, notably in North Korea and Manchuria.
Norbert Weber's "In the Land of Morning Calm" is considered an historical record of Korean life and culture during the twenties.
Johann Baptiste Lingg 1920
Producer/Director: Arthur Teuber Script: Fred Schlick-Manz, Arthur Teuber Cinematography: Willy Goldberger, Willy Goldstueck, Max Terno CAST: Carl Auen, Irmgard Bern, Frida Richard, Ludwig Hartau Production: Lullus-Film GmbH Release: January 2, 1922 106 min. B/W silent w/music score German Inter-titles.
German silent historical costume epic produced and directed by Arthur Teuber starring Carl Auen, Irmgard Bern, Frida Richard, Ludwig Hartou, etc.
"Johann Baptiste Lingg" is set during the Napoleonic era and is considered not only a rare film but also regarded as a cinematic masterpiece by contemporary critics and film historians.
Table Set for Yourself, Cash Cow and Stick Out of the Sack 1921
Producer/Director: Wilhelm Praeger Script: Johannes Meyer, Wilhelm Praeger Cinematography: Wilhelm Schaebl CAST: Erwin Kopp, Sophie Pagay, Carl Geppert, Neumann-Schueler Production: Ufa Release: December 9, 1921 65 min. B/W silent w/music score German Inter-titles.
German silent film produced and directed by Wilhelm Praeger starring Erwin Kopp, Sophie Pagay, Carl Geppert, Neumann-Schueler, etc.
"Table Set for Yourself, Cash Cow and Stick Out of the Sack" was inspired by Ludwig Bechstein's version of the fairy tale written by the Brothers Grimm.
The story concerns a tailor and his three sons - an overweight one, a tall one and an idiot one. The three sons decide to go on a journey to try their luck.
The story was remade several times into new postwar versions of the Grimm fairy tale in West Germany.
Laziness Can Also Be Beneficial 1913
Producer/CinematographyDirector: Walter Schmidthaessler Production: Walter Schmidthaessler-Filmproduktion Release: January 1, 1913 7 min. B/W silent w/music score German Inter-titles.
"Laziness Can Also Be Beneficial" was produced, written, directed and shot by Walter Schmidthaessler. This rare, once thought lost short film showcases the early days of the classic German cinema, offering a rare glimpse into that nation's rich cinematic heritage.
The story concerns a lazy individual who tried to make a living without putting into much effort. The production's comedic tone and lighthearted storyline makes this picture an intriging viewing. This rare film is now considered a "lost" film and is considered extremely scarce. FMHV is pleased to offer this rare film as part of the Classic German Collection.
Guilty 1928
Producer: Alfred Zeisler Script: Richard Voss (play), Ernst B. Fey Director: Johannes Meyer Cinematography: Curt Courant, Eugen Hrich CAST: Suzy Vernon, Bernhard Goetzke, Jenny Hasselqvist, Willy Fritsch Production: Ufa Release: February 22, 1928 99 min. Color-tinted silent w/music score German Inter-titles.
German silent drama film directed by Johannes Meyer and starring Suzy Vernon, Bernhard Goetzke, jenny Hasselqvist, Willy Fritsch, etc.
The story concerns Thomas Feld, who returns home following sixteen years in prison to fnd his wife Magda and daughter Maria fell in the assistance of Peter Cornelius, the owner of a local cabaret. Attorney Frank Peters manages to fall in love with Maria in the end.
The Eternal Doubt 1918
Producer/Director: Richard Oswald Script: E. A. Dupont Cinematography: Max Fassbender CAST: Leonhard Haskel, Johanna Terwin, Arthur Wellin, Ernst Pittschau Production: Richard Oswald-Filmproduktion Release: March 1918 42 min. Color-tinted silent w/music score German Inter-titles.
German silent drama film produced and directed by Richard Oswald starring Leonhard Haskel, Johanna Terwin, Arthur Wellin, Ernst Pittschau, etc.
"The Eternal Doubt" concerns Max Thomas and his wife Henriette whom are constantly engaged in arguments. The final straw comes when Max discovers that his wife is cheating on him with another man. He then throws Henriette out of his home. But she is not willing to simply accept her expulsion and takes revenge on Max by questioning his paternity of the couple's son. Many year pass and Max has become an old, broken man. His life is in ruins. He gets intoxicated day after day. Before he dies, his son Georg returns home and makes it clear to Max that, of course he is his true biological father.
"The Eternal Doubt" passed the Berlin censorship board in February 1918 and had its official German premiere the following month.
In the Whirl of Life 1918
Producer/Director: Heinz Schall Script: Louis Levy Cinematography: Carl Ferdinand Fischer CAST: Asta Nielsen, Bruno Eichgruen, Walter Wolffgram Production: Neutral-Film Release: January 28, 1918 72 min. Color-tinted silent w/music score Danish Inter-titles.
German silent drama film produced and directed by Heinz Schall and starring Asta Nielsen, Bruno Eichgruen, Walter Wolffgram, etc.
The story concerns a marriage between Margit and artist Erik Lind is interupted by her infatuation with Squire Arvid Sund. She gives up on the relationship because of Erik's illness and death. Arvid' brother, however, manages to unite the two back together.
Shocking Weather 1923
Producer: Alfred Sternau Script: Stefan Grossmann (novel), Julius Urgiss, Max Jungk Director: Karl Grune Cinematography: Karl Hasselmann CAST: Eugen Kloepfer, Liane Haid, Fritz Kampers, Walter Bruegmann Production: Stern-Film Release: 1923 22 min. Color-tinted silent w/music score French Inter-titles.
German silent naturalistic film directed by Karl Grune and starring Eugen Kloepfer, Liane Haid, Fritz Kampers, Walter Bruegmann, etc.
"Shocking Weather" concerns a love triangle set against the backdrop of a detailed study of the mining industrial environment.
Film critics at the time of the picture's release gave "Shocking Weather" favorable reviews, praising its "convincing portrayal of the fates" and "the authenticity of the milieu depicted." Foreign film critics praised Karl Grune's production as well, particularly in the UK, where "the film's portrayal of the working class population was particularly appreciated."
The French occupation of the Ruhr region at the time of the film's release also increased attention for the picture.
The Yacht of the Seven Sins 1928
Producer: Guenther Stapenhorst Script: Paul Rosenhayn (novel), Hans Rameau Direction: Jacob and Luise Fleck Cinematography: Carl Drews, Edgar S. Ziesemer CAST: Brigitte Helm, Kurt Gerron, John Stuart, Rina Marsa Production: Ufa Release: August 6, 1928 73 min. Color-tinted silent w/music score German/English Inter-titles.
German silent crime drama directed by Jacob and Luise Fleck starring Brigitte Helm, Kurt Gerron, John Stuart, Rina Marsa, etc.
The story concerns a large number of wealthy millionaires and career criminals gather aboard a luxury cruise liner for a trip around the world, but a shipping magnet is murdered soon after the ship's departure.
The Fleck's "Yacht of the Seven Sins" is considered an early vintage silent German classic from the birth of the 'golden age' of classic German cinema.
Male and Female 1919
Producer/Director: C. B. DeMille Script: J. M. Barrie (play), Jeanie MacPherson Cinematography: Alvin Wyckoff CAST: Gloria Swanson, Bebe Daniels, Theodore Roberts, Raymond Hatton Production: Famous Players-Lasky/Artcraft Release: November 23, 1919 116 min. Color-tinted silent w/music score English Inter-titles.
American silent dramatic adventure film produced and directed by C. B. DeMille starring Gloria Swanson, Bebe Daniels, Theodore Roberts, Raymond Hatton, etc.
The central themes of "Male and Female" are gender relations and social class. The production is based on the 1902 play "The Admirable Custodian" by J. M. Barrie.
"Male and Female" contains two famous scenes, indictive of C. B. DeMille's predilections as a filmmaker:
1) Gloria Swanson bathing in an elaborate setting, attended by two maids, lavishing her with rosewater and bath salts, silk dressing gown, and luxurious towels.
2) A fantasy scene set in ancient Babylon depicting Gloria Swanson as Gabriel von Max's famous painting "The Lion's Bride," which involved her being filmed with an actual live lion in the scene.
Contemporary film historians and scholars regard C. B. DeMille's "Male and Female" as a vintage silent film masterpiece from the early days of the classic American cinema.
Mad Love 1921
Producer: Paul Davidson Script: Norbert Falk, Hanns Kraely Director: Dimitri Buchowetski Cinematography: Arpad Viragh CAST: Pola Negri, Alfred Abel, Johannes Riemann, Helga Molander, etc. Production: Pagu Release: September 9, 1921 (Germany) 22 min. B/W silent w/music score English Inter-titles.
German silent romantic drama directed by Dimitri Buchowetski and starring Pola Negri, Alfred Abel, Johannes Riemann, Helga Molander, etc.
The story concerns a man named Richard De La Croix who has a brother, Andreas, who has been driven mad by a notorious socialite and vamp named Sappho. A particular man-about-town named Teddy takes Richard to the Odeon to meet her, but when Sappho does finally meet him, he is unaware that she is the same woman who drove Andreas De La Croix mad.
Dimitri Buchowetski's "Mad Love" was released in Weimar Germany on September 6, 1921.
The New York Times wrote at the time of the picture's release: "The story is a stereotyped French Victorian one...Pola Negri's performance must be praised for making both her role fully believable and therefore bringing the storyline to life. Ms. Negri convinces you again that she is the particular person she is playing and no one else."
The Great White Silence 1924
Producer/Director/Cinematography: Herbert Ponting CAST: Robert Falcon Scott, Herbert G. Ponting, Henry R. Bowers, Edgar Evans, Lawrence E. G. Oates Production: Gaumont British Picture Corp. Release: May 1, 1924 108 min. Color silent w/music score English Inter-titles.
British silent documentary film produced, directed and shot by Herbert Ponting and starring (as themselves) Robert Falcon Scott, Herbert G. Ponting, Henry R. Bowers, Edgar Evans, Lawrence E. G. Oates, etc.
"The Great White Silence" concerns filmed sequences of the Terra Nova Expedition of 1910-1913.
The Terra Nova Expedition was an effort by governments and concerned citizens of what was then the British Empire, to plant the Union Jack on the South Pole by means of men, ponies, dogs, and primitive snowmobiles hauling sledges from a base located on the Artic coastline. "The Great White Silence" portrays expedition leader Robert Falcon Scott and his ship, the Terra Nova, and men as they depart Lyttelton, New Zealand, to sail into the Southern Ocean and its ice floes. Safely landed on the icy coastline of Ross Island, Herbert Ponting follows the men as they set up tents, practice skiing, and prepare to probe southwards towards the Pole. The documentary concludes with a sequence of the employers pushing off from their base, and inter-titled cards reminding the audience of what have been the familiar story of the expedition's tragic conclusion. Scott and his immediate support group of four companions never returned from the Pole.
Critics of "The Great White Silence" had been extremely positive. The Daily Telegraph wrote: "Deeply moving and startlingly powerful."
No Man's Law 1927
Producer: Jesse J. Goldburg Script: F. Richard Jones (story), Frank Butler Director: Fred Jackman Cinematography: Floyd Jackman, George Stevens CAST: Barbara Kent, Rex the King of Wild Horses (himself), Oliver Hardy, James Finlayson Production: Hal Roach Studios Release: May 1, 1927 60 min. Color silent w/music score English Inter-titles.
American silent Western adventure film directed by Fred Jackman and starring Barbara Kent, Rex the King of Wild Horses (as Nobody's Horse), Oliver Hardy, James Finlayson, etc.
In June 1927 in New York, the entertainment trade publication Variety wrote: "Miss Kent looks and acts well. A couple of almost nude scenes will not stand much chance with the censors out of town."
"No Man's Law" has scenes, including in flashback, of Barbara Kent appearing to dive and swim in the nude, but she was actually wearing a flesh-colored moleskin bathing suit. That particular scene had created a minor scandal at the time, drawing special attention from film review boards in various communities throughout the country.
Mandrake 1928
Producer: Helmut Schreiber Script/Director: Henrik Galeen Cinematography: Franz Planer CAST: Brigitte Helm, Paul Wegener, Ivan Petrovich, Louis Ralph Production: Anna-Film GmbH Release: January 25, 1928 (Berlin) 108 min. Color silent w/music score English Inter-titles.
German silent sci-fi/horror film written and directed by Henrik Galeen starring Brigitte Helm, Paul Wegener, Ivan Petrovich, Louis Ralph, etc.
The story of "Mandrake" concerns a prostitute who is artificially inseminated with the semen of a hanged criminal. The story is based on the legend of "Alraune" ("Mandrake"). In this version, the blasphemous sexual union causes the progeny (a daughter) to grow to adulthood quickly, behave in a sexually promiscuous fashion and cause the men who fall in love with her nothing but hardship, heartache and financial ruin, if not death.
"Mandrake" was first exhibited in Berlin on January 20, 1928. In the U.S. release prints, the Alraune character was renamed Mandrake, the first English word for Alraune. From contemporary film reviews in 1928, C. Hooper Trask of The New York Times wrote: "If you like this sort of thing you'll find it a superior product. Henrik Galeen has directed with photographic imagination - no question that the picture has atmosphere and of Brigitte Helm, all the promises of 'Metropolis' are fulfilled. To the vamp gallery, which runs from Theda Bara to Greta Garbo, let me add the German Brigitte. She lacks Greta's delectable weakness but she gives in its place power and depth. A most engaging evening's display of erotics."
The Wonderful Wizard of Oz 1910
Producer: William Selig Script: L. Franl Baum (novel), Otis Turner Director: Otis Turner Cinematography: Alvin Wyckoff CAST: Bebe Daniels, Hobart Bosworth, Eugenie Besserer, Robert Z. Leonard Production: Selig Polyscope Co. Release: March 24, 1919 18 min. Color silent w/music score English Inter-titles.
American silent fantasy film written and directed by Otis Turner starring Bebe Daniels, Hobart Bosworth, Eugenie Besserer, Robert Z. Leonard, etc.
"The Wonderful World of Oz" is the earliest vintage surviving color-tinted version of L. Frank Braum's 1900 novel of the same title.
The production was made by the Selig Polyscope Company without L. Frank Baum's direct input. The project was created to fulfill a contractual obligation associated with Baum's personal bankruptcy caused by the failure of his theatrical production "The Fairylogue and Radio Plays." It was partly based on the 1902 stage musical "The Wizard of Oz,' though much of the film deals with 'The Wicked Witch of the West,' who does not appear in the musical production. "The Wonderful Wizard of Oz" was the beginning of a series of motion picture sequels, also released in 1910 and based on Baum's literary works, but the sequels were once thought to be "lost" films, although FMHV now has all silent Wizard of Oz films available.
Otis Turner's "The Wonderful Wizard of Oz" is considered one of the most scarce and rarest complete color-tinted versions of L. Frank Baum's 1900 novel.
High and Dizzy 1920
Producer/Director: Hal Roach Script: Frank Terry, H. M. Walker Cinematography: Walter Lundin CAST: Harold Lloyd, Mildred Davis, Roy Brooks, Walter Howe Production: Rolin Films Release: July 11, 1920 25 min. Color silent w/music score English Inter-titles.
American silent comedy film short produced and directed by Hal Roach starring Harold Lloyd, Mildred Davis, Roy Brooks, Walter Howe, etc.
"High and Dizzy" concerns a young woman who sleepwalks and the doctor who is attempting to treat her condition. The climatic scene of the film involves the young woman sleepwalking precariously on the outside ledge of a very tall skyscraper, anticipating Harold Lloyd's most famous skyscraper scaling scenes in "Safety Last!" (1923). A subplot has Lloyd and his friend getting inebriated on homemade alcohol and then trying to avoid a prohibition-era policeman who pursues them from being intoxicated.
Shoulder Arms 1918
Producer/Script/Director: Charlie Chaplin Cinematography: Roland Totheroh CAST: Charlie Chaplin, Edna Purviance, Sydney Chaplin, Jack Wilson Production: First National Pictures Release: October 20, 1918 36 min. Color-tinted silent w/music score English Inter-titles.
American silent comedy film written, produced, directed and starring Charlie Chaplin with co-stars Edna Purviance, Sydney Chaplin (Charlie Chaplin's elder brother), Jack Wilson, etc.
"Shoulder Arms" was Charlie Chaplin's second film production for First National Pictures released in 1918 as a silent comedy film set in France during WWI, which is the first of three motion pictures produced on the subject of warfare.
"Shoulder Arms" proved to be Charlie Chaplin's most popular film, critically and commercially, up to that point. The New York Times wrote at the time of the picture's release on October 21, 1918: "The fool's funny, was the chuckling observation of one of those who saw Charlie Chaplin's new film 'Shoulder Arms,' at the Strand yesterday and apparently, that's the way everybody felt. There have been learned discussions as to whether Chaplin's comedy is low or high, artistic or crude, but no one can deny that when he impersonates a screen fool he is funny. Most of those who go to find fault with him remain to laugh. They may still find fault, but they will keep on laughing.".
"Shoulder Arms" was very revolutionary for its time, introducing a new genre of comedy. Previously, films had treated war as a serious subject. This is believed to be the first comedy film about war."
Outside the Law 1920
Producer/Script (co-writer)/Director: Tod Browning Script (additional writers): Lucien Hubbard, Gardner Bradford (inter-titles) Cinematography: William Fildew CAST: Lon Chaney, Pricilla Dean, Anna May Wong, Ralph Lewis Production: Universal Film Manufacturing Co. Release: December 26, 1920 (L.A. premiere), January 6, 1921 (USA general release) 75 min. Color-tinted silent w/music score English Inter-titles.
American Pre-Code silent crime film was produced, co-written and directed by Tod Browning ("Dracula," 1931) starring Lon Chaney, Pricilla Dean, Anna May Wong, Ralph Lewis, etc.
"Outside the Law" is one of Universal Film Manufacturing Company's cinematic vehicles produced expressly for Pricilla Dean, the picture features Lon Chaney ("The Phantom of the Opera," 1925) in dual supporting roles and his second pairing with director Tod Browning. This is the first occasion Lon Chaney essayed the role of an Asian. Browning's picture was gentle reedited and reissued theatrically in 1926, and this is the original vintage 35mm print that was used to produce the FMHV master.
Tod Browning's "Outside the Law" is considered to be one of the first psychologically driven motion pictures in the gangster genre. This film was the second production on which Browning worked with Chaney. The contrasting dual roles Browning wrote for Chaney as a heroic Chinese servant and an evil gangster are considered to have solified the long lasting collaboration between the two. "Outside the Law" is one of only a handful of Browning's films that is not a horror movie. The picture has been commended for its strong female lead, saying actress "Pricilla Dean in this picture is a film revelation. She goes to the fore and remains there." In contrast to many movies of the period, it generally depicts its Chinese characters favorably, most notably by having characters invested in the Confucian teachings of the teacher character
Sunnyside 1919
Producer/Script/Director: Charlie Chapln Cinematography: Roland Totheroh CAST: Charlie Chaplin, Edna Purviance, Tom Wilson, Henry Bergman Production: First National Pictures Release; June 15, 1919 34 min. Color-tinted silent w/music score English Inter-titles.
American silent comedy film short written, produced, directed and starring Charlie Chaplin along with co-stars Edna Purviance, Tom Wilson, Henry Bergman, etc. "Sunnyside" was First National Pictures third film production in 1919.
Chaplin's "Sunnyside" received the following review from The New York Times on June 16, 1919: "Charlie Chaplin is at the Strand in his latest - "Sunnyside" - so, of course, those who go there will laugh. Chaplin is a farm hand and country hotel clerk this time. He is at his best when depending upon his inimitable pantomime, and least amusing when indulging in slap stick, in which he is not distinguished from countless other comedians. There is cleverness in "Sunnyside" and good pantomime, but, also, too much slap stick."
Help! 1924
Producer/Director: Abel Gance Script: Max Linder, Abel Gance Cinematography: Emile Pierre, Andre Wladimir Reybas, Georges Specht CAST: Max Linder, Jean Toulout, Gina Palerme, Gaston Modot Production: Films Abel Gance 24 min. B/W silent w/music score French Inter-titles.
French silent short comedy/horror film co-written, produced and directed by Abel Gance starring Max Linder, Jean Toulout, Gina Palerme, Gaston Modot, etc.
The original French title "Au Secours!" translates into English as "Help!" which is also known as "The Haunted House" according to certain film reference materials.
"Help!" is based on the haunted house premise scenario, though the setting is a haunted castle instead. In the film, a young man agrees to spend one hour in a haunted castle in order to win a bet with a count. He faces living mannequins, skeletons, wild animals, and ghosts. Yet, he somehow manages to lose the bet when he is tricked into believing that his wife is in distress and flees to his side.
Film critic Christopher Workman wrote of "Help!": "The film's horrific events none of it particularly funny or scary, employ props, techniques and effects that were already old hat in 1924. Fast motion, slow motion, wire work, superimpositions, stunt doubles on trampolines, men in ghost and skeleton costumes, a man on stilts, etc."
The Tenth Symphony 1918
Producer: Louis Naples Script/Director: Abel Gance Cinematography: Leonce-Henri Burel CAST: Severin-Mars, Jean Toulout, Emmy Lynn, Ariane Hugon Production: La Film d'Art Release: November 1, 1918 95 min. Color-tinted silent w/music score French Inter-titles.
French silent melodrama film written and directed by Abel Gance starring Severin-Mars, Jean Toubout, Emmy Lynn, Ariane Hugon, etc.
The story of "The Tenth Symphony" concerns a composer named Enrid Damor who has no knowledge of the past life of his wife, Eva Dinant. She lived as a debauchee with an adventurer named Fred Ryce who meets Damor's daughter, Claire, and tries to wed her. He blackmails Eve. Eric learns something about the woman and Fred and then composes a symphony to express his utter emotional pain and anguish.
Algol: Tragedy of Power 1920
Producer/Director: Hans Werkmeister Script: Hans Brennert, Fridel Kuehne Cinematography: Axel Graatkjaer, Hermann Kirchendorff CAST: Emil Jannings, John Gottowl, Hans Adalbert von Schlettow, Hanna Ralph Production: Deutsche Lichtbild- Gesellschaft Release: September 3, 1920 104 min. color-tinted silent w/music score German Inter-titles.
German silent sci-fi fantasy film produced and directed by Hans Werkmeister starring Emil Jannings, John Gottowl, Hans Adalbert von Schlettow, Hanna Ralph, etc.
The story of "Algol: Tragedy of Power" concerns an extra-terrestrial alien from the planet Algol who gives a human mortal man a miraculous scientific device that gives him superhuman powers over mortals.
The sets for the production were designed by Walter Reimann, one of the designers of "The Cabinet of Dr. Caligari" (1920), released in February 1920.
"Algol: Tragedy of Power' was released in Berlin on September 3, 1920, and was subsequently released worldwide including a release in Finland on November 7, 1921.
"Algol: Tragedy of Power" has been considered a "lost" film for many years until a recent rediscovery and is now available exclusively thru FMHV.
The Prisoner of Zenda 1922
Producer/Director: Rex Ingram Script: Edward E. Rice (novel), Anthony Hope (novel), Edward E. Rose (play), Mary O'Hara Cinematography: John Seitz CAST: Lewis Stone, Alice Terry, Robert Edeson, Stuart Holmes Production: Metro Pictures Release: July 31, 1922 125 min. B/W silent w/music score English Inter-titles.
American silent fantasy adventure film produced and directed by Rex Ingram starring Lewis Stone, Alice Terry, Robert Edeson, Stuart Holmes, etc.
"The Prisoner of Zenda" was one of many screen adaptations of Anthony Hope's popular 1804 novels and the subsequent 1896 play by Hope and Edward Rose.
"The Prisoner of Zenda" was received positively by film critics at the time. The New York Times wrote of the production at the time of its release: "Well worth seeing though needlessly talky. Much of the acting is excellent, if occasionally overdone." Variety wrote: "It couldn't miss. It probably would have been proof against bad direction, but done with perfect stage management and exquisite literary taste it is faultless." The New York World referred to it as "dignified excellence from start to finish" while The New York Telegram commented: "It has all the thrills and chills of the melodrama, without leaving an unpleasant memory."
"Perhaps after mature deliberation I may want to retract the statement, but in this moment of enthusiasm I want to say that I think "The Prisoner of Zenda" is the best picture I have ever seen" raved The Chicsgo Tribune.
Girl Shy 1924
Producer: Harold Lloyd Script: Sam Taylor, Tim Whelan, Ted Wilde Direction: Fred C. Newmeyer, Sam Taylor Cinematography: Walter Lundin CAST: Harold Lloyd, Jobyne Ralston, Richard Daniels, Carlton Griffin Production: Harold Lloyd Corp. Release: April 20, 1924 90 min. B/W silent w/music score English Inter-titles.
American silent romantic comedy produced by Harold Lloyd and directed by Fred C. Newmeyer and Sam Taylor starring Harold Lloyd, Jobyne Ralston, Richard Daniels, Carlton Griffin, etc.
"Girl Shy" was Harold Lloyd's first independent film production following his split with Hal Roach. The picture is what Lloyd called a "character story" and is notable for containing fewer of the stunts which characterize Lloyd's other productions throughout most of its length, and instead focusing more on the relationship between Lloyd and Ralston. However, the lengthy finale of the film is one of the most exhilarating, non-stop action scenes of Lloyd's career.
"Girl Shy" was the second of six consecutive motion pictures pairing Harold Lloyd and Jobyna Ralston, who left Hal Roach Studios as well as to continue working with Lloyd. Unlike the normal style for filmed romances prior to "Girl Shy," both Ralston and Lloyd were featured in comic scenes.
The Mark of Zorro 1920
Producer: Douglas Fairbanks Script: Johnston McCulley (story), Eugene Miller (scenario), Douglas Fairbanks (scenario) Director: Fred Nibio Cinematography: William C. McGann, Harris Thorpe CAST: Douglas Fairbanks, Noah Beery, Sr., Marguerte De La Motte, Noah Beery, Jr. Production: Douglas Fairbanks Pictures Release: November 27, 1920 90 min. B/W silent w/music score English Inter-titles.
American silent Western romance film produced by Douglas Fairbanks and directed by Fred Nibio starring Fairbanks, Noah Beery, Sr., Noah Beery, Jr., Marguerte De La Motte, etc.
"The Mark of Zorro" is an iconic genre-defining swashbuckler adventure and was the first film version based on the 1919 story "The Curse of Capistrano" by Johnston McCulley, which introduced the masked hero, Zorro, the screenplay was adapted by Douglas Fairbanks and Eugene Miller.
Upon its initial release, "The Mask of Zorro" received significant positive critical response. The New York Times wrote some years later: "The Mask of Zorro" is a landmark, not only in the career of Douglas Fairbanks, but also in the development of the action-adventure film. With this, his 30th motion picture, Fairbanks was transitioning from comedies to the costume films for which he is best remembered. Instead of reflecting the times, "The Mark of Zorro" offers an infusion of the romantic past with a contemporary flair. Beyond reenergizing his career and redefining a genre. Fairbanks' "The Mark of Zorro" helped popularize one of the enduring creations of 20th century American fiction, a character who was the prototype for the comic book heroes such as "Batman." In fact, "The Mark of Zorro" is the canonical movie that the Waynes watched before being murdered.
Go West 1920
Producer: Buster Keaton, Joseph M. Schenck Script: Buster Keaton, Lex Neal Director: Buster Keaton Cinematography: Bert Haines, Elgin Lessley CAST: Buster Keaton, Howard Truesdale, Kathleen Myers, Ray Thompson Production: Buster Keaton Productions Release: November 1, 1925 83 min. B/W silent w/music score English Inter-titles.
American silent Western comedy film co-produced, co-written, directed and starring comic genius Buster Keaton with co-stars Howard Truesdale, Kathleen Myers, Ray Thompson, etc.
Buster Keaton essays the pivotal role of Friendless, who travels west to try and make his fortune. Once there, he tries his hand at bronco-busting, cattle wrangling and dairy farming, eventually forming a bond with a cow named "Brown Eyes." Eventually he finds himself leading a herd of cattle through the city of Los Angeles.
The Haunted House 1921
Producer: Joseph M. Schenck Script/Direction: Edward F. Cline, Buster Keaton Cinematography: Elgin Lessley CAST: Buster Keaton, Virginia Fox, Joe Roberts, Edward F. Cline Production: Metro Pictures Release: February 10, 1921 22 min. B/W silent w/music score English Inter-titles.
American silent two-reel comedy film co-written and directed (as well as starring) Buster Keaton along with players Virginia Fox, Joe Roberts, Edward F. Cline, etc.
"The Haunted House" concerns a bank clerk who ends up in a haunted house which has become a thieves hideout. The bank clerk ends up foiling the criminal's intentions and they are arrested by police.
Christopher Workman commented about Buster Keaton's "The Haunted House" stating: "The film belongs to a different, more simplistic era of comedic storytelling. As such, it doesn't work too well today but it has a certain amount of naïve charm. Even in its day, there wasn't much original about it, given that haunted houses occupied by criminals had been a staple of the genre for nearly two decades already."
The Navigator 1924
Producer: Buster Keaton Script: Clyde Bruckman, Jean C. Havez, Joseph A. Mitchell, , Buster Keaton Direction: Buster Keaton, Donald Crisp Cinematography: Byron Houck, Elgin Lessley CAST: Buster Keaton, Frederick Vroom, Kahtryn McGuire, Noble Johnson Production: Metro-Goldwyn Release: October 13, 1924 65 min. B/W silent w/music score English Inter-titles.
American silent comedy film produced, co-written, co-directed and starring comic genius Buster Keaton with co-stars Frederick Vroom, Kathryn McGuire, Noble Johnson, etc.
"The Navigator" concerns two spoiled wealthy individuals who find themselves trapped on an empty passenger ship. Rollo decides to wed his financee Betsy and sail to Hawaii. When she rejects him he decides to travel alone but boards the wrong liner, the "Navigator" owned by Betsy's father. Unaware of this fact, Betsy boards the ship to search for her father whom spies manage to kidnap before cutting the liner loose. The liner drifts out to sea with the two wealthy socialites each unaware of there being alone else aboard ship.
"The Navigator premiered on Columbus Day 1924 at the Capitol Theatre in New York, at that time the largest motion picture venue in the world. At the Capitol Theatre, "The Navigator" was a huge box-office hit and ran for a rare second week at the venue. Overall "The Navigator" was Buster Keaton's biggest commercial hit, grossing $680,406 on a $385,000 production budget. Keaton said that it was his best film to date. At the time of the picture's release, Variety wrote: "Buster Keaton's comedy is spotty. That is to say it's both commonplace and novel, with the latter sufficient to make the picture a laugh getter."
Behind the Screen 1916
Producer: Henry P. Caulfield Script: Charlie Chaplin, Vincent Ryan, Marverick Terrell Direction: Charlie Chaplin, Edward Brewer (technical director) Cinematography: Roland Rotheroh, George C. Zalibra CAST: Charlie Chaplin, Edna Purviance, Eric Campbell, Albert Austin Production: Mutual Film Corp. Release: November 13, 1916 24 min. B/W silent w/music score English Inter-titles.
American silent comedy film co-written, directed and starring comic genius Charlie Chaplin with co-players Edna Purviance, Eric Campbell, Albert Austin, etc.
Chaplin's "Behind the Screen" was the last of the "Tramp's" silent comedies to use a film studio as a backdrop. Earlier Chaplin films such as "A Film Johnnie" (1914), "His New Job" (1915), "The Masquerader" (1914) has also been set, at least partly, in a silent film studio. In his "Behind the Screen," Chaplin pokes gentle fun at Keystone Studios where he first broke into the movie industry in 1914 and worked under contract for Mack Sennett for a year. The famous pie-throwing sequence is an obvious allusion to the Keystone cinematic style of slapstick comedies where such skirmishes were often overly commonplace.
At the time of the release of "Behind the Screen," Variety wrote: "The latest Charlie Chaplin release is a two-reeler that is to be classed with one of the best laugh-producers that the world's champion high-priced comic has done for Mutual. Most of the stunts might be classed with the earlier and most successful type of work pulled by Chaplin. Yet not once does he have possession of the bamboo cane nor does he wear that humpty=dumpty. The action, which in no case drags, takes place presumably on the floor of a film studio with a large chance for fun with the numerous props."
Day Dreams 1922
Producer: Joseph M. Schenck Script: Buster Keaton, Edward F. Cline, Roscoe "Fatty" Arbuckle Direction: Buster Keaton, Edfward F. Cline Cinematography: Elgin Lessley CAST: Buster Keaton, Renee Adoree, Edward F. Cline, Joe Roberts, etc. Production: First National Pictures Release: November 27, 1922 20 min. B/W silent w/music score English Inter-titles.
American silent comedy film co-written/co-diretced and starring Buster Keaton with co-stars Renee Adoree, Edward F. Cline, Joe Roberts, etc.
Buster Keaton's "Day Dreams" is world famous for a sequence where Keaton finds himself on the inside of a riverboat paddle wheel. This film was once considered a "lost" film but is not available in its uncut version from FMHV.
The story concerns a sincere young man (Chaplin) who departs his home for the big city to prove to his girlfriend's father he can make it on his own. He writes her of his many jobs which she fantasies about in day dreams. She sees a surgeon, he is a vet's assistant; she sees him tidying up on Wall Street in NYC, as it is finally revealed he is employed as a janitor..
Battling Butler 1926
Producer: Joseph M. Schenck Script: Al Boasberg, Lex Neal, Charles Smith, Paul Gerard Smith Director: Buster Keaton Cinematography: Bert Haines, Devereaux Jennings CAST: Buster Keaton, Sally O'Neal, Walter James, Budd Fine Production: MGM Release: September 18, 1926 78 min. B/W silent w/music score English Inter-titles.
American silent comedy film directed and starring Buster Keaton along with co-stars Sally O'Neal, Walter James, Budd Fine, etc.
"Battling Butler" is based on the 1923 musical of the same title. Much like Keaton's earlier cinematic work "Seven Chances" (1925), "Battling Butler" is an adaptation of a stage play. The musical of the same title was by Walter L. Rosemont and Ballard MacDonald, and starred Charlie Ruggies on Broadway and ran from October 8, 1923, to July 5, 1924. The New York Times noted the stark difference in the spelling of the name of the central character between the stage and the film versions. The story concerned a love-struck weakling who must pretend to be a boxer in order to gain respect from the family of the girl he has fallen in love with.
The Saphead 1920
Producers: John Golden, Marcus Loew, Winchell Smith Script: Buster Keaton, Bronson Howard, Victor Mapes, June Mathis, Winchell Smith Direction: Herbert Blache, Winchell Smith Cinematography: Harold Wenstrom CAST: Buster Keaton, Beulah Booker, Edward Connelly, Edward Alexander Production: Metro Pictures Release: October 18, 1920 78 min. B/W silent w/music score English dialog.
American silent comedy film co-written and directed by Buster Keaton and Winchell Smith starring Keaton, Beulah Booker, Edward Connelly, Edward Alexander, etc.
"The Saphead" was Buster Keaton's first starring role in a full-length feature and the picture that launched the career as a leading man. Keaton was cast for the role on the recommendation of Douglas Fairbanks.
The plot of "The Saphead" was a merging of two stories, Bronson Howard's 1887 play "The Henrietta" and the 1913 play based on Howard's work, "The New Henrietta" by Victor Mapes and Winchell Smith, which was meant to be an adaptation of Howard's play.
Buster Keaton's performance in "The Saphead" was singled out as having an unusual stillness for his character that gave him a distinctive presence on screen. Variety noted at the time: "His quiet work in this picture is a revelation." As such, Keaton's work on such a prestigious motion picture gained him credibility as a screen actor.
The Playhouse 1921
Producer: Joseph M. Schenck Script/Direction: Buster Keaton, Eddie Cline Cinematography: Elgin Lessley CAST: Buster Keaton, Eddie Cline, Virginia Fox, Joe Roberts Production: First National Attractions Release: October 6, 1921 22 min. B/W silent w/music score English Inter-titles.
American silent two-reel comedy short film written and directed by Buster Keaton and Eddie Cline (also starring) with co-stars Virginia Fox, Joe Roberts, etc.
"The Playhouse" is most famous for the opening sequence where Buster Keaton essays virtually every role in the film.
"The Playhouse" references gags from Buster Keaton's vaudeville career with "The Three Keatons," and also draws themes from the performances of Annette Kellerman, who engaged one hundred mirrors in order to create the illusion that there were more than one of her. While Keaton essayed all parts in the first scene of the play, he had considered essaying all the roles in the entire production. But he refrained from doing so out of the concern that "audiences might tire of the joke or think he made it as a demonstration of his acting virtuosity." He later regretted not having acted all parts throughout the picture.
"The Playhouse" was released on October 6, 1921 and released by First National Attractions.
According to "Wild Man from Borneo: A Cultural History of the Orangutan" (2014): "The comedy turns on Keaton's extraordinary ability to imitate an ape imitating a man as he does at a table, smokes a cigar, and then jumps, unscripted, into the auditorium, making a woman faint."
Conductor 1492 (1924)
Producer: Frank Griffin Script: Johnny Hines (story) Director: Charles Hines Cinematography: Charles E. Gibson CAST: Johnny Hines, Doris May, Dan Mason, Ruth Renick Production: Warner Bros. Pictures Release: January 12, 1924 70 min. B/W silent w/music score English Inter-titles.
American silent comedy film directed by Charles Hines and starring Johnny Hines, Doris May, Dan Mason, Ruth Renick, etc.
The story of "Conductor 1492" concerns a young immigrant who manages to obtain a job as a conductor on a streetcar and battles criminals who try to take over the firm, all the while pursuing the boss's daughter at the same time.
One Exciting Night 1922
Producer/Script/Director: D. W. Griffith Cinematography: Irving B. Ruby, Hendrik Sartov CAST: Carol Dempster, Henry Hull, Morgan Wallace, Frank Sheridan Production: D. W. Griffith Productions Release: October 7, 1922 126 min. B/W silent w/music score English Inter-titles.
American gothic silent mystery film written (as Irene Sinclair), produced and directed by D. W. Griffith starring Carol Dempster, Henry Hull, Morgan Wallace, Frank Sheridan, etc.
"One Exciting Night" revolves around a series of murders on a wealthy estate and the attempts of the cast to uncover the murderer's identity. The commercial success of both the Mary Roberts Rinehart and Avery Hopwood play "The Bat" (1920), as well as the 1922 stage play "The Cat and the Canary" (1922), led Griffith to write and produce his own variation on the same theme.
"One Exciting Night" saw an underwhelming response at test screenings. D. W. Griffith decided the problem was the picture lacked the spectacular climax audiences had come to expect from his productions, so he reassembled the cast and shot a new ending involving a terrifying storm, using a combination of real hurricane footage filmed with special effects.
Down to Earth 1917
Producer: Douglas Fairbanks Script: Douglas Fairbanks (story), Anita Loos (scenario + inter-titles), John Emerson (scenario) Director: John Emerson Cinematography: Victor Fleming, Harry Thorpe CAST: Douglas Fairbanks, Elieen Percy, Gustav von Seyffertitz, Charles McHigh Production: Artcraft Pictures Release: August 12, 1917 71 min. B/W silent w/music score English Inter-titles.
American silent rom/com produced and co-written and starring Douglas Fairbanks as directed by John Emerson also stars Eileen Percy, Gustav von Seyffertitz, Charles McHigh, etc.
The story of "Down to Earth" concerns a healthy outdoors-type who follows a young girl he loves to a resort for wealthy hypochondriacs. In order to prove to her and the other patients that their illnesses are all in their minds, he concocts a scheme to take them on a boat ride, then get them stranded in the wilderness, where he can show them they can live without their medication, doctors and miracle cures.
Victory 1919
Producer/Director: Maurice Tourneur Script: Joseph Conrad, Jules Furthman (as Stephen Fox) Cinematography: Rene Guissart CAST: Jack Holt, Lon Chaney, Wallace Beery, Seena Owen Production: Maurice Tourneuer Productions Release: December 7, 1919 62 min. B/W silent w/music score English Inter-titles.
American silent action film produced and directed by Maurice Tourneeur starring Jack Holt, Lon Chaney, Wallace Beery, Seena Owen, etc.
"Victory" is an adaptation of the 1915 homonymous by Joseph Conrad. The picture was selected by The New York Times as one of the top ten films of 1919.
The story concerns a man named Axel Heyst, an uncommitted wanderer, who has settled on an island in the South Seas. Axel has taken pity on a troubled young woman, Lana, and gives her refuge on her island. But the piratical Mr. Jones, who believes Heyst has treasure buried on his island, leads his cohorts in an invasion of Heyst's island haven.
"Victory" received countless positive reviews upon release. Variety wrote: "Maurice Tourneur has created a moving and effective picture drama for Paramount. Probably the eagle eye of the censor is responsible for cutting the fight between Alma and Ricardo, but it is well cut. Of the latter character, Lon Chaney gave a visualization that was very effective."
A Tale of Two Cities 1911
Producer: J. Stuart Blackton Script: Charles Dickens (novel), Eugene Mullin (scenario) Direction: Charles Kent Cinematography: William J. Humphrey CAST: Maurice Costello, Florence Turner, John Bunny, Norma Talmadge Production: Vktagraph Studios Release: February 21, 1911 (reel one), February 24, 1911 (reel two), February 25, 1911 (reel three) 30 min. B/W silent w/music score English Inter-titles.
American silent literary classic directed by Charles Kent starring Maurice Costello, Florence Turner, John Bunny, Norma Talmadge, etc.
"A Tale of Two Cities" is loosely based on Charles Dickens' 1859 celebrated novel of the same title.
The first three reels of "A Tale of Two Cities" were released on February 21, 24, and 25, 1911. Many theatre exhibitors at the time were hesitant to screen films of more than one 35mm reel, believing that audiences would not tolerate anything lengthier.
The Moving Picture World, an influential early trade journal for the American film industry, however, called for all three reels pf "A Tale of Two Cities" to be screened back to back, which possibly inspired Vitagraph to issue its future multi-reel motion pictures as a single release. The Moving Picture World wrote at the time: "The staging of the first reel is little short of sumptuous. There is shown a care in the attention to details which stamps the picture as an unusually faithful reproduction and affords opportunity for those who have read and loved Dickens in the books to see his story move before them, much perhaps, as it moved before him during its composition." The journal later listed "A Tale of Two Cities" among a group of movies that adapted classic subjects, positing that these adaptations represented an upward trend of artistic quality in the film industry.
Monte Christo 1922
Producer: William Fox Script: Alexandre Dumas (novel), Charles Fechter (play), Alexander Salvini (adaptation), Bernard McConville (scenario) Director: Emmett J. Flynn Cinematography: Lucien Andriot CAST: John Gilbert, Estelle Taylor, Robert McKim, William V. Mong Production: Fox Film Corp. Release: April 1, 1922 (premiere), April 1927 (re-release) 100 min. B/W silent w/music score. English Inter-titles.
American silent drama film directed by Emmitt J. Flynn and starring John Gilbert, Estelle Taylor, Robert Mckim, William V. Mong, etc.
"Monte Christo" is based on the 1844 novel "The Count of Monte Christo" by Alexandre Dumas, which was adapted by 19th century thespian Charles Fechter.
"Monte Christo" had been thought long lost for many years until a print surfaced in the Czech Republic a few years ago.
The story concerns Edmond Dantes who is falsely accused by those jealous of his good fortune, and is sentenced to spend the rest of his life in the notorious island prison known as Chateau d'if. While imprisoned, he meets the Abbe Faria, a fellow inmate whom everyone believes to be insane. The Abbe tells Edmond of a fantastic treasure hidden away on a small island, that only he knows the location of. After many years in prison, the old Abbe passes away, and Edmond escapes disguised as the dead Abbe. Now free, Edmond must locate the treasure the Abbe told him about, so he can use the newly found fortune to exact revenge on those who have wronged him.
Menilmontant 1926
Producer/Script/Director: Dimitri Kirsanoff Cinematography: Leonce Crouan, Dimitri Kirsanoff CAST: Nada Sibirskaia, Yolande Beaulieu, Guy Belmont, Jean Pasquir Music: Lev Shvarts Production: Cine France Release: 1926 39 min. Color-tinted silent w/music score.
French silent experimental film produced, written, directed and shot the production which included co-players Nada Sibirskaia, Yolande Beaulieu, Guy Belmont, Jean Pasquir, etc.
The title of the production is taken from the Paris neighborhood of the same name.
"Menilmontant" is silent and contains no inter-titles. The picture begins with a flurry of quick cut shots depicting an axe murder of the parents of the protagonists, two sisters. As young girls, they are portrayed by Nadia Sibirskaia, Kirsanoff's first wife, and Yolanda Beaulieu, their mutual love interest is essayed by Guy Belmont.
Like many French silent Avant-Garde films, "Menilmontant" employs a combination of techniques and styles. The picture utilized many filming techniques which were not commonplace at the time, including double exposure. The true achievement in the production, however, is in its radical editing, less ideological than the Soviet films being created at the time, but equally powerful in its emotional effects.
Film critic Pauline Kael wrote that "Melinmontant' was his favorite film of all time.
His First Flame 1927
Producer: Mack Sennett Script: Frank Capra, Arthur Ripley Director: Harry Edwards Cinematography: Ernie Crockett, William Williams CAST: Harry Langdon, Natalie Kingston, Ruth Hiall, Vernon Dent Production: Mack Sennett Comedies Release: May 3, 1927 49 min. B/W silent w/music score English Inter-titles.
American silent comedy film directed by Harry Edwards and starring Harry Langdon, Natalie kingston, Ruth Hiall, Vernon dent, etc.
"His First Flame" tells the story of Harry Howells (Harry Langdon), a recent college graduate who is madly in love with his sweetheart Ethel (Natalie Kingston) and hopes to marry her. However, his woman-hating uncle, Fire Chief Amos McCarthy (Vernon Dent), tells his nephew to avoid marriage because all woman want is "money."
"His First Flame" was released on May 3, 1927 and received positive reviews. The New York Times wrote at the time: "Mr. Sennett and Mr. Langdon do their parts in this nice mile of fun. Mr. Smith, who failed at a blacksmith and amassed millions as a maker of film humor, deserves no little credit for the hilarious situations in this picture. And Mr. Langdon is to be congratulated on a generous supply of sad smiles and wide-eyed effects. Mr. Langdon is at his best in this humorous piece of work. The heroine is impersonated by Natalie Kingston, who while she does not appreciate Harry's wisdom, is attractive."
Flaming Waters 1925
Producer/Director: F. Harmon Weight Script: Fred Myton, E. Lloyd Sheldon Cinematography: William Marshall CAST: Malcolm McGregor, Pauline Garon, Mary Carr, John Miljan Production: Associated Arts Release: December 13, 1925 70 min. B/W silent w/music score English Inter-titles.
American silent drama film produced and directed by F. Harmon Weight starring Malcolm McGregor, Pauline Garon, Mary Carr, John Miljon, etc.
The story of "Flaming Waters" concerns a young man by the name of Danny O'Neil who moves to Oil City with his mother, seeking to find Jasper Thorne, who swindled his mother. He manages to get the best of Thorne in an oil deal and purchases a well that turns out to be a 'gusher,' the spray from overflow covering the area surrounding their ranch. A lamp thrown by Thorne ignites the oil. Danny's foolish friend Midge Botsford opens the gate on the reservoir, and a flaming flood soon results. Danny manages to finally rescue his mother and Doris Laidlaw, and he wins the young girl's heart in the end.
Cinema historians and film critics consider "Flaming Waters" to be a silent film masterpiece.
The Little Knight 1923
Producer: Clem Beauchamp Script: Robert N. Lee, Jack Wagner Direction: Fred Becker, Charles R. Seeling Cinematography: Hal Mohr CAST: Arthur Trimble, Bessie Love, Charles Belcher, Billy Butts Production: Arthur Trimble Productions Release: 1923 20 min. Color-tinted silent w/music score English Inter-titles.
"The Little Knight" was the first in "The Strange Adventures of Prince Courageous" film series, designed primarily for child film star Arthur Trimble, this 1923 silent fantasy film also features actor Bessie Love. When a brave and courageous knight is cursed by a witch in order to appear as a small boy (Arthur Trimble), he must prove himself by defeating an evil duke and rescues Princess Beatrice (Bessie Love).
Although the filmmakers had planned on producing twelve chapters in the series, yet only three episodes were ever produced.
The Life and Death of Richard III 1912
Producer: J. Stuart Blackton, M.B. Dudley Script: William Shakespeare (play), Colley Cibber (play), James Keane Direction: James Keane, Andre Calmettes Cinematography: Andre Calmettes CAST: Frederick Warde (as Richard III), Robert Gemp, Albert Gardner, James Keane Production: Film d'Art Release: October 15, 1912 56 min. Color-tinted silent w/music score English inter-titles.
"The Life and Death of Richard III is a silent color-tinted adaptation of William Shakespeare's play, co-directed by French director Andre Calmettes and American playwright James Keane.
"The Life and Death of Richard III" is a co-production between France and the USA, produced by Film d'Art.
When the film was released in the USA, actor Frederick Warde would often appear at screenings, giving a short lecture, and then reading excerpts from the play during the changing of the reels, which were referred to as "Acts."
Calmettes/Keane's picture is the oldest surviving U.S., and is also regarded as the first full-length Shakespearean adaptation ever produced.
As early as 1922, the film was already thought to be "lost." It was not until the late 1990s that a rare print of the film was located in an old movie theatre at the Bluebird Theatre in Portland, Oregon.
Contemporary film historians and cinema scholars consider "The Life and Death of Richard III" to be an early vintage silent Shakespearean masterpiece.
Snow White 1916
Producer: H. Lyman Broening Script: The Brothers Grimm (fairy tale), Winthrop Ames Director: J. Searle Dawlery Cinematography: H. Lyman Browning CAST: Marguerte Clark, Creighton Hale, Dorothy Cummings, Lionel Braam Production: Famous Players Co. Release: December 25, 1916 65 min. Color-tinted silent w/music score English Inter-titles.
"Snow White" was adapted from the director's (J. Searle Dawley) own 1912 Broadway play "Snow White and the Seven Dwarfs, which was in turn was adapted from the 1912 fairy tale.
Having watched the film at age 15, Walt Disney was immensely inspired to use the Brothers Grimm fairy tale as the subject of his first full-length animated motion picture.
"Snow White" was once thought destroyed in a film vault fire and presumed lost forever until a rare print was discovered in a Dutch archive.
Daughter of the Night aka Dance on the Volcano 1920
Producer/Director: Richard Eichberg Script: Arthur Teuber Cinematography: Joe Rive CAST: Bela Lugosi, Lee Perry, Violette Napierska, Robert Schultz Production: Eichberg-Film GmbH Release: February 1920 52 min. B/W silent w/music score English dialog.
German silent drama film produced and directed by Richard Eichberg starring Bela Lugosi, Lee Perry, Violette Napierska, Robert Schultz, etc.
"Daughter of the Night" concerns a French aristocrat (Bela Lugosi) falls in love with a Russian nightclub singer, and his attraction to her forces him to belong to the Russian revolutionary movement.
The ten-reel film was originally shown in Germany under the title "Der Tanz dem Vulkan" ("Dance on the Volcano"), released in two parts. The second part was entitled "Der Tod des Grossfuersten" ("The Grand death of the Duke"). The picture received positive reviews at the time of its initial release. A condensed version of the picture with English subtitles was released in the USA in 1921, under the title "Daughter of the Night."
From contemporary reviews, a film critic in Film und Brettl wrote: "Richard Eichberg has unquestionably provided proof of his immense talent director of the two-part cinematic work. The plot is full of action and in that respect does justice to the medium of film."
Oliver Twist 1922
Producer: Sol Lesser, Jackie Coogan Script: Charles Dickens (novel), Harry Weil, Frank Lloyd Director: Frank Lloyd Cinematography: Glen MacWilliams, Robert Martin CAST: Jackie Coogan, Lon Chaney, Edouard Trebaol, George Siegmann Production: First National Pictures Release: October 30, 1922 75 min. B/W silent w/music score English Inter-titles.
"Oliver Twist" is an adaptation of Charles Dickens' 1838 novel of the same title.
The picture was selected as one of the best pictures of 1922 by The New York Times.
"Oliver Twist" received positive reviews during its initial release. The Moving Picture World wrote at the time: "Director Lloyd deserves credit for the manner in which he has handled the production, in the sets, the selection of types and the preservation of the atmosphere of his novel. Jackie Coogan is ideal as Oliver Twist, and shows that he is a sterling little actor. Lon Chaney is fine as Fagin, though this role has been somewhat subordinated, his make-up and acting are exceptional."
The Patchwork Girl of Oz 1914
Producer: L. Frank Baum, Louis F. Gottschalk, Thomas Alva Edison Script: L. Frank Baum (novel, script) Director: J. Farrell MacDonald Cinematography: James A. Crosby CAST: Violet MacMillian, Frank Moore, Raymond Russell, Leontine Dranet Production: The Oz Film Manufacturing Co. Release: 81 min. B/W silent w/music score English Inter-titles.
American silent fantasy film produced and written by L. Frank Baum directed by J. Farrell Macdonald starring Violet MacMillian, Frank Moore, Raymond Russell, Leontine Dranet, etc.
"The Patchwork Girl of Oz" is based on the 1913 novel of the same title by L. Frank Baum. This vintage motion picture makes no usage of dialog from Baum's novel in the inter-titles. While there are quite a number of special effects employed, the film relies largely on dancing, cavorting, slapstick, and costuming. MacDonald's production utilizes acrobatics through the picture. Dr. Pipl;s daughter is added for romantic interest, as well as an additional plot thread involving her fiancee is transformed into a small statue which woman find irresistible. The plot omits the Glass Cat, the Shaggy Man, Dorothy (outrageous), Mr. Yoop, the Lazy Quadling, and the gramophone, but also adds Mewel, a donkey, and "The Lonesome Zoop," both slapstick animals, as well as Jinjur, Jesseva, and Danx, and Jesseva's friends.
This version of Baum's literacy adaptations later included "The Magic Cloak of Oz" (1914) and "His Majesty, the Scarecrow of Oz" (1914) (all available from FMHV).
Regretfully, MacDonald's "The Patchwork Girl of Oz" was a commercial flop, a fact which caused distribution problems for the other "Oz" early vintage movies that followed the first one which contributed greatly to the failing of The Oz Manufacturing Company.
"The Patchwork Girl of Oz," as mentioned was one of three vintage motion pictures produced by the Oz Manufacturing Company that had previously been regarded as "lost" films.
J, Farrell MacDonald's "The Patchwork Girl of Oz" is considered as an early, rare vintage silent cinematic masterpiece by contemporary film historians and scholars.
Silent Comedy Classics Collection 1914-1929
Rare film collection highlighting the cinematic history of early vintage classic comedians from the golden age of classic silent American cinema. Included are the cinematic works of Chaplin, Sennett, Keaton, Langdon, etc. 4 hours B/W silent w/music score English inter-titles.
Black Oxen 1923
Producer/Director: Frank Lloyd Script: Gertrude Atherton (novel), Mary O'Hara, Frank Lloyd Cinematography: Norbert Brodine CAST: Clara Bow, Alan Hale, Connie Griffith, Conway Tearte Production: Frank Lloyd Productions Release: December 29, 1923 81 min. B/W silent w/music score English Inter-titles.
American silent fantasy/romantic drama film produced and directed by Frank Lloyd starring Clara Bow, Alan Hale, Connie Griffith, Conway Tearte, etc.
"Black Oxen" is based on the controversial best-selling 1923 novel by Gertrude Atherton.
Described as a "subtle science-fiction" film, the picture takes its main title from William Butler Yeates: "The years like "Black Oxen" tread the world." A special Photoplay Edition of the novel was published y A. L. Burt Company, New York, illustrated with for stills from the movie.
The Clodhopper 1917
Producer: Thomas H. Ince Script: Monte M. Katterjohn Director: Victor Schertzinger Cinematography: Paul Eagler CAST: Charles Ray, Charles K. French, Margery Wilson, , Lydia Knott Production: Kay-Bee Pictures, NY Motion Pictures Release: June 24, 1917 47 min. B/W silent w/music score English Inter-titles.
American silent comedy drama film directed by Victor Schertzinger and starring Charles Ray, Charles K. French, Margery Wilson, Lydia Knott, etc.
The story concerns a naïve young farm boy named Everett Nelson who following unjust treatment on the farm flees his native rural land for the big city where he encounters a showman who think Everett is ideal for the part of a bumpkin in his new stage play. Everett accepts the role and ends up becoming a huge star, however complications arise.
Conrad in Quest of His Youth 1920
Producer: Adolph Zucker, Jesse Lasky Script: Leonard Merrick (novel), Olga Prinztlau Director: Willian C. DeMille Cinematography: L. Guy Wilky CAST: Thomas Meighan, Mabel Van Buren, Mayme Kelso, Bertram Johns Production: Paramount Pictures Release: December 5, 1920 61 min. B/W silent w/music score English Inter-titles.
American silent comedy/drama film directed by William C. DeMille and starring Thomas Meighan, Mabel Van Buren, Mayme Kelso, Bertram Johns, etc.
"Conrad in Quest of His Youth" is based on the 1903 novel "Conrad in Search of His Youth" by Leonard Merrick which was adapted and written for the screen by Olga Prinztlau.
The story concerns Conrad warrener, a man of near middle-age, who reflects nostalgically on the happy times of his youth and decides to recapture them. But what he learns about the purported "second time around" is neither what he hoped for or expected in the first place.
The White Rose 1923
Producer/Script(as Irene Sinclair)/Director: D. W. Griffith Cinematography: Billy Bitzer, Hendrik Sartov, Harold Sintzenich CAST: Mae Marsh, Carol Dempster, Ivor Novello, Uncle Tom Jenkins Production: D. W. Griffith Productions Release: May 21, 1920 100 min. B/W silent w/music score English Inter-titles.
American silent drama film produced, written and directed by D. W. Griffith starring Mae Marsh, Carol Dempster, Ivar Novello, Uncle Tom Jenkins, etc.
"The White Rose" is one of Griffith's least screened films today.
The story concerns a wealthy young Southern aristocrat, Joseph Beaugarde, who granulates from a seminary school and, before he manages to take charge of his assigned parish, he decides to go out and see what "the real world" is all about. He ends up in New Orleans and finds himself attracted to a poor, unsophisticated orphan girl, Bessie Williams, that he meets at a local dance hall. One thing leads to another, and before long, Bessie finds that she is pregnant with Joseph's child.
Regretfully, "The White Rose" was not well received as it was viewed as just another typical love story of the young innocent girl robbed of her "purity" told at a very slow pace.
Biographer and film critic Edward Wagenknecht characterizes "The White Rose" as a "kind of elaboration of the unwed mother portion of Griffith's "Way Down East" (1920), though with a less innocent heroine. Symbolism is used too freely as when the rose droops to indicate the passing of a night of love which Mae Marsh and Ivor Novello spend by the river and the changes it has wrought."
The Glorious Adventure 1922
Producer: J. Stuart Blackton Script: Felix Orman, Nicholas Musuraca, J. Stuart Blackton Director: J. Stuart Blackton Cinematography: William T. Crespinel CAST: Marjorie Day, Dianna Manners, Victor McLaglen, Gerald Lawrence Production: J. Stuart Blackton Productions Release: April 23, 1922 (U.K.), August 27, 1922 (U.S.A.) 70 min. Prizmacolor silent w/muisc score English Inter-titles.
British silent Prizmacolor adventure film written, produced and directed by J. Stuart Blackton starring Marjorie Day, Dianna Manners, Victor McLaglen, Gerald Lawrence, etc.
The story concerns an Earl's cousin who survives drowning and manages to rescue and save the life of a charming lady from the Great Fire of London.
"The Glorious Adventure" was produced entirely in Prizmacolor, which was a color motion picture process invented in 1913 by William Van Doren Kelley and Charles Raleigh. Prizamacolor was the first two-color additive color system, similar to its predecessor, Kinemacolor.
The picture was released by United Artists to audiences who were more dazzled by the amazing new Prizmacolor process that they dismissed the shallow story of the production.
The Silent Command 1923
Producer: William Fox Script: Anthony Paul Kelly, Rufas King Director: J. Gordon Edwards Cinematography: George W. Lane CAST: Edmund Lowe, Bela Lugosi, Alma Tell, Martha Mansfield Production: Fox Films Release: August 9, 1922 80 min. B/W silent w/music score English Inter-titles.
American silent saboteur drama film directed by J. Gordon Edwards and starring Edmund Lowe, Bela Lugosi, Alma Tell, Martha Mansfield, etc.
"The Silent Command" was Bela Lugosi's American screen debut as a foreign saboteur. The film's close-up of Lugosi's eyes, at times in extreme close-up shots, helped establish his screen image for later roles at Universal such as "Dracula" (1931).
"The Silent Command" follows the story of Benedict Hisston (Lugosi) who is part of a plot to destroy the Panama Canal. Initially unable to obtain necessary intelligence from Richard Decatur (Edmund Lowe), a captain in the U.S. Navy, he enlists the aid of femme fatale Peg Williams (Mansfield). Decatur pretends to be seduced into the conspiracy, costing him his career and estranging him from his wife (Tell), but he ultimately betrays the saboteurs in Panama and stops their heinous plan. He returns home to the Navy and his wife, and to popular acclaim for his heroics.
"The Silent Command" was produced in cooperation with the U.S. Navy and was intended as a propaganda film to encourage support for a much larger Navy. The picture was shown at the opening of several Fox Theatres' locations and was sometimes marketed in conjunction with U.S. naval recruitment efforts. The film generally received positive reviews from contemporary cinema critics, although modern appraisals consider the picture mediocre.
Tol'able David 1921
Producer/Director: Henry King Script: Joseph Hergesheimer (novel), Edmund Goulding, Henry King Cinematography: Henry Cronjager CAST: Richard Barthelmess, Gladys Hulette, Walter P. Lewis, Ernest Torrence Production: Inspiration Pictures Release; November 21, 1921 (USA) 100 min. B/W silent w/music score English Inter-titles.
American silent melodrama film written, produced and directed by Henry King starring Richard Barthelmess, Gladys Hulette, Walter P. Lewis, Ernest Torrence, etc.
"Tol'able David" is based on the 1917 short story by Joseph Hergesheimer adapted for the screen by Edmund Goulding concerning a rustic tale of ultra-violence set in the Allegheny Mountains of eastern West Virginia, shot in Blue Grass, Virginia, with some locals featured in minor screen roles. Hergesheimer's story had been optioned by producer/director D. W. Griffith who intended actor Barthelmess as the star of a film version, but when the actor and King had formed Inspiration Pictures, Griffith traded them the rights for other motion picture properties.
"Tol'able Davd" was a major box-office success as the acclaimed motion picture was voted the 1921 Photoplay Magazine Medal of Honor and is viewed by film critics and cinema historians as one of the major classics of silent film. Noted poet Carl Sandberg reviewing "Tol'able David" for the Chicago Daily News, repeatedly referred to it as "a masterpiece." Robert E. Sherwood of Life Magazine wrote: "It is the first motion picture to achieve real greatness without placing any reliance on spectacular effect."
The Captive 1915
Producers: C. B. DeMille, Jesse Lasky Script: Jeanie MacPherson, C. B. DeMille Director: C. B. DeMille Cinematography: Alvin Wyckoff CAST: Blanche Sweet, House Peters, Page Peters, Theodore Roberts Production: Jesse Lasky Feature Pictures Release: April 22, 1915 51 min. Color-tinted silent w/music score English Inter-titles.
American silent drama film co-produced, co-written and directed by C. B. DeMille starring Blanche Sweet, House Peters, Page Peters, Theodore Roberts, etc.
"The Captive" is based on an original story by C. B. DeMille and Jeanie MacPherson.
The picture concerns the romantic war-era plight of Sonja and her lover Mahmud Hassan.
The Tiger's Coat 1920
Producer/Director: Roy Clements Script: Elizabeth Dejeans (novel), Jack Cunningham Cinematography: R. E. Irish CAST: Lawson Butt, Tina Modotti, Myrtle Stedman, Miles McCarthy Production: Dial Film Co. Release: November 1920 51 min. Color-tinted silent w/music score English Inter-titles.
American silent drama film produced and directed by Roy Clements starring Lawson Butt, Tina Modotti, Myrtle Stedman, Miles McCarthy, etc.
"The Tiger's Coat" follows a man who agrees to marry the daughter of a deceased friend who is in reality being impersonated by the servant girl of the daughter, who has already passed away.
The Woman God Forgot 1917
Producers: C. B. DeMille, Jesse Lasky Script: William C. DeMille, Jeanie MacPherson Director: C. B. DeMille Cinematography: Charles Schoenbaum, Alvin Wyckoff CAST: Geraldine Farrar, Wallace Reid, Hobart Bosworth, Raymond Hutton Production: Famous Players-Lasky,Artcraft Release: October 28, 1917 61 min. Color-tinted silent w/music score English inter-titles.
American silent romance film co-produced, co-written and directed by C. B. DeMille starring Geraldine Farrar, Wallace Reid, Hobart Bosworth, Raymond Hutton, etc.
During production, several elaborate set pieces were utilized for this Mesoamerican epic, but the largest is the Aztec pyramid they constructed into the side of a hill at Inceville, in Santa Monica, California. Towards the end of the picture several actors are seen tumbling down the side of the pyramid in the battle between the Aztecs and the Spanish conquistadors. One of the extras working on the production named Gilbert stated: "The extras were thrown down the sides of the pyramid and a man stood at the bottom with a bucket of iodine and patched them up" to treat their sandpapered skin.
The story concerns Moctezuma, the Aztec King, resents the intrusion of the Spanish who have come to convert the Aztecs tp Christianity . But Tecza, daughter of the king, lovers Alvarado, one of the Spanish captains, and she allows the Spanish solders to enter the palace. After a fierce battle, she is the only surviving Aztec and the Spanish allow her to depart in peace. Alvarado then comes 'wooing' the last of the Aztecs and wins her love in the end.
$50,000 Reward 1924
Producer: W. J. Charles Davis, Clifford Elfelt Script: Frank Howard Clark Director: Clifford Elfelt Cinematography: Bert Longnecker CAST: Ken Maynard, Esther Ralston, Bert Lindley, Edward Piel, Sr. Production: Clifford S. Elfelt Productions Release: December 1924 56 min. Color-tinted silent w/music score English Inter-titles.
American silent Western film co-produced and directed by Clifford Elfelt starring Ken Maynard, Esther Ralston, Bert Lindley, Edward Piel, Sr., etc.
Originally conceived as a black and white production (this picture is presented in a special new colorized version), and one of Clifford Elfelt's longest running feature films.
The story follows a cowboy by the name of Tex Sherwood, a man who has just acquired a piece of land. There is a plot twist when he finds out that this land is soon be irrigated by a dam. Asa Hoffman, the banker, knows that the ownership of property deed must be registered the next day, but does not let Tex know. Instead, he offers a $50,000 reward for his capture.
"$5000 Reward" was one of the first motion pictures for Ken Maynard, the main character and star who essays the role of Ted Sherwood, who quickly became a popular star of early Western movies. Esther Ralston, a beautiful and popular actress in silent films at the time, appears as Ken Maynard's leading lady.
Fooling Casper 1928
Producer: Larry Darmour Script: St. Elmo Boyce, E. V. Durling, Jimmy Murphy Director: Earl Montgomery Cinematography: E. Fox Walker CAST: Thelma Hill, Bud Duncan, Cullen Johnson Production: Larry Darmour Productions, Standard Photoplay Co. Release: September 16, 1928 26 min. B/W silent w/music score English Inter-titles.
American silent comedic short film directed by Earl Montgomery and starring Thelma Hill, Bud Duncan, Cullen Johnson, etc.
"Fooling Casper" concerns the comedic characters Toots and Casper who think they are on a relaxing holiday until their wealthy family relative decides to come along for the holiday.
Amarilly of Clothes-Line Alley 1918
Producer: Adolph Zucker Script: Belle K. Maniates (novel), Frances Marion (script) Director: Frances Marion Cinematography: Walter Stradling CAST: Mary Pickford, William Scott, Kate Price, Ida Waterman Production: Artcraft Pictures Corp. Release: March 11, 1918 68 min. Color-tinted silent w/music score English Inter-titles.
American silent rom/com co-written and directed by Frances Marion starring Mary Pickford, William Scott, Kate Price, Ida Waterman, etc.
The story concerns itself with a young girl by the name of Amarilly who comes from a very large family in a working-class neighborhood. She is most pleased with her family and her financee Terry, a local bartender in a café. But one day she manages to meet Gordon, a sculptor who comes from a wealthy family, and she begins to be drawn into the world of the upper class in society.
Like many early vintage silent movies at the time, "Amarilly of Clothes-Line Alley" was subject to editing cuts by city and state film censorship boards. Scenes were ordered cut out of the picture which included a cut in reel one detailing a close-up shot of currency in a man's hand and in reel four a scene was ordered cut detailing a maid opening the door to the alleged house of ill-repute and a man entering structure.
Going Hollywood 1926
Producer/Script/Director: Mack Sennett Cinematography: Billy Bitzer CAST: Charlie Murphy, Louise Garver, etc. Production: Mack Sennett Productions Release; 1926 13 min. B/W silent w/music score English Inter-titles.
American silent comedy short film produced, written and directed by Mack Sennett starring Charlie Murphy and Louise Garver.
"Going Hollywood" is considered a rare vintage silent classic and has recently been rediscovered by cinema historians.
Mabel's Busy Day 1914
Producer: Mack Sennett Script/Director: Mabel Normand Cinematography: Frank D. Williams CAST: Mabel Normand, Charlie Chaplin, Mack Sennett, Charley Chase Production: Mack Sennett Productions Release: June 13, 1914 13 min. Color-tinted silent w/music score English Inter-titles.
American silent comedy short film produced (also starring), written and directed by Mack Sennett starring Mabel Normand (as Mabel), Charlie Chaplin, Charley Chase, etc.
The story concerns entrepreneur Mabel who tries to sell hot dogs at a local automobile race. She bribes a policeman with one of her treats in order to gain access to the race track but does not do a very good trade once she is inside. Meanwhile, Charlie tangles with another policeman. Mabel sets down her box of hot dogs and leaves them unattended for a moment. Charlie finds the box and freely gives the hot dogs away to hungry spectators at the race track. Mabel finds out that Charlie has stolen her box of hot dogs and sends the police after them. Chaos naturally ensues following this.
Upon its initial release, Motion Picture News wrote: "Any comedy with Charlie Chaplin and Mabel Normand as the leads is sure to be an immense success. There is no plot at all, but the events that transpire in the one reel are side-splitting."
Les Misérables 1925
Producer/Director: Henri Fescourt, Louis Naipas, Jean Sapene Script: Victor Hugo (novel), Arthur Bernede Cinematography: Raoul Aubourier, Leon Donnot, Georges Lafont, Karemine Merobian CAST: Gabriel Gabrio, Paul Jorge, Sandra Milovanoff, Jean Toulout, etc. Production: Societe des Cineromans Release: 1925 359 min. Color-tinted silent w/music score French Inter-titles.
French silent literary/historical epic film produced and directed by Henri Fescourt starring Gabriel Gabrio, Paul Jorge, Sandra Milovanoff, Jean Toulout, etc.
Although the Cineromans company wanted the adaptation to be a single feature film, Henri Fescourt successfully argued for it to be released in four feature-length feature films.
Cineromans assigned a six million franc production budget.
"Les Miserables" was released in France in four parts, released in weekly installments on December 24, 1925, January 8, 1926, and January 15, 1926. Each part was precisely 2000 meters of film long. In Britain, an abridged version at around four hours in length in London on April 9, 1925 in a trade performance at the London Hippodome, beginning with a staged prologue featuring many of the film's actors emerging from a large book and "walking across the stage before the sleeping figure of Victor Hugo."
The American premiere of "Les Miserables" took place at the Forest Theatre, Philadelphia to an invite only attended audience on June 24, 1926, following with a similar showing in Washington, D.C. the following day.
An abridged version of "Les Miserables" from Universal Pictures was released on Broadway in august 1927 at the Central Theatre with music by Hugo Riesenfeld.
Interestingly enough, a 9.5mm abridged version was released in 1931 with English subtitles for home screenings.
Chess Fever 1925
Producer/Script: Mykola Shpykovskyi Director: Vsevolod Pudovkin Cinematography: Anatoli Golovnya CAST: Jose Raoul Capablanca, Vladimir Fogel, Anna Zemtsova, Natalya Glan Production: Mezhrabpom-Rus Release: December 21, 1925 29 min. B/W silent w/music score English Inter-titles.
Soviet silent comedy film directed by Vsevolod Pudovkin and starring Jose Raoul Capablanca, Valdimir Fogel, Anna Zemtsova, Natalya Glan, etc.
This short Soviet film is a comedy concerning the Moscow 1925 Chess Tournament, directed by Pudovkin during the phase of filming "Mechanics of the Brain" (1925). "Chess Fever' combines acted parts with actual footage from the Moscow tournament.
This film was the directorial debut of Vsevolod Pudovkin, who had previously worked as a screenwriter, actor, and art director, and as an assistant to Lev Kuleshov. Pudovkin and Kuleshov created this short silent comedy film in less than one month. As mentioned, "Chess Fever" combines acted dramatic scenes with actual footage from the chess tournament occurring at that time and includes cameos from Chess Champions and grandmasters. The picture also includes many Soviet film directors, such as Boris Barnet, Fedor Ozep, Yuli Raizman, and Yakov Protazanov.
The Hunchback of Notre Dame 1911
Producer/Director: Albert Capellani Script: Victor Hugo (novel), Michael Carre Cinematography: Pierre Trimbach CAST: Henry Krauss, Stacia Napierkowska, Rene Alexandrie, Claude Garry Production: Pathe Freres Release: December 1911 38 min. B/W silent w/music score. French Inter-titles.
French silent d'art literary/historical film produced and directed by Albert Capellani starring Henry Krauss, Stacia Napierkowska, Rene Alexandre, Claude Garry, etc. The original release title was "Notre-Dame de Paris."
"The Hunchback of Notre Dame" is based on the 1831 Victor Hugo novel of the same title. The story concerns Roma-Sinti girl, Esmeralda (Hugo's term was "gypsy" in the novel), who is the darling of the Parisian people around the Notre Dame in the French capital city. Three men are romantically interested in her. Phoebus, the commander of the city guard, , Quasimodo the bell-ringer of Notre Dame and Cluadius Frollo, the archdeacon of the cathedral. The latter, however, is confused by his strong attraction for Esmeralda and cannot resolve the conflict caused by his vow of celibacy. Out of jealousy, he stabs a knife in Phoebus's back when he meets with Esmeralda at an inn. Esmeralda is falsely accused and charged with this crime. The resultant death sentence is to be executed on the forecourt of the cathedral. Quasimodo rescues Esmeralda and brings her up into the bell tower to safety but Frollo violates the sanctuary and has Esmeralda executed by hanging. Quasimodo then angrily throws Frollo from the bell tower resulting in his death.
Considering the picture's short running time, film critic Christopher Workman considered the film "The Hunchback of Notre Dame" is remarkably faithful to its source material but it contains no discernable humor, unlike most other horror movies of the period, and thus represents a bellwether of sorts for the genre. Henry Krauss as Quasimodo looks remarkably like Charles Ogle in Thomas Edison's "Frankenstein" (1910).
Although the picture vilified organized Christianity by portraying members of the clergy as sadistic and duplicitous, it was theatrically released in the USA in December 1911, shortly before Christmas.
The Story of the Star-Spangled Banner 1921
Producer/Script/Cinematography/Director: Frank Holland 14 min. B/W silent w/music score English Inter-titles.
American historical documentary short film created by Frank Holland detailing the story of Francis Scott Key and how he wrote the Star-Spangled Banner after witnessing the bombardment of Fort McHenry during the War of 1812. Considered a rare film by cinema historians and scholars.
The Deerslayer and Chingaschgook 1920
Producer/Director: Arthur Wellin Script: James Fenimore Cooper (novel), Robert Heymann Cinematography: Ernest Pilhak CAST: Emil Mamelok, Bela Lugosi, Herta Heden, Gottfried Kraus Production: Luna-Film Release: September 14, 1920 61 min. B/W silent w/music score English Inter-titles.
German silent Western adventure film produced and directed by Arthur Wellin starring Emil Mamelok (as the Deerslayer), Bela Lugosi, Herta Heden, Gottfried Kraus, etc.
"The Deerslayer and Chingachgook" is based on the 1841 novel by James Fenimore Cooper which concerns Chingachgook, the son of the chief of the Delaware native Indian tribe and the faithful friend of Hawkeye the Deerslayer who is raised by his tribe after being orphaned.
The Treasure 1923
Producer/Director: G. W. Pabst Script: Rudolf Hans Bartsch (novel), Willy Hennings, G. W. Past Director: G. W. Pabst Cinematography: Otto Tober CAST: Albert Steinrueck, Werner Krauss, Lucie Mannheim, Hans Brausewetter Production: Carl Froelich-Film Release: February 26, 1923 80 min. Color-tinted silent w/music score German Inter-titles.
German silent drama film produced, co-written and directed by G. W. Pabst starring Albert steinrueck, Werner Krauss, Lucie Mannheim, Hans Brausewetter, etc.
"The Treasure" is based on the novel by Rudolf Hans Bartsch concerning a bell-maker near Marburg, villagers tell the story of a treasure that was carefully hidden during the Turkish invasion of 1683, the year the Turkish Army was besieging Vienna. The entire population of the village thinks it's complete nonsense with the exception of an elderly worker there, who believes that the treasure must be in the bell-maker's home. A young traveling worker who has fallen in love with the bell-maker's daughter Beate makes amusement of this, but she convinces him that the elderly worker is not that wrong. He starts out searching for himself, and soon he locates it, as well as the elderly worker. He tells his superior, who decides, that the young one must disappear. So he and Beate are departing, while the elderly worker offers his part of the treasure to his boss providing he allows him to marry Beate. After coming home, Beate learns of this and they depart together with the young worker.
German film historian Lotte Eisner wrote about Pabst's cinematic classic stating: "Here Pabst still exemplifies the German director's delight in the Expressionist ornamental style, the bell-maker's wife, who comes along hurriedly, carries an immense tray close under her head, her upper body disappears, with her puffy skirts she almost looks like one of those bulbous bells her husband is casting. Pabst lets the camera linger for a long time in such shots. it seems surprising that an artist like Pabst should begin in this way. There is no sense of his personal style here, any director with an Expressionist bent who was looking for beautiful visual effects could have made this film."
The Jazz Band Leader aka That Ragtime Band 1913
Producer/Script/Cinematography/Director: Mack Sennett CAST: Fatty Arbuckle, Ford Sterling, Mabel Normand, Nick Cogley, Raymond Hatton Production: Keystone Film Co. Release: May 1, 1913 13 min. B/W silent w/music score English Inter-titles.
American silent comedy short film produced, written, shot and directed by Mack Sennett starring Fatty Arbuckle, Ford Sterling, Mabel Normand, Nick Cogley, Raymond Hatton, etc.
The story concerns the members of a ragtime band whom are rivals for the affections of Mabel Normand, and lively altercations take place at rehearsal. The two make an appearance at an amateur night at the local theatre, and Krause, the band leader, is bombarded with vegetables. He finally is hooked, and in revenge he reappears on the theatre stage with a hose which he manages to turn on the audience.
Two Daughters of Eve aka Eve's Daughters 1921
Producer: Harry R. Sokal Script: Jan S. Kolar, Hellmuth Orthmann, Charlie Roelllinghoff Director: Karel Lamac Cinematography: Otto Heller, Arthur Porchet CAST: Anny Ondra, Karel Lamac, Maria Zeniskova, Stelfie Vids Production: Bratfi Deglove, Sokal Co. Release: April 4, 1928 90 min. B/W silent w/music score English Inter-titles.
Czech/German silent co-production produced by Harry Sokal and directed by Karel Lamac starring Anny Ondra, Karel Lamac, Maria zeniskova, Stelfie Vids, etc."Two Daughters of Eve" is a mixed media docu-drama that analyzes and aims to dismantle misogyny and gender hierarchy within the Christian religion.
This is How the Sun Takes Its Revenge 1915
Producer: Paul Davidson Script: Richard Oswald Director: William Wauer Cinematography: Axel Graatkjaer CAST: Hermann Valentin, Leontine Kuehnberg, Frida Richard, etc. Production: PAGU Release: 1915 39 min. Color-tinted silent w/music score German Inter-titles.
German silent short horror film directed by William Wauer from a script by Richard Oswald and starring Hermann Valentin, Leontine Kuehnberg, Frida Richard, etc.
The story of "This is How the Sun Takes Its Revenge" concerns an innkeeper by the name of Matter who operates a small, rather run-down inn located somewhere in the middle of nowhere. His haggard and ill wife lies in bed day after day and urgently in need of medical attention, which her husband cannot pay for. His young teenage daughter, Aranka tries in vain to beg the pharmacist for the medication prescribed by the doctor. One day, an itinerant flute player enters the inn and spends the night in the poor, semi-ruined establishment. That same evening, Matter sees that the minstrel obviously has a lot of funds thanks to his highly entertaining talent, and so he comes up with a plan: armed with an axe, he intends to kill his sleeping guest in his bed at night. But then his teenage daughter gets in the way, telling her father to ask the musician to play one more piece so that her ill mother can forget her pain for a brief moment. When the stranger moves in on the next day with his instruments, Matter secretly follows him. The moment the musician sits down briefly in the middle of the landscape to rest a while, the innkeeper creeping up behind him, strikes him mercilessly. The minstrel, who prophesies to his killer as he dies that one day 'the Sun will take it's revenge' on him for his heinous deed, is dead and is robbed by Matter. But the loot arrives far too late as Mater's wife is dead. Shortly afterwards, Aranka finds a small chain in the bar next to her father, who is sleeping off a hangover on the floor. The girl picks up the chain and keeps it. Twelve long years pass, and the young daughter has grown into a fully-grown woman. The widow of the murdered traveling musician and his son, Arpad, who has evidently inherited his father musical instruments and rightly so as he too has the same brilliant artistic talent as a musician and has relocated nearby. They have followed the dead man's trail, which ends here, in this area. With the minstrel's stolen funds, Matter has constructed a brand new, much better built inn and has since left the old, dilapidated structure. Matter wishes for his daughter to marry the son of a local wealthy farmer, but she vehemently rejects the idea. Aranka and Arpad have fallen in love with one another. Matter seeks to have a sneak peak at the husband to be in the meantime. Matter is really in shock when, believing the musician, who plays the fiddle, he sees the reincarnation of the man he had murdered. Matter recalls the dead man's prophecy, believing he is being persecuted, and becomes increasingly driven and even deranged. He largely avoids all sunlight from now on. Back at home, his daughter confronts him about the gold chain he once found, which she has been wearing around her neck ever since. Suspecting that she knows about his gruesome deed, he storms out of the house, not without first locking Aranks in and nailing the door secretly shut. Next Matter gets a long ladder and nails her windows shut from the outside. Meanwhile, her lover Arpad waits extensively for Aranka, but she does not appear. So he then sets out to locate her. He hears his daughter's cries for help through the nailed-up window and breaks open the wooden paneling with an axe. Villagers who rush to the scene are finally able to break down the door that Matter had nailed shut and manage to free the lovers. Burdened by the immorality of his crime, Matter has now descended into madness. He staggers about everywhere, hearing voices in his head. finally he returns to his old, abandoned, and half-ruined tavern. Matter proclaims, "The sun's rays want to consume me." Matter delves into abject paranoia and madness as he crawls down into the cellar. He strikes a match to lighten-up the cellar, but in a fit of utter panic, he drops the lit match, setting the scattered straw ablaze. Locked into his own prison now, it is soon completely ablaze and an inferno. Matter wanders through the crumbling, smoke-filled walls, frantically shouting, "The sun's embers are taking revenge!" The innkeeper can no longer escape his certain fate, and the prophecy that 'the sun will take revenge' on him for his heinous misdeeds at long last comes true.
Law of Love: From the Portfolio of a Sexologist 1927
Producers/Direction: Magnus Hirschfeld, Richard Oswald Script: Magus Hirschfeld Cinematography: Max Fassbender CAST: Leo Connard, Magnus Hirschfeld, Fritz Schultz, Reinhold Schuenzel, Conrad Veidt Production: Humboldt-Film GmbH Release: February 17, 1929 102 min. B/W silent w/music score German Inter-titles.
German silent sexology docu-drama produced, written and directed by Berlin sexologist Magus Hirschfeld and film director Richard Oswald starring Leo Connard, Magnus Hirschfeld, Fritz Schultz, Reihold Schuenzel, Conrad Veidt.
Magnus Hirschfeld was a Berlin sexologist in charge of the Institute for Sexual Sciences and is research and field of study is the basis for this motion picture produced by Humboldt-Film GmbH. Much like Oswald's 1919 "Different Than Others," "Law of Love" was one of the first films to openly depict the notion of being Gay - the production campaigned against Paragraph 175, the provision of the German Penal Code which prohibited sexual relations between men. otherwise referred to as the sodomy law.
"Law of Love" dealt with sexual intercourse in the animal kingdom, firstly, discussing gestation, birth, and the nurturing of newborns, before dealing with "sexual intermediates," a term used by Hirschfeld to refer to certain gender and sexual minorities - hermaphrodites (intersex), transvestites' (cross-dressing) and transgender and Gays. The remainder of the film depicts an abridged version of "Different Than Others" (1919) entitled "Innocently Outlawed! Tragedy of a Homosexual."
"Laws of Love" naturally encountered difficulties with the film censorship board in Germany at the time. On October 6, 1927 the film was approved by the Film Review Office, provided it removed references to law reform (opposition to Paragraph 175).
On October 12, 1927 at the behest of the Film Review Office chairman Ernst Seeger, the film was re-released before a new panel of film censors, who decided to totally ban the production.
On October 31, 1927 on appeal, the previous decision to totally ban the film is reversed. The new panel ruled that the film could in fact be shown, if accompanied with a lecture by a doctor or scientist. However, two members of the same panel dissented.
November 9, 1927 - "Law of Love" is released for adult audiences only, with the segments on sexual intermediacy in the production removed, dealing with homosexuality along with the remainder of the film.
During the few days "Law of Love" ran in Berlin, the picture was not well-received in its initial theatrical released - not even among the Gay press at the time.
However, a print of the film was smuggled out of Germany and shown in the USSR in 1928, where it played under the title "Zakony ljubvi" ("Law of Love"), now the sole version of "different Than others" (1919) in circulation today. Most of all the existing prints and negatives of this film were destroyed by the Nazis once they assumed power in 1933.
Where is My Treasure? 1916
Producer: Paul Davidson Script/CinematographyDirector: Ernst Lubitsch CAST: Julius Falkstein, Ernst Lubitsch, Louise Schenrich, Helene Voss Production: PAGU Release: February 25, 1916 37 min. B/W silent w/music score German Inter-titles.
German silent comedy film written, shot and directed by Ernst Lubitsch starring Lubitsch himself, Julius Falkstein, Louise Schenrich, Helne Voss, etc.
This early vintage comedy film concerns a typical husband who is constantly nagged by his mother-in-law who resides with he and his wife. After arriving home intoxicated one night, he is thrown out by the mother-in-law. He disguises himself as a servant and obtains a job at his own house as a butler.
Burning Border 1927
Producer: Walter Lehmann Script: Ernst B. Fey, Erich Waschneck Director: Erich Waschneck Cinematography: Friedl Behn-Grund CAST: Hubert von Meyendrinck, Olga Chekhova, Camilla Spira, Albert Steinruck, etc. Production: Eiko-Film Release: January 3, 1927 107 min. B/W silent w/music score.
German silent drama film co-written and directed by Erich Waschneck starring Hubert von Meyenrinck, Olga Checkhova, Camilla Spira, Albert Steinruck.
"Burning Border" is set along the disputed German/Polish borderland following where clashes between the two nations threaten to lead to bloodshed. The estate of a young widow is threatened when a local Polish commissioner leads his military forces to occupy it.
King of the Center Forwards 1927
Producer/Director: Fritz Freisler Script: Hugo Huxhol, Kurt Lauermann Cinematography: Guenther Krampf, Artur von Schwertfuehrer CAST: Paul Richter, Fritz Alberti, Colette Brettei, Aud Egede Nissen Production: Olympia-Film Release: November 24, 1927 96 min, B/W silent w/music score.
German silent sports film produced and directed by Fritz Freisler starring Paul Richter, Fritz Alberti, colette Brettel, Aud Egede Nissen, etc.
The story of "King of the Center Forwards" concerns the son of a trade firm's director manages to fall in love with the daughter of a big American oil magnate, but she suspects he is only interested in her wealth. So she purchases his father's firm to revenge him. The son's true love is football (soccer), and from the very beginning, football fever is his true obsession.
The Circus 1928
Producer/Script/Director: Charlie Chaplin Cinematography: Roland Thuotheroh CAST: Charlie Chaplin, Al Ernest Garcias, Merna Kennedy, Harry Crocker Production: United Artists Release: January 5, 1927 (NYC), January 27, 1928 (L.A.) 70 min. B/W silent w/music score English Inter-titles.
American silent comedy film written, produced, directed and starring Charlie Chaplin with co-stars Al Ernest Garcias, Merna Kennedy, Harry Cracker, etc.
"The Circus" storyline concerns a circus ringmaster of an improvised entertainment venue hires Chaplin's "Little Tramp" as a clown, but discovers that he can only be truly funny unintentionally.
"The Circus" premiered in New York on January 6, 1928, at the Strand Theatre, and in Los Angeles on January 27, 1928 at Grauman's Chinese Theatre.
The picture was well-received film critics and audiences alike, while its performance at the box-office was good, it had earned less than "The Gold Rush" (1925). The New York Times had commented on the picture at the time of it's initial release: "The Circus" is likely to please intensely those who found something slightly wanted in "The Gold Rush" (1925), but at the same time it will prove a little disappointing to those who reveled in the poetry, the pathos and fine humor of his previous adventure."
Caius Julius Caesar 1914
Producer/Cinematography/Director: Enrico Guazzoni Script: William Shakespeare (play), Raffaele Giovagnoli CAST: Amieto Novelli, Bruto Castellani, Irene Mattalia, Ignazio Lupi Production: Societa Italiana Cines Release: November 1914 112 min. B/W silent w/music score Italian Inter-titles.
Italian silent historical epic film produced, directed and shot by Enrico Guazzoni starring Amieto Novelli (as Caesar), Bruto Castellani, Irene Mattalia, Ignazio Lupi, etc.
"Caius Julius Caesar" is loosely based on William Shakespeare's literary masterpiece of the same title portrays the historical events leading up to the assassination of Julius Caesar. In the wake of Guazzoni's internationally successful "Quo Vadis" (1913) and was produced on a grand, epic scale, including vast ancient Roman sets and more than twenty thousand extras.
The storyline, as mentioned above is based on Shakespeare's famous play, which dramatizes the historical events surrounding the conspiracy to assassinate the Roman emperor Julius Caesar, the subsequent fall, and the political turmoil that ensues.
Enrico Guazzoni, an early pioneer in vintage classic Italian cinema, directed the production. Guazzoni was known for his elaborate historical epics, such as "Quo Vadis" (1913). His meticulous work on "Caius Julius Caesar" reflects a similar commitment to grandiose sets, historical authenticity, and a focus on dramatic storytelling. The epic production utilized large-scale sets to recreate ancient Rome, emphasizing grandeur and authenticity. The picture's visual style was likely influenced by the artistic conventions of Italian cinema during the period, characterized by static camera angles, dramatic theatrical acting, and lavish, ornate historical costumes.
Three Ages 1923
Producer: Joseph M. Schenck, Buster Keaton Script: Clyde Bruckman, Jean C. Havez, Joseph Mitchell, Buster Keaton Direction: Buster Keaton, Edward F. Cline Cinematography: Elgin Lessley, William C. McGann CAST: Buster Keaton, Wallace Beery, Margaret Leahy, Joe Roberts, etc. Production: Buster Keaton Productions Release: September 24, 1923 64 min. B/W silent w/music score English Inter-titles.
American silent feature-length comedy film co-produced, co-written, co-directed and starred comic genius Buster Keaton with co-stars Wallace Beery, Margaret Leahy, Joe Roberts, etc.
"Three Ages" is the first feature film Buster Keaton wrote, produced, directed and starred in, Keaton structured the production as three inter-cut short films. While Keaton was a proven success in the short film medium, he had yet to prove himself as a feature-length star. Cinema historians and scholars site the notion that if "Three Ages" would have flopped, the production would have been broken up into three separate short films, although this has been disputed by cinema scholars who note that Keaton nor his associates made this claim in their entire lifetimes.
In his October 1923 Life Magazine review, Robert E. Sherwood wrote: "Although one has considerable difficulty in following the weird meanderings of Buster's plot, one has no trouble whatsoever in greeting his antics with a hearty laugh. Of the "Three Ages," the cave-man part is easily the most comic."
In reviewing the picture, the 1923 issue of Photoplay Magazine wrote: "Its has its good spots, but it is below Buster's standard."
However, more recently, Dennis Schwartz wrote of "Three Ages": "Though overloaded with too much of a narrative for a Keaton comedy, some flashes of the Keaton genius."
The Wicked Darling 1919
Producer/Director: Tod Browning Script: Evelyn Campbell (story), Harvey Gates (script) Cinematography: Alfred Gosdsen CAST: Lon Chaney, Priscilla Dean, Wellington A. Playter, Gertrude Astor, etc. Production: Universal Manufacturing Co. Release: February 24, 1919 60 min. B/W silent w/music score English Inter-titles.
American silent crime film produced and directed by Tod Browning starring Lon Chaney, Priscilla Dean, Wellington A. Playter, Gertrude Astor, etc.
"The Wicked Darling" was the first occasion Lon Chaney would appear as a star in a Tod Browning production, and many other collaborations between the two would soon follow.
"The Wicked Darling" is considered to be a "lost film" until a single archival print was located in a Dutch film archive which had been unnoticed since the late 1920s.
The story concerns a poor slum girl who is forced to steal for a living. After she robs a wealthy society's matron's diamond necklace, she hides out at the residence of a man who turns out to be in reality the socialite's former fiancé.
The reviews for Browning's "The Wicked Darling" were, for the most part very positive upon release. The Urbana Daily Democrat wrote on October 30, 1919: "FOLKS! Here's a real photoplay treat! A perfectly wonderful love story told in a way that will make you grip your seat and hold your breath - played so you'll never, never forget it. Don't miss it!"
Variety wrote upon the picture's release in 1919: "This last offering should be a success in every way. The story is strong and interesting, the situations good, and it impresses in its apparent reality. Particularly commendable is the work of Lon Chaney as "Stoop," a crook. The entire picture carries itself along with lucidity."
Judith of Bethulia 1914
Producer/Director: D. W. Griffith Script: Thomas Bailey Aldrich, Frank E. Woods, D.W. Griffith Cinematography: G/ W. Bitzer CAST: Blanche Sweet, Henry B. Walthall, Mae Marsh, Lillian Gish Production: Biograph Co. Release: March 8, 1914 61 min. B/W silent w/music score English Inter-titles.
American silent biblical/historical drama co-written, produced and directed by D. W. Griffith starring Blanche Sweet, Henry B. Walthall, Mae Marsh, Lillian Gish, etc.
"Judith of Bethulia" is based on the 1896 play "Judith and the Holofernes" by Thomas Bailey Aldrich, which itself was an adaptation of the biblical "Book of Judith."
"Judith of Bethulia" was the first feature-length motion picture film produced by the Biograph Company, although the second released through the company. The picture is considered the earliest American motion picture produced.
The story, as mentioned is based on the deuterocanonical Book of Judith: during the siege of the Jewish city of Bethulia by the Assyrians, a widow named Judith (Blanche Sweet) has devised a plan to stop the war as her people suffer starvation and are prepared to surrender. The widow disguises herself as a hareem girl and goes to the enemy camp, where she beguiles a general of King Nebuchadnezzar, whose army is besieging the city. Judith seduces Holofernes (Henry Walthall), then while he is intoxicated decapitates him with a sabre. She returns to her city, a great heroine.
The critical reviews for "Judith of Bethulia" were most favorable. On March 27, 1914, Variety wrote: "It is not easy to confess one's self unequal to a given task, but to pen an adequate description of the Biograph's production of "Judith of Bethulia" is, to say the least, a full grown man's job."
While The Moving Picture World wrote on March 7, 1914: "A festinating work of high artistry, "Judith of Bethulia"" will not only rank as an achievement in this country, but will make foreign producers sit up and take notice."
Made for Love 1926
Producer: Cecil B. DeMille Script: Garrett Fort (story, scenario) Director: Paul Sloane Cinematography: Arthur C. Miller CAST: Leatrice Joy, Edmund Burns, Ethel Wales, Bertram Grassby Production: Cinema Corporation of America Release: February 14, 1926 65 min. B/W silent w/music score English Inter-titles.
American silent romantic drama film produced by C. B. DeMille and directed by Paul Sloane starring Leatrice Joy, Edmund Burns, Ethel Wales, Bertram Grassby, etc.
The story concerns a young American archaeologist by the name of Nicholas Ainsworth working in Egypt who neglects his wife Joan Ainsworth for his work, in which he is assisted by Lady Diana Trent, a titled Englishwoman. His wife resents her husband's attitude and, after a number of adventures, accepts the attentions of a native prince. For revenge of what he considers to be an affront to his family, the prince plots tp dynamite an ancient tomb while the scientist is working in it. The neglected wife rides to warn her husband of the danger. Both are trapped by the huge explosion. The prince is killed by a falling rock, and the scientist and his wife are finally rescued and reconciled at long last.
The Enchanted Cottage 1924
Executive Producer: Richard Barthelmess Producer/Director: John S. Robertson Script: Arthur Wing Pinero (play), Josephine Lovett (scenario), Gertrude Chase (inter-titles) Cinematography: George J. Folsey CAST: Richard Barthelmess, May McAvoy, Ida Waterman, Alfred Hickman Production: Inspiration Pictures Release: March 24, 1924 78 min. B/W silent w/music score English Inter-titles.
American silent drama film produced and directed by John S. Robertson starring Richard Barthelmess, May McAvoy, Ida Waterman, Alfred Hickman, etc.
"The Enchanted Cottage" was produced by Richard Barthelmess, through his own production company Inspiration Pictures, and released through Associated First National. Bathelmess and Mau McAvoy star in the intense drama, which depicts how two lonely people - a young man mutilated in the horrors of war and a simple, plain young woman - both experience the transforming power of love.
A film reviewer for Photoplay Magazine wrote at the time of the release of "The Enchanted Cottage": "To anyone with a poetic soul, this picture will be a rare treat. But the too literal person will be sadly disappointed. A picture for folk who dare to dream."
Film critic Fred Schader of Variety wrote: "It is a picture that interests to a certain extent, but in its handling the general idea of the fantasy isn't driven home sufficiently early in the story to make it possible for the average film fan to grasp it."
The White Outlaw 1925
Producer/Director: Clifford Smith Script: Isadore Bernstein Cinematography: William Nobles CAST: Jack Hoxie, Marceline Day, Scout the Horse, Rex the Dog, Duke R. Lee Production: Universal Pictures Release: September 6, 1925 50 min. B/W silent w/music score English Inter-titles.
American silent Western film produced and directed by Clifford Smith starring Jack Hoxie, Marceline Day, Scout the Horse, Rex the Dog, Duke R. Lee, etc.
The story a Western rancher who loses his trick horse, he vows his determination to recover his precious breed. One of the ranch hands is responsible for the horse's runaway. The foreman of the ranch accuses the rancher of stealing horses, but it is discovered that the wild horse had released all the other horses. Jack Hoxie manages to capture the wild horse and prevents a stampede, rescuing his sweetheart Mary Gale. His honor and courage are vindicated, and he wins the young woman's heart in the end.
Riders of the Law 1922
Producer: Anthony J. Xydias Script/Director: Robert N. Bradbury Cinematography: Bert Longenecker CAST: Jack Hoxie, Marin Sais, Frank Rice, Pat Harmon Production: Sunset Productions Release: December 15, 1922 52 min. B/W silent w/music score English Inter-titles.
American silent Western adventure film written and directed by Robert N. Bradbury starring Jack Hoxie, Marin Sais, Frank Rice, Pat Harmon, etc,
The story concerns the rigid law of the Northwest with Jack Meadows' efforts to set free a girl's father, who happens to be the sheriff. The man has been wounded by outlaws and discovered near dying by Jack Meadows and his loyal sidekick. The two set out to bring the criminals to justice. The young girl at first misjudges Jack Meadows and thinks he is responsible for her father's disappearance. When he proves the respected deputy is in reality the leader of a band of booze smugglers and captures the criminals, she changes her mind altogether. Jack Meadows' true identity as a government ranger is finally established.
The Idol Dancer 1920
Producer/Director: D. W. Griffith Script: Gordon Ray Young (novel), Stanner E. V. Taylor Cinematography: Paul H. Allen, G. W. Bitzer CAST: Richard Barthelmess, Clarine Seymour, Creighton Hale, George MacQuarrie Production: D. W. Griffith Productions Release: March 21, 1920 104 min. B/W silent w/music score English Inter-titles.
American silent South Seas drama produced and directed by D. W. Griffith starring Richard Barthelmess, Clarine Seymour, Creighton Hale, George MacQuarrie, etc.
"The Idol Dancer" is based on the novel "Blood of the Covenants" by Gordon Ray Young and stars Richard Barthelmess and Clarine Seymour in her final screen role. She was a young attractive silent screen actress Griffith had been grooming for stardom at the time. sadly, she passed away with pneumonia shortly after emergency surgery for an intestinal blockage on April 24, 1920 less than a month following the movie's premiere.
The story of "The Idol Dancer" concerns a beautiful young woman by the name of Mary (Clarine Seymour) who is the daughter of a French man and a Javanese mother and enjoys dancing. She has two love interests - one is a beachcomber named Dan McGuire, who was tossed off a passing ship for failing to work and only seeks to consume gin instead. The other, named Walter Kincaid, is a poorly young American who came to the island in hopes of regaining his health and is staying with his missionary uncle, named MacQuarrie, and his wife, named Bruce. While on the island, natives from a neighboring island attack. In the end, the beachcomber manages to reform, and Mary finally comes to love him for who he is.
Romeo and Juliet 1911
Producer/Cinematography/Director: Barry O'Neil Script: William Shakespeare (play) CAST: George Laessey, Julia M. Taylor, David Andrada, Robert Halt Production: Thanhouser Film Corp. Release: September 1, 1911 17 min. Color tinted silent w/music score English Inter-titles.
American silent literary adaptation of William Shakespeare's famous play "Romeo and Juliet" produced, shot and directed by Barry O'Neil starring George Laessey (as Romeo), Julia M. Taylor (as Juliet), David Andrada, Robert Halt, etc.
This early vintage film version of Shakespeare's classic play only partially existed for years until now. The remaining "lost" footage included the fatal duel between Romeo and Tybalt, Juliet's parents threatening to disown her should she not wed Paris, Juliet taking Friar Lawrence's potion, Romeo getting fake news of Juliet's death, the dual between Romeo and Paris, and the tragic lover's double suicide which finally brings peace to Verona.
"Romeo and Juliet" is the screen's first attempt of an independent studio to produce a two-reel attraction. The topic had been rendered into motion pictures previously, more than two years previously by the Vitagraph Company. The Thanhouser adaptation is the result of conscientious and skilled craftsmanship and makes the story very simple to every grade of intelligence, a merit which cannot be estimated too highly. "Romeo and Juliet" has been considered a "lost film" for many years.
King Lear 1909
Producer: James Stewart Blackton Script: Eugene Mullin Direction: James Stewart Blackton, William V. Ranous Cinematography: William V. Ranous CAST: William V. Ranous, Julia Arthur, Florence Auer, Maurice Costello Production: Vitagraph Compony 18 min. B/W silent w/music score German Inter-titles.
American silent literary adaptation of William Shakespeare's classic tragedy.
"King Lear" is considered the first screen adaptation of the Shakespeare play as it follows the aging King Lear as he invites disaster when he abdicates his throne to the corrupt, toadying daughters and rejects his one loving, but honest original choice.
"King Lerar" is considered a "lost" film.
The Life and Death of Richard III 1912
Producers: J. Stuart Blackton, M.B. Dudley Script: William Shakespeare (play), Colley Cibber (play), James Keane (script) Direction: James Keane, Andre Calmettes Cinematography: Andre Calmettes CAST: Frederick Warde, Robert Gimp, Albert Gardner, James Keane Production: Film d'Art Release: October 15, 1912 55 min. Color-tinted silent w/music score English inter-titles.
American/French silent literary/historical film was directed by James Keane and Andre Calmettes starring Frederick Warde (as King Lear), Robert Gimp (as King Edward IV), Albert Gardner (as Prince Edward of Lancaster), James Keane (as Henry Tudor), etc.
"The Life and Death of Richard III" was one of the very first screen adaptations of William Shakespeare's famous play and Colley Gibber's 1699 adaptation. The fifty-five minute motion picture, an international co-production of the USA and France, was produced by Film d'Art.
When "The Life and Death of Richard III" was released in the USA, actor Frederick Warde would often appear at screenings, giving a short lecture, and then reading extracts from the play during the changing of the reels, which were then referred to as "acts." The picture begins with Frederick Warde, in modern dress, emerging from behind a theatrical curtain. The film also features two scenes from "Henry VI, Act III," which details the murder of Prince Edward and Richard III's murder of Henry VI.
"The Life and Death of Richard III" is the oldest surviving feature-length motion picture, and is also thought to be the first feature-length Shakespearean screen adaptation produced. This film has long been regarded as a "lost" film. As early as 1922, the picture was thought "lost." It was not until the late 1990s that a single surviving rare 35mm print was discovered at the Bluebird Theatre in Portland, Oregon. FMHV is pleased to present this complete, uncut version of James Keane's vintage production as it was originally shown in 1912.